SHOWS AND TICKETS
- Concerts / Events
- Family / Kids
- Magic Show
- Performance Art
- Solo Performance
- Stand-up/Sketch Comedy
AND reset dates
The? Unicorn? Hour? invites the audience to discover and grow in an atmosphere where joy can float freely. Inspired by childhood favorites like Mr. Rogers' Neighborhood and Peewee's Playhouse, this show claims joy as the core fantastical world of adventure within people. Joy is an active choice, requiring a shift of perception of the world around you.
Following his critically lauded production of Eugene O'Neill's The Iceman Cometh, Robert Falls takes on the legendary playwright's sweeping, heartfelt salute to youthful indiscretion and small town life. For the shy and scholarly Richard Miller, fireworks aren't the only flames burning on Fourth of July—this 16-year-old has started going steady with his beautiful neighbor Muriel. Her father, however, disapproves of their relationship and forbids the couple from seeing each other. Spurred by this obstacle, Richard embarks on an evening of hilarious and unexpected rebellion. Ah, Wilderness! delightfully captures the rush of excitement, torment, emotional confusion and bliss that accompanies first love and growing up.
Unseen. Unheard. Unknown.
At the margins of society, on the knife-edge of survival, they work for low wages, in harsh conditions. No safety net. No insurance or protections. No guarantee of work tomorrow.
This critically-acclaimed piece, most recently produced at the UK's National Theatre, is re-imagined for Chicago by writer/director Alexander Zeldin. In association with Dark Harbor Stories, a company led by Ensemble Member David Schwimmer and Tom Hodges, this play is a gritty portrait of those who cling precariously to the bottom rung of the ladder. Full of life, humor, and tenderness, it sheds light on America's shadow economy and shines an unflinching spotlight on the incendiary intersection of race and class.
Blind Date is a backstage glimpse of one of the 20th century's landmark historical events. In an era before Twitter and eHarmony, two of history's oddest couples seek to thaw the seemingly intractable relationship between the United States and Soviet Russia. Despite their advisors' efforts to keep them on track, Ronald Reagan and Mikhail Gorbachev eschew conventional protocols to discuss pop culture and old movies — while their wives mirror their husbands' negotiations in a passive-aggressive tango over tea and fashion choices. Blind Date is a compelling and edgy comic journey through the intricacies of statesmanship.
Some days feel like they will never end. After a morning that includes a cancer scare and kicking her girlfriend out of the house, Octavia decides to have a last turn up with her best friends. In poet Aziza Barnes's ingenious portrait of a day in the life of four young women of color in New York City, BLKS explores the joy and anguish of growing up and out. Riotously funny and magically rendered, Barnes's playwriting debut marks the arrival of a truly original contemporary American voice.
Winner of the 2016 Lambda Literary Award for Best Play, Bright Half Life follows the ups and downs of a modern lesbian relationship. Their moving story is told through a series of fast moving, fragmented memories – from elevator rides as strangers to steamy workplace romances to heartache and building a family.
Acclaimed Chicago actor Larry Yando returns for his 10th season at Goodman Theatre as Ebenezer Scrooge in A Christmas Carol, directed for the fifth year by artistic associate Henry Wishcamper. Dickens' holiday classic tells the tale of greedy businessman Ebenezer Scrooge, whose sizable bank account is only matched by his disdain for the holidays. One Christmas Eve, Scrooge is visited by four ghosts who take him on a spectacular adventure through his past, present, and future, helping him rediscover the joys of life, love, and friendship. Former cast members include stage and screen notables Jessie Mueller, Joe Minoso, Del Close, Harry J. Lennix, Felicia P. Fields, Raul Esparza, Sally Murphy, and Frank Galati.
Cinderella, an amazing DJ, is stuck in her stepmother's basement and forced to give up her beats to her stepbrother, Chocolate Ice. When the famous J Prince announces auditions for his hip-hop Hollywood jam, Cinderella goes in disguise trying to score the biggest gig in the land. Come see an urban twist on the classic Cinderella fairy tale.
