BROADWAY GROSSES

Weekly Broadway Box Office Grosses presented by TheaterMania.com.

DATES:
1.

Hamilton

$3,040,435

Hamilton

Revenue: $3,040,435
Potential Revenue: $2,629,808
Performances: 8
102% of capacity
2.

The Lion King

$2,219,979

The Lion King

Revenue: $2,219,979
Potential Revenue: $2,449,367
Performances: 8
100% of capacity
3.

Hello, Dolly!

$2,217,271

Hello, Dolly!

Revenue: $2,217,271
Potential Revenue: $1,830,076
Performances: 8
101% of capacity
4.

Wicked

$2,066,330

Wicked

Revenue: $2,066,330
Potential Revenue: $2,002,325
Performances: 9
94% of capacity
5.

Aladdin

$1,703,893

Aladdin

Revenue: $1,703,893
Potential Revenue: $1,751,090
Performances: 8
98% of capacity
6.

Dear Evan Hansen

$1,662,689

Dear Evan Hansen

Revenue: $1,662,689
Potential Revenue: $1,377,584
Performances: 8
101% of capacity
7.

Come From Away

$1,324,586

Come From Away

Revenue: $1,324,586
Potential Revenue: $1,260,966
Performances: 8
102% of capacity
8.

The Book of Mormon

$1,248,038

The Book of Mormon

Revenue: $1,248,038
Potential Revenue: $1,192,364
Performances: 8
102% of capacity
9.

The Phantom of the Opera

$1,104,254

The Phantom of the Opera

Revenue: $1,104,254
Potential Revenue: $1,356,418
Performances: 8
94% of capacity
10.

On Your Feet!

$1,054,473

On Your Feet!

Revenue: $1,054,473
Potential Revenue: $1,552,352
Performances: 8
88% of capacity
11.

School of Rock

$1,039,278

School of Rock

Revenue: $1,039,278
Potential Revenue: $1,445,048
Performances: 8
89% of capacity
12.

Anastasia

$1,026,152

Anastasia

Revenue: $1,026,152
Potential Revenue: $1,144,891
Performances: 8
96% of capacity
13.

Charlie and the Chocolate Factory

$1,014,928

Charlie and the Chocolate Factory

Revenue: $1,014,928
Potential Revenue: $1,390,624
Performances: 8
86% of capacity
14.

The Great Comet

$981,663

The Great Comet

Revenue: $981,663
Potential Revenue: $1,073,872
Performances: 8
100% of capacity
15.

Cats

$824,014

Cats

Revenue: $824,014
Potential Revenue: $1,426,700
Performances: 8
83% of capacity
16.

Kinky Boots

$805,897

Kinky Boots

Revenue: $805,897
Potential Revenue: $1,257,280
Performances: 8
77% of capacity
17.

Groundhog Day

$703,895

Groundhog Day

Revenue: $703,895
Potential Revenue: $1,303,932
Performances: 8
82% of capacity
18.

A Bronx Tale — The Musical

$701,132

A Bronx Tale — The Musical

Revenue: $701,132
Potential Revenue: $921,066
Performances: 8
91% of capacity
19.

Waitress

$700,232

Waitress

Revenue: $700,232
Potential Revenue: $1,019,480
Performances: 8
85% of capacity
20.

Beautiful: The Carole King Musical

$675,440

Beautiful: The Carole King Musical

Revenue: $675,440
Potential Revenue: $1,093,166
Performances: 8
81% of capacity
21.

Chicago

$625,234

Chicago

Revenue: $625,234
Potential Revenue: $958,024
Performances: 8
84% of capacity
22.

Miss Saigon

$620,323

Miss Saigon

Revenue: $620,323
Potential Revenue: $1,273,858
Performances: 8
67% of capacity
23.

War Paint

$581,521

War Paint

Revenue: $581,521
Potential Revenue: $1,260,814
Performances: 8
78% of capacity
24.

Bandstand

$554,455

Bandstand

Revenue: $554,455
Potential Revenue: $1,010,288
Performances: 8
79% of capacity
25.

Michael Moore: The Terms of My Surrender

$407,526

Michael Moore: The Terms of My Surrender

Revenue: $407,526
Potential Revenue: $751,376
Performances: 4, with 4 Previews
87% of capacity
26.

1984

$335,041

1984

Revenue: $335,041
Potential Revenue: $774,829
Performances: 8
69% of capacity
27.

The Play That Goes Wrong

$332,103

The Play That Goes Wrong

Revenue: $332,103
Potential Revenue: $677,688
Performances: 8
75% of capacity
28.

Prince of Broadway

$310,279

Prince of Broadway

Revenue: $310,279
Potential Revenue: $747,008
Performances: 8 Previews
93% of capacity
29.

A Doll's House, Part 2

$233,522

A Doll's House, Part 2

Revenue: $233,522
Potential Revenue: $702,872
Performances: 8
77% of capacity
30.

Marvin's Room

$197,740

Marvin's Room

Revenue: $197,740
Potential Revenue: $667,304
Performances: 8
65% of capacity

Weekly grosses and other Broadway data are compiled by and are a product of The Broadway League, which is pleased to provide them as a courtesy. The League encourages reproduction of its data, provided the appropriate credit is given to The Broadway League.