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The? Unicorn? Hour? invites the audience to discover and grow in an atmosphere where joy can float freely. Inspired by childhood favorites like Mr. Rogers' Neighborhood and Peewee's Playhouse, this show claims joy as the core fantastical world of adventure within people. Joy is an active choice, requiring a shift of perception of the world around you.
Following his critically lauded production of Eugene O'Neill's The Iceman Cometh, Robert Falls takes on the legendary playwright's sweeping, heartfelt salute to youthful indiscretion and small town life. For the shy and scholarly Richard Miller, fireworks aren't the only flames burning on Fourth of July—this 16-year-old has started going steady with his beautiful neighbor Muriel. Her father, however, disapproves of their relationship and forbids the couple from seeing each other. Spurred by this obstacle, Richard embarks on an evening of hilarious and unexpected rebellion. Ah, Wilderness! delightfully captures the rush of excitement, torment, emotional confusion and bliss that accompanies first love and growing up.
Unseen. Unheard. Unknown.
At the margins of society, on the knife-edge of survival, they work for low wages, in harsh conditions. No safety net. No insurance or protections. No guarantee of work tomorrow.
This critically-acclaimed piece, most recently produced at the UK's National Theatre, is re-imagined for Chicago by writer/director Alexander Zeldin. In association with Dark Harbor Stories, a company led by Ensemble Member David Schwimmer and Tom Hodges, this play is a gritty portrait of those who cling precariously to the bottom rung of the ladder. Full of life, humor, and tenderness, it sheds light on America's shadow economy and shines an unflinching spotlight on the incendiary intersection of race and class.
Blind Date is a backstage glimpse of one of the 20th century's landmark historical events. In an era before Twitter and eHarmony, two of history's oddest couples seek to thaw the seemingly intractable relationship between the United States and Soviet Russia. Despite their advisors' efforts to keep them on track, Ronald Reagan and Mikhail Gorbachev eschew conventional protocols to discuss pop culture and old movies — while their wives mirror their husbands' negotiations in a passive-aggressive tango over tea and fashion choices. Blind Date is a compelling and edgy comic journey through the intricacies of statesmanship.
Some days feel like they will never end. After a morning that includes a cancer scare and kicking her girlfriend out of the house, Octavia decides to have a last turn up with her best friends. In poet Aziza Barnes's ingenious portrait of a day in the life of four young women of color in New York City, BLKS explores the joy and anguish of growing up and out. Riotously funny and magically rendered, Barnes's playwriting debut marks the arrival of a truly original contemporary American voice.
Winner of the 2016 Lambda Literary Award for Best Play, Bright Half Life follows the ups and downs of a modern lesbian relationship. Their moving story is told through a series of fast moving, fragmented memories – from elevator rides as strangers to steamy workplace romances to heartache and building a family.
Mercedes is an outsider. Tara makes sure she knows it. When a high school production of The Crucible forces them together, tensions escalate into acts of bullying — both online and IRL. This world premiere play explores what happens to a teacher and his students when a classroom conflict turns into an online witch hunt.
Note: This show is a Steppenwolf for Young Adults production.
Acclaimed Chicago actor Larry Yando returns for his 10th season at Goodman Theatre as Ebenezer Scrooge in A Christmas Carol, directed for the fifth year by artistic associate Henry Wishcamper. Dickens' holiday classic tells the tale of greedy businessman Ebenezer Scrooge, whose sizable bank account is only matched by his disdain for the holidays. One Christmas Eve, Scrooge is visited by four ghosts who take him on a spectacular adventure through his past, present, and future, helping him rediscover the joys of life, love, and friendship. Former cast members include stage and screen notables Jessie Mueller, Joe Minoso, Del Close, Harry J. Lennix, Felicia P. Fields, Raul Esparza, Sally Murphy, and Frank Galati.
Cinderella, an amazing DJ, is stuck in her stepmother's basement and forced to give up her beats to her stepbrother, Chocolate Ice. When the famous J Prince announces auditions for his hip-hop Hollywood jam, Cinderella goes in disguise trying to score the biggest gig in the land. Come see an urban twist on the classic Cinderella fairy tale.
Note: This show is recommended for ages five and up.
Ellen Cribbs, Jill Matel, and Arin Mulvaney tackle all of Shakespeare's plays in this hilarious play first made famous by the Reduced Shakespeare Company.