Note: This show is recommended for ages five and up.
Ever seen Hamlet in 10 seconds in reverse? If you like Shakespeare, you'll love this show. If you hate Shakespeare, you'll love this show. Three actors present all the Bard's 37 plays in 97 minutes, making it an irreverent, fast-paced romp that will leave you breathless and helpless with laughter!
A Disappearing Number is an internationally acclaimed play about love, math, and how the past and future connect. In 1913, a clerk in rural India named Srinivasa Ramanujan sends a letter filled with astonishing mathematical theorems to famed mathematician G.H. Hardy. In the present, a math professor and a businessman fall in love. Told in a whirlwind of vignettes spanning history and time, A Disappearing Number is a love letter to numbers, blending the beauty of everyday relationships with the mysticism of the cosmos.
In the dangerous back channels of international resource politics, a wealthy British businessman suffers an untimely accident just before a critical African copper deal is signed. So when his unwitting (and witless) American doppelgänger is thrust into negotiations to avert intercontinental disaster, chaos erupts, leaving us wondering: whose side are we supposed to be on...and who will save Africa? This new American farce is a hilarious, irreverent and timely look at the back-room deals that shape our world and the unlikely cast of characters who make them.
Henrik Ibsen's masterwork finds renewed immediacy in a daring new production from Goodman artistic director Robert Falls. The contamination of a resort town's water supply sets the stage for a battle involving the town's respected mayor, Peter Stockmann, and his brother Thomas, a respected doctor. As the brothers become locked in a combative struggle between political wisdom and personal ethics, the economic fate of the community — and the unity of the town's residents — hangs in the balance.
Hero, a Texas slave, faces a simple yet monumental choice: Join his master in the Confederate army to win his freedom — or remain enslaved at the plantation. As he debates leaving his lover for what may be another empty promise, Hero must take charge of his life, even when much remains beyond his control. Filled with music, wit, and poetic wisdom, this play by Pulitzer Prize winner Suzan-Lori Parks challenges audience members to navigate their own moral compass in a country that both unites and divides.
The 2017 Kia Corthron season begins with the timely Force Continuum. An African-American police officer struggles with the contradictions of his race and profession while confronting the black community he is bound to protect and being haunted by his cop father's violent death. This play is a jagged, precarious journey whereby all gradually grasp that understanding comes not just through seeing others but hearing.
Forty-two Stories is a comedy about life in a Lake Shore Drive high-rise condo building where a professional student from the University of Chicago is moonlighting as a janitor, a stressed-out apartment manager is at odds with the residents and on the edge of a nervous breakdown, and a motley assortment of other staff members struggle with survival in the face of urban pandemonium — and with the fact that one of them may be breaking into the units and stealing women's underwear.
Gentle is a world-premiere play based on the short story "A Gentle Woman" by Fyodor Dostoyevsky. It follows a young immigrant woman, a pawnbroker, and their maid over the course of a short, mysterious marriage. Dostoevsky's brilliant tale of the obsessive power of ego and its ability to push ordinary people to extraordinary measures is modernized as a story of our times. Zeljko Djukic (Uncle Vanya) directs; Natasha Bogojevich contributes original music.
First produced by the House Theatre of Chicago in its third season, The Great and Terrible Wizard of Oz returns with a modern twist on the classic American tale. A twister lands our teenage Dorothy and her house in Munchkinland. Right on top of a wicked witch. Her phone won't work, her dog is scared, and she's desperate to get home to what little family she has left. But the town's residents are gleefully celebrating Dorothy's powers as the fabled witch slayer. When Glinda and the munchkins can't convince her to stick around and be their new hero, they send her down the road of yellow brick, wearing enchanted boots soaked in the red blood of the slain witch. A favor from the fabled all-powerful wizard will be her only chance to get out of Oz.
India 1648. The dawn will reveal for the first time the extraordinary beauty of the Taj Mahal, built as a tribute to the ruler who demanded its construction. But for two hapless imperial guards, the morning light brings with it an unspeakable task that will shake their faith in God, the empire, and their lifelong friendship. This boldly funny and deeply moving play examines the true meaning of beauty and the cost of transcendence in a world that confuses the value of both.
The Delany sisters, Sadie and Bessie, remain best friends and roommates even as they pass their centennial birthdays. As they prepare a meal in honor of their late father, a former slave, they reminisce about the joys and challenges of their lives: coming to maturity in the Jim Crow South, experiencing the Harlem Renaissance and rising to unimagined professional prominence. Having Our Say showcases the sisters' unique, indomitable spirits as they fondly recall meeting beloved historical figures and denounce prejudices that infect the country.
The classic dysfunctional family drama has crashed in a new place. Meet Paige, a wife and mother liberated from an oppressive and abusive marriage; Max, her newly out transgender son; and Isaac, Max's PTSD-addled older brother, who discovers a brand-new war zone when he comes home from Afghanistan. Hir's crusade to shake up the patriarchy is funny and absurd. The play looks at an American family forced to build a new world out of the pieces of the old.
Taylor Mac (who uses "judy" not as a name but as a gender pronoun) is a playwright, actor, singer-songwriter, performance artist, director, and producer. Hir is one of the 17 full-length plays and performance pieces judy has written.
Floundering a bit after the death of his aged (and domineering) mother, Manley Carstairs, a self-styled literary artist, engages a housekeeper, Annie Dankworth, to look after his large Victorian house (and him). When Annie first arrives, wearing sneakers and carrying her belongings in a grocery cart, Manley is taken aback, but she seems so eager to please that he relents — after which point their relationship progresses rapidly from restraint to hatred. Annie is one of the world's great oddballs. She insults her employer, denigrates his writing, admits she forged her references, accuses Manley of lusting after her, and makes his life hell in general. Eventually Manley can take no more, but when he advances on Annie with strangulation in mind, he trips, falls into her arms, they embrace, and the rest is history.
In to America is a world-premiere drama that traces the American immigrant experience from Jamestown to the present day through the stories of ordinary men, women, and children who left their homelands in the hope of creating a new life. Four hundred years in the making, In to America transcends time, space, and race to reflect the diversity and commonalities of the American experience. Dorothy Milne directs this journey through history; Bill Massolia (Letters Home) scripted it.
A father and daughter fish for silence in both the Euphrates and Poudre Rivers after serving in Iraq — a Marine Corp enlistment separated by 16 years. Johnny 10 Beers' Daughter shares the personal and public struggles created by war. This dialogue-driven drama showcases the battle with postwar life and inner-self, capturing the silence and the explosions of anger created by PTSD.
The affable Larry Yee remains a driving force in the San Francisco Chinese American community as the head of the Yee Family Association, a seemingly obsolescent men's club dedicated to the preservation of the Yee line. His daughter Lauren, however, is dismissive of its patriarchal culture policy, despite her father's lifelong dedication to the group. When Larry suddenly goes missing, Lauren's desperate search drops her into a strange but familiar world where she will have to embrace the past if she wants to get her father back. Explore the vivid history of America's largest Chinatown through the eyes of a new generation in Lauren Yee's hilarious and touching theatrical quest to connect with her family lineage.
Instinct, tenacity, biting humor, and trust in the future keep Lela alive as her world closes in around her. Based on a true story, Lela & Co. is an eerily funny and enthralling story about the horrifying enterprise of war and a girl who may or may not have eaten some frosting.
Wheeler is 50. His marriage is over, his job is mundane, and the best years of his life appear to be behind him. A move from the cot in his ex-wife's garage to his own apartment opens up new possibilities for love and sex — complicated, painful, and hilarious. Full of opinions, yet short on self-examination, Wheeler is a modern misanthrope who must reconcile the man he has become with the man he wants to be.
Author Tracy Letts is a Pulitzer Prize- and Tony Award-winning playwright, actor, and member of the Steppenwolf ensemble. His works include August: Osage County, Superior Donuts, The Man From Nebraska, and Killer Joe and Bug. He is also known for his portrayal of Andrew Lockhart in Showtime's Homeland and can be seen in The Big Short and HBO's Divorce.
Grace Harkaway, who considers herself immune to love, is marrying elderly Sir Harcourt Courtly for his money. Then she meets his son. Then Sir harcourt meets horse-riding virago Lady Gay Spanker, who enters in her leather-trimmed hunting suit wielding a riding crop, and goes on to complicate the already complicated romantic entanglements of the play. The comedy sensation of 1841 has been produced repeatedly in New York and London up to the present day, including National Theatre Live's worldwide broadcast in 2010, but has not been seen on a Chicago stage for 120 years. City Lit's production will feature Cameron Feagin as Lady Gay and Kingsley Day as Sir Harcourt.
This spring's LookOut Series features Chicago-based, Latinx artists. Its electrifying mix of shows, curated by Sandra Delgado and Sandra Marquez, includes the following:
Sound + Fury: A Night of Electronic Storytelling: a night of lyrics and vocals weaved through electronically driven Latin, house, and hip-hop music.
Saints and Sinners: a storytelling night of personal stories that defy being put neatly into a box.
An Evening With Carlos Flores and Julio Bishop: a one-night-only event exploring the rich history of Puerto Rican culture in Chicago.
An Evening of Sizzling Mambo With Saladeen Alamin
La Havana Madrid: a world-premiere play about a long-gone Chicago nightclub that drew throngs of newly arrived Latinos to the city's north side.
What happens when the tiny inhabitants of a secluded island seek to join the developed world and form a basketball team? When one of their players, a down-at-heel American journeyman named Michael Jordan (not the Michael Jordan), won't shoot or pass the ball, he ensures a losing season for his vertically-challenged team. Playing out entirely in the Q&A format of postgame conferences, Michael Jordan in Lilliput combines the fantastical with the mundane and the expansive with the irrelevant.
Steppenwolf's production of The Minutes will premiere at Steppenwolf and then move directly to Broadway in spring 2018.
The Minutes, by Tracy Letts, the author of August: Osage County, is a scathing new comedy about small-town politics and real-world power that exposes the ugliness behind some of our most closely held American narratives while asking each of us what we would do to keep from becoming history's losers.
The Minutes, by Pulitzer Prize winner Tracy Letts, the author of August: Osage County, comes a scathing new comedy about small-town politics and real-world power that exposes the ugliness behind some of our most closely held American narratives while asking each of us what we would do to keep from becoming history's losers.
Winner of four Jeff Awards, including Best Production, and fresh off a national tour, the critically-acclaimed Moby Dick returns to the Lookingglass stage in this harrowing and intoxicating exploration of revenge, obsession, and destiny.
Madness rages like the angry sea when man pits himself against leviathan in Herman Melville's epic and poetic tale, furiously reimagined by director David Catlin.
Climb aboard the Pequod with Ishmael, Starbuck, and the intrepid crew on a voyage into the darkest reaches of the human psyche with an insatiably driven Captain Ahab at the helm in reckless pursuit of the legendary white whale.
Entering Mrs. Phu's means crossing a gauntlet of steadfast Reaganites and pro-lifers. Just on the other side of the trenches lies a world where a waiter wrangles eccentric customers, a hippie lady floats aimlessly, and three very different women gather to receive abortions under the constraints of stringent federal mandates.
Note: This show is recommended for mature audiences.
Charlotte and Jonny have grown up together, and are now trying to determine whether their close friendship might be something more. When they discover exactly what "more" actually entails, however, it comes as a surprise to them both—and to Charlotte's parents, who are holding secrets and resentments of their own. This compelling story of intricate relationships is an explosive and contemporary look at race, sexual identity and family dynamics.
Marti Lyons, one of Chicago's finest emerging directors, brings her unique vision to this deeply insightful and very funny new play, using the intimacy of WT's Gillian Theatre to bring audiences face-to-face with the challenges of loving someone completely while trying to determine exactly what that means.
Pablo, a high-powered lawyer, and his pregnant wife Tania, a doctoral candidate, think they have hit the jackpot with their new home. It seems to have everything they dreamed of: a nice neighborhood, plenty of bedrooms for their growing family, outdoor space, and friendly neighbors. When Pablo and Tania decide to upgrade the eyesore chain link fence in their backyard, neighbors Virginia and Frank couldn't be happier. Happy until they think their new neighbors are taking more than they deserve. A disagreement over a property line quickly spirals into a war of taste, class and entitlement in Native Gardens, a hilarious comedy by Karen Zacarias and directed by Marti Lyons.
After surviving a tumultuous upbringing in war-torn Liberia, Shedrick Yarpai has found a new home in a sunny, coastal Australian city. Safe from the horrific perils of guerrilla soldiers and refugee camps, Shedrick now faces a different type of danger: the haunting memories stirring inside him. Inspired by writer Charles Smith's friendship with a Liberian refugee-turned-acclaimed-actor, the playwright crafts a harrowing story of personal honor vs. familial obligation and the responsibility that comes with being a survivor.
Ten years after their critically acclaimed collaboration on King Lear, Robert Falls and stage and screen star Stacy Keach — both 2015 Theater Hall of Fame inductees — reunite for the world premiere of Pamplona by Jim McGrath. Keach stars as Ernest Hemingway, one of the most celebrated novelists and short story writers of the 20th century in this explosive tour-de-force drama, set during the author's haunted years following his Pulitzer and Nobel Prize honors.
In this play, after the prize comes the pressure. Basking in the glory of career-defining awards — the 1953 Pulitzer Prize and the Nobel Prize for Literature in 1954 — legendary writer Ernest Hemingway insists his best work is yet to come. Five years later, holed up in a Spanish hotel with a looming deadline, he struggles to knock out a story about the rivalrous matadors of Pamplona. But his real battles lie outside the bullfighting arena; in declining health, consumed by his troubled fourth marriage, and tormented by the specter of past glories, he must now conquer the deepening despair that threatens to engulf him.
Pamplona marks Keach's second exploration of the literary legend: He earned a Golden Globe Award and an Emmy nomination for his portrayal of Hemingway in the eponymous 1988 television miniseries.
In this bold, incendiary riff on Waiting for Godot, two young black men are standing around on the corner — talking smack, killing time, and hoping that maybe today will be different. When a white man wanders into their space, an escalating crisis threatens to prevent their escape from the block. In Pass Over, pop culture collides with historical and religious references to create a hilarious and disturbing meditation on manhood, race, and the cycle of violence that prevents too many from realizing their potential.
Playwright Antoinette Nwandu is a member of the Ars Nova Play Group. Her plays have been produced and developed by Page73, Ars Nova, the Flea, and Naked Angels, among others. She is a recipient of the Lorraine Hansberry Playwriting Award, the Negro Ensemble Company's Douglas Turner Ward Prize, and a literary fellowship from the Eugene O'Neill Playwrights Conference. In spring 2016, Pass Over received a workshop as part of the Cherry Lane Mentor Project under the mentorship of Katori Hall.
PhD candidates Sanam and Ariel have spent the better part of the last decade exhaustively researching vanishing bee populations across the globe. Just as these close friends are about to publish a career-defining paper, Sanam stumbles upon an error in their calculations, which could cause catastrophic damage to their reputations, careers, and friendship. Now, Sanam is confronted with an impossible choice: look the other way or stand by her principles and accept the consequences?
When a museum guard decides to touch a famous Rembrandt painting, a remarkable journey across the ages ensues. Spanning centuries of human experience, Jessica Dickey's The Rembrandt movingly explores the power of creative expression and the sacrifices we make in the pursuit of love and beauty, reminding us that though our beliefs may die with the sound of our voice, it's the love we share — and the art that love inspires — that finds eternity.
Helena is dreading her sister's wedding. The groom, Duarte, should have been hers. She knows her sister, Belmira, only wants to escape their quiet Brazilian town for an exciting new life in the city. Three days before the wedding, a mysterious stranger is pulled out of the river—a man with no past who offers both sisters an alluring, possibly dangerous future.
Sharon is Midwestern nice. But to Robyn, her new roommate from the Bronx, that just means nosy and very, very talkative. A comical mismatch leads to a surprising and touching friendship in The Roommate, a new comedy about how early-life choices lead to midlife challenges and the unexpected rewards of bridging the divide.
What starts off with an amusing exchange at a hip Manhattan party quickly turns into something more complex. When close friends Charlie and Lewis meet Clea, a determined young woman making her mark on the New York scene, it sets them off on an emotional roller coaster. This provocative comedy-drama explores the dark edges of commitment and the struggles of balancing authenticity with ambition.
WT Resident Director Kimberly Senior, who recently directed the Pulitzer Prize-wining Disgraced on Broadway and who has helmed past WT hits The Letters, Hedda Gabler, The Diary of Anne Frank and Marjorie Prime, takes on Theresa Rebeck's wickedly biting and often hilarious play about the search for the ever elusive "place-to-be," and the three old friends whose lives are irrevocably changed when they discover how fragile the foundations of their relationships really are.
The Oscar-winning romantic comedy about Shakespeare and the Lord Chamberlain's Men returns to its rightful home — the stage. Imagine a young playwright on the make struggling to write his new tragic love story, Romeo and Ethel, The Pirate's Daughter. The title just doesn't have the right ring — and young Will Shakespeare knows it. He's got writer's block and must do something quickly. Will needs a muse, and he finds one in Viola, a vivacious beauty who will do anything — even disguise herself as a man — to audition for the stage, where no women are permitted to perform. Once revealed, the torrid affair begins inspiring the completion of the most romantic tragedy ever penned. Backstage maneuverings jostle hilariously with onstage dramas in this love letter to the theater itself, directed by multi-Jeff Award winner and Chicago Shakespeare favorite Rachel Rockwell.
Skin for Skin depicts the biblical Job as a Muslim-American contractor in Baghdad who is suspected of aiding Al-Qaeda. He is imprisoned in an Abu Ghraib-type "black site" and subjected to "enhanced interrogation" as supervised by an American psychologist. The play explores the unintended consequences of torture in the name of God, country, and money. It also features choreography from members of Chicago Danztheatre Ensemble and Actors Gymnasium.
Young Peter's childhood adventures are told through shadow puppetry and movement. This celebration of first experiences is a visual feast! Enjoy the enchantment of a small child growing up in a big city experiencing his first snowfall, first pet, and first crush. Featuring the first African-American protagonist in a full-color picture book series, four of author Ezra Jack Keats' best-selling books — including two Caldecott Award winners — are combined to bring this captivating and poignant play to life.
On the hunt for the biggest story of their careers, two journalists are summoned to travel across the world to meet with the Source: an unidentified leaker of hacked documents and information about the United States government. As these strangers probe one another for the truth and information, they find themselves in a thrilling psychological drama that leads them to examine their motives, their country, and themselves…all while waiting for the Source.
As Ed, a widower, prepares to celebrate Christmas, he calls his three grown sons back to the family home. Games are played, Chinese food is ordered, and brotherly pranks and trash talk distract them from the ongoing issue that threatens to ruin the festivities: When personal identity is essential and privilege is a problem, what is a straight white man to do? Playwright and director Young Jean Lee takes an outside look at the traditional father-son play narrative, shedding new light and hilarity on a story we think we know.
Support Group for Men is a hilarious exploration of what happens when society's new normal doesn't seem so normal to everyone. Thursday night in Wrigleyville is "Guys' Night" for a group of longtime pals. Instead of letting off steam over baseball, they've formed a support group — with its "no ladies" policy strictly enforced — in which they can vent about dashed romances, stalled careers, and other middle-age maladies. But when an unexpected visitor crashes their party, the guys' traditional notions of masculinity are exploded. This topical, Chicago-flavored comedy gleefully dissects the ever-changing role of gender in today's culture — and proves that understanding is sometimes found in the least likely of places.
South Africa, Northern Ireland, Rwanda, Bosnia, and Zimbabwe. Five devastating conflicts, 30 years, one room, and one burning question: Can reconciliation be found when the reluctant truth is finally spoken? Twenty-two actors bring Debbie Tucker Green's 60-minute unblinking exploration of loss to life. Stories from across the world weave together in a search for justice as victims and perpetrators alike struggle for meaning in the aftermath of crime.
Note: This show contains mature content and is not recommended for young theatergoers.
The 2014 fatal police shooting of unarmed black teenager Michael Brown brought international attention to the town of Ferguson, Missouri, and the festering history of race relations in America. Award-winning playwright, performer, and Goodman artistic associate Dael Orlandersmith brings to life a riveting exploration of the tragedy and its aftermath. Based on dozens of interviews with Ferguson residents, Until the Flood encompasses the perspective of such disparate people as a middle-aged black teacher, an elderly barbershop owner, and a white policeman. The result: a richly complex mosaic of a community — and a country — in trauma.
Visionary Belgian director Ivo van Hove injects a raw, pulsating energy into Arthur Miller's 1955 classic, which won the 2016 Tony Awards for best revival of a play and best director. Straight from sold-out runs on Broadway and the West End comes the Chicago debut of van Hove's production. Brooklyn longshoreman Eddie Carbone welcomes his immigrant cousins to America. But when one of them falls for Eddie's young niece, his jealous mistrust exposes an unspeakable secret — one that drives him to commit the ultimate betrayal.
Welcome to the underground drag scene, a place where many gay men create families for themselves. The legendary House of Lights is one such family. As they prepare for a competitive ball with a rival house, the members confront their respective identities within the family. Wig Out! is an electrifying tale of community, queer subculture, and sexuality.
Note: This show is recommended for mature audiences.
The Wolves is an unconventional exploration of the pitfalls of friendship and coming maturity, as seen through the struggles of a girls' athletic team. Nine teenage girls stretch, train, and argue about everything from the meaningful to the mundane as they try to make sense of the world from the relative safety of their suburban patch of Astroturf. Infused with the raw, jagged energy of adolescence, The Wolves offers a refreshingly complex depiction of girls navigating friendships, growing up, confronting the future — and trying to score a few goals.
Ever since her father vanished under mysterious circumstances, Meg Murray's life has been spiraling out of control. But one dark and stormy night, Mrs. Whatsit, Mrs. Who, and Mrs. Which appear with a promise to help rescue him from the monstrous darkness that threatens the universe. Join Meg, her brother Charles Wallace, their pal Calvin, and a host of extraterrestrial friends and foes as they journey into the heart of a terrible evil in the hope of reuniting a fragmented family. A heartwarming adventure across the stars, A Wrinkle in Time returns to the Lifeline stage in a newly revised adaptation of the beloved 1963 novel by Madeleine L'Engle.
The refugee experience is illuminated by this story about love and renewal in the face of past devastation. Challenged by his Iraqi roots, Abdul Samee has obscured his Muslim identity in favor of assimilation — he's changed his name to Sam and even tells his coworkers that he's Italian. But his attitudes change when he meets Yasmina, a refugee from his father's homeland whose own experiences have hardened her to the possibilities of love. As a tentative relationship between the two blossoms into something more, each begins to find hope in the future, buoyed by the power of family, connection, and the embracing of their shared culture.
There's a haunted place between where we started and where we need to be that finds the most tender among us — and breaks them open. In You Got Older, Clare Barron's bawdy, irreverent, and touching play, Mae, brokenhearted and unemployed, returns home to care for her ailing father and escape the loneliness of a life that just can't seem to get off the ground.