Three actors portray over 40 characters in this rollicking roller coaster comedy.
All proceeds benefit the All-Stars educational programming.
Ever seen Hamlet in 10 seconds in reverse? If you like Shakespeare, you'll love this show. If you hate Shakespeare, you'll love this show. Three actors present all the Bard's 37 plays in 97 minutes, making it an irreverent, fast-paced romp that will leave you breathless and helpless with laughter!
Since its premiere in 1953, Arthur Miller's The Crucible, a masterful and chilling portrayal of the historic Salem witch trials and an allegory for the rise of McCarthyism in the late 1940s, has rightfully become an American classic. It serves as both a cautionary tale and a provocation that compels each generation to reflect upon the harrowing world the play portrays.
The people of Salem are whipped into a bloodthirsty frenzy by a series of escalating misinterpretations after a group of teenage girls are accused of dancing devilishly in the woods. Rather than face consequences for their actions, the girls begin a chain of finger-pointing until neighbor turns against neighbor, whispers become testimony, fabrications become facts, and a once powerless teenage girl suddenly has the ability to decide the fate of all those around her. As the hearts of the townsfolk become poisoned, even virtuous farmer and family man John Proctor is falsely accused of witchcraft and must fight a corrupt court to protect his good name.
Note: This show is a Steppenwolf for Young Adults production.
In the dangerous back channels of international resource politics, a wealthy British businessman suffers an untimely accident just before a critical African copper deal is signed. So when his unwitting (and witless) American doppelgänger is thrust into negotiations to avert intercontinental disaster, chaos erupts, leaving us wondering: whose side are we supposed to be on...and who will save Africa? This new American farce is a hilarious, irreverent and timely look at the back-room deals that shape our world and the unlikely cast of characters who make them.
Henrik Ibsen's masterwork finds renewed immediacy in a daring new production from Goodman artistic director Robert Falls. The contamination of a resort town's water supply sets the stage for a battle involving the town's respected mayor, Peter Stockmann, and his brother Thomas, a respected doctor. As the brothers become locked in a combative struggle between political wisdom and personal ethics, the economic fate of the community — and the unity of the town's residents — hangs in the balance.
Hero, a Texas slave, faces a simple yet monumental choice: Join his master in the Confederate army to win his freedom — or remain enslaved at the plantation. As he debates leaving his lover for what may be another empty promise, Hero must take charge of his life, even when much remains beyond his control. Filled with music, wit, and poetic wisdom, this play by Pulitzer Prize winner Suzan-Lori Parks challenges audience members to navigate their own moral compass in a country that both unites and divides.
The 2017 Kia Corthron season begins with the timely Force Continuum. An African-American police officer struggles with the contradictions of his race and profession while confronting the black community he is bound to protect and being haunted by his cop father's violent death. This play is a jagged, precarious journey whereby all gradually grasp that understanding comes not just through seeing others but hearing.
Forty-two Stories is a comedy about life in a Lake Shore Drive high-rise condo building where a professional student from the University of Chicago is moonlighting as a janitor, a stressed-out apartment manager is at odds with the residents and on the edge of a nervous breakdown, and a motley assortment of other staff members struggle with survival in the face of urban pandemonium — and with the fact that one of them may be breaking into the units and stealing women's underwear.
India 1648. The dawn will reveal for the first time the extraordinary beauty of the Taj Mahal, built as a tribute to the ruler who demanded its construction. But for two hapless imperial guards, the morning light brings with it an unspeakable task that will shake their faith in God, the empire, and their lifelong friendship. This boldly funny and deeply moving play examines the true meaning of beauty and the cost of transcendence in a world that confuses the value of both.
The Delany sisters, Sadie and Bessie, remain best friends and roommates even as they pass their centennial birthdays. As they prepare a meal in honor of their late father, a former slave, they reminisce about the joys and challenges of their lives: coming to maturity in the Jim Crow South, experiencing the Harlem Renaissance and rising to unimagined professional prominence. Having Our Say showcases the sisters' unique, indomitable spirits as they fondly recall meeting beloved historical figures and denounce prejudices that infect the country.
Young William Shakespeare is hiding from the law in rural Lancashire, languishing as a simple school master. Christopher Marlowe is living the high life as a spy for the Crown. When a dastardly plot to assassinate the Queen draws these two unforgettable wits together, Will is swept up in a world of intrigue, treachery, and mayhem in an adventure that will define the rest of his life — if he can only manage to save Her Majesty. An irreverent comedy that imagines Shakespeare's "lost years" as a rousing romp through the streets and across the stages of Elizabethan London.
The classic dysfunctional family drama has crashed in a new place. Meet Paige, a wife and mother liberated from an oppressive and abusive marriage; Max, her newly out transgender son; and Isaac, Max's PTSD-addled older brother, who discovers a brand-new war zone when he comes home from Afghanistan. Hir's crusade to shake up the patriarchy is funny and absurd. The play looks at an American family forced to build a new world out of the pieces of the old.
Taylor Mac (who uses "judy" not as a name but as a gender pronoun) is a playwright, actor, singer-songwriter, performance artist, director, and producer. Hir is one of the 17 full-length plays and performance pieces judy has written.
In to America is a world-premiere drama that traces the American immigrant experience from Jamestown to the present day through the stories of ordinary men, women, and children who left their homelands in the hope of creating a new life. Four hundred years in the making, In to America transcends time, space, and race to reflect the diversity and commonalities of the American experience. Dorothy Milne directs this journey through history; Bill Massolia (Letters Home) scripted it.
A father and daughter fish for silence in both the Euphrates and Poudre Rivers after serving in Iraq — a Marine Corp enlistment separated by 16 years. Johnny 10 Beers' Daughter shares the personal and public struggles created by war. This dialogue-driven drama showcases the battle with postwar life and inner-self, capturing the silence and the explosions of anger created by PTSD.
The affable Larry Yee remains a driving force in the San Francisco Chinese American community as the head of the Yee Family Association, a seemingly obsolescent men's club dedicated to the preservation of the Yee line. His daughter Lauren, however, is dismissive of its patriarchal culture policy, despite her father's lifelong dedication to the group. When Larry suddenly goes missing, Lauren's desperate search drops her into a strange but familiar world where she will have to embrace the past if she wants to get her father back. Explore the vivid history of America's largest Chinatown through the eyes of a new generation in Lauren Yee's hilarious and touching theatrical quest to connect with her family lineage.
Instinct, tenacity, biting humor, and trust in the future keep Lela alive as her world closes in around her. Based on a true story, Lela & Co. is an eerily funny and enthralling story about the horrifying enterprise of war and a girl who may or may not have eaten some frosting.
Wheeler is 50. His marriage is over, his job is mundane, and the best years of his life appear to be behind him. A move from the cot in his ex-wife's garage to his own apartment opens up new possibilities for love and sex — complicated, painful, and hilarious. Full of opinions, yet short on self-examination, Wheeler is a modern misanthrope who must reconcile the man he has become with the man he wants to be.
Author Tracy Letts is a Pulitzer Prize- and Tony Award-winning playwright, actor, and member of the Steppenwolf ensemble. His works include August: Osage County, Superior Donuts, The Man From Nebraska, and Killer Joe and Bug. He is also known for his portrayal of Andrew Lockhart in Showtime's Homeland and can be seen in The Big Short and HBO's Divorce.
Grace Harkaway, who considers herself immune to love, is marrying elderly Sir Harcourt Courtly for his money. Then she meets his son. Then Sir harcourt meets horse-riding virago Lady Gay Spanker, who enters in her leather-trimmed hunting suit wielding a riding crop, and goes on to complicate the already complicated romantic entanglements of the play. The comedy sensation of 1841 has been produced repeatedly in New York and London up to the present day, including National Theatre Live's worldwide broadcast in 2010, but has not been seen on a Chicago stage for 120 years. City Lit's production will feature Cameron Feagin as Lady Gay and Kingsley Day as Sir Harcourt.
This spring's LookOut Series features Chicago-based, Latinx artists. Its electrifying mix of shows, curated by Sandra Delgado and Sandra Marquez, includes the following:
Sound + Fury: A Night of Electronic Storytelling: a night of lyrics and vocals weaved through electronically driven Latin, house, and hip-hop music.
Saints and Sinners: a storytelling night of personal stories that defy being put neatly into a box.
An Evening With Carlos Flores and Julio Bishop: a one-night-only event exploring the rich history of Puerto Rican culture in Chicago.
An Evening of Sizzling Mambo With Saladeen Alamin
La Havana Madrid: a world-premiere play about a long-gone Chicago nightclub that drew throngs of newly arrived Latinos to the city's north side.
Celebrated director and playwright Aaron Posner and famed magician Teller (of duo Penn & Teller) join forces for an innovative take on "the Scottish play," returning after their Jeff Award-winning production of The Tempest at Chicago Shakespeare Theater in 2015. With astounding sorcery, this supernatural thriller dives into the psyches of the power-hungry Macbeth and Lady Macbeth.
One will rule. One will fall. Two women of power — Queen Elizabeth I of England and Mary, Queen of Scots — face off in a struggle for the faith of a nation in a new electric adaptation by Peter Oswald. The production is staged by acclaimed director Jenn Thompson, former artistic director of the Actors Company Theater.
What happens when the tiny inhabitants of a secluded island seek to join the developed world and form a basketball team? When one of their players, a down-at-heel American journeyman named Michael Jordan (not the Michael Jordan), won't shoot or pass the ball, he ensures a losing season for his vertically-challenged team. Playing out entirely in the Q&A format of postgame conferences, Michael Jordan in Lilliput combines the fantastical with the mundane and the expansive with the irrelevant.
Steppenwolf's production of The Minutes will premiere at Steppenwolf and then move directly to Broadway in spring 2018.
The Minutes, by Tracy Letts, the author of August: Osage County, is a scathing new comedy about small-town politics and real-world power that exposes the ugliness behind some of our most closely held American narratives while asking each of us what we would do to keep from becoming history's losers.
The Minutes, by Pulitzer Prize winner Tracy Letts, the author of August: Osage County, comes a scathing new comedy about small-town politics and real-world power that exposes the ugliness behind some of our most closely held American narratives while asking each of us what we would do to keep from becoming history's losers.
Winner of four Jeff Awards, including Best Production, and fresh off a national tour, the critically-acclaimed Moby Dick returns to the Lookingglass stage in this harrowing and intoxicating exploration of revenge, obsession, and destiny.
Madness rages like the angry sea when man pits himself against leviathan in Herman Melville's epic and poetic tale, furiously reimagined by director David Catlin.
Climb aboard the Pequod with Ishmael, Starbuck, and the intrepid crew on a voyage into the darkest reaches of the human psyche with an insatiably driven Captain Ahab at the helm in reckless pursuit of the legendary white whale.
Entering Mrs. Phu's means crossing a gauntlet of steadfast Reaganites and pro-lifers. Just on the other side of the trenches lies a world where a waiter wrangles eccentric customers, a hippie lady floats aimlessly, and three very different women gather to receive abortions under the constraints of stringent federal mandates.
Note: This show is recommended for mature audiences.
Pablo, a high-powered lawyer, and his pregnant wife Tania, a doctoral candidate, think they have hit the jackpot with their new home. It seems to have everything they dreamed of: a nice neighborhood, plenty of bedrooms for their growing family, outdoor space, and friendly neighbors. When Pablo and Tania decide to upgrade the eyesore chain link fence in their backyard, neighbors Virginia and Frank couldn't be happier. Happy until they think their new neighbors are taking more than they deserve. A disagreement over a property line quickly spirals into a war of taste, class and entitlement in Native Gardens, a hilarious comedy by Karen Zacarias and directed by Marti Lyons.
After surviving a tumultuous upbringing in war-torn Liberia, Shedrick Yarpai has found a new home in a sunny, coastal Australian city. Safe from the horrific perils of guerrilla soldiers and refugee camps, Shedrick now faces a different type of danger: the haunting memories stirring inside him. Inspired by writer Charles Smith's friendship with a Liberian refugee-turned-acclaimed-actor, the playwright crafts a harrowing story of personal honor vs. familial obligation and the responsibility that comes with being a survivor.
Ten years after their critically acclaimed collaboration on King Lear, Robert Falls and stage and screen star Stacy Keach — both 2015 Theater Hall of Fame inductees — reunite for the world premiere of Pamplona by Jim McGrath. Keach stars as Ernest Hemingway, one of the most celebrated novelists and short story writers of the 20th century in this explosive tour-de-force drama, set during the author's haunted years following his Pulitzer and Nobel Prize honors.
In this play, after the prize comes the pressure. Basking in the glory of career-defining awards — the 1953 Pulitzer Prize and the Nobel Prize for Literature in 1954 — legendary writer Ernest Hemingway insists his best work is yet to come. Five years later, holed up in a Spanish hotel with a looming deadline, he struggles to knock out a story about the rivalrous matadors of Pamplona. But his real battles lie outside the bullfighting arena; in declining health, consumed by his troubled fourth marriage, and tormented by the specter of past glories, he must now conquer the deepening despair that threatens to engulf him.
Pamplona marks Keach's second exploration of the literary legend: He earned a Golden Globe Award and an Emmy nomination for his portrayal of Hemingway in the eponymous 1988 television miniseries.
In this bold, incendiary riff on Waiting for Godot, two young black men are standing around on the corner — talking smack, killing time, and hoping that maybe today will be different. When a white man wanders into their space, an escalating crisis threatens to prevent their escape from the block. In Pass Over, pop culture collides with historical and religious references to create a hilarious and disturbing meditation on manhood, race, and the cycle of violence that prevents too many from realizing their potential.
Playwright Antoinette Nwandu is a member of the Ars Nova Play Group. Her plays have been produced and developed by Page73, Ars Nova, the Flea, and Naked Angels, among others. She is a recipient of the Lorraine Hansberry Playwriting Award, the Negro Ensemble Company's Douglas Turner Ward Prize, and a literary fellowship from the Eugene O'Neill Playwrights Conference. In spring 2016, Pass Over received a workshop as part of the Cherry Lane Mentor Project under the mentorship of Katori Hall.
PhD candidates Sanam and Ariel have spent the better part of the last decade exhaustively researching vanishing bee populations across the globe. Just as these close friends are about to publish a career-defining paper, Sanam stumbles upon an error in their calculations, which could cause catastrophic damage to their reputations, careers, and friendship. Now, Sanam is confronted with an impossible choice: look the other way or stand by her principles and accept the consequences?
Staged by leading Broadway and Chicago director Gary Griffin, this award-winning play chronicles the seldom-told, true story of Ira Aldridge, an African-American actor who challenged convention by taking the London stage as the first black Othello in 1833 — sending shockwaves through the city at a time when anti-abolition protesters rioted in the streets.
When a museum guard decides to touch a famous Rembrandt painting, a remarkable journey across the ages ensues. Spanning centuries of human experience, Jessica Dickey's The Rembrandt movingly explores the power of creative expression and the sacrifices we make in the pursuit of love and beauty, reminding us that though our beliefs may die with the sound of our voice, it's the love we share — and the art that love inspires — that finds eternity.
Helena is dreading her sister's wedding. The groom, Duarte, should have been hers. She knows her sister, Belmira, only wants to escape their quiet Brazilian town for an exciting new life in the city. Three days before the wedding, a mysterious stranger is pulled out of the river—a man with no past who offers both sisters an alluring, possibly dangerous future.
Sharon is Midwestern nice. But to Robyn, her new roommate from the Bronx, that just means nosy and very, very talkative. A comical mismatch leads to a surprising and touching friendship in The Roommate, a new comedy about how early-life choices lead to midlife challenges and the unexpected rewards of bridging the divide.
The Oscar-winning romantic comedy about Shakespeare and the Lord Chamberlain's Men returns to its rightful home — the stage. Imagine a young playwright on the make struggling to write his new tragic love story, Romeo and Ethel, The Pirate's Daughter. The title just doesn't have the right ring — and young Will Shakespeare knows it. He's got writer's block and must do something quickly. Will needs a muse, and he finds one in Viola, a vivacious beauty who will do anything — even disguise herself as a man — to audition for the stage, where no women are permitted to perform. Once revealed, the torrid affair begins inspiring the completion of the most romantic tragedy ever penned. Backstage maneuverings jostle hilariously with onstage dramas in this love letter to the theater itself, directed by multi-Jeff Award winner and Chicago Shakespeare favorite Rachel Rockwell.
Young Peter's childhood adventures are told through shadow puppetry and movement. This celebration of first experiences is a visual feast! Enjoy the enchantment of a small child growing up in a big city experiencing his first snowfall, first pet, and first crush. Featuring the first African-American protagonist in a full-color picture book series, four of author Ezra Jack Keats' best-selling books — including two Caldecott Award winners — are combined to bring this captivating and poignant play to life.
Support Group for Men is a hilarious exploration of what happens when society's new normal doesn't seem so normal to everyone. Thursday night in Wrigleyville is "Guys' Night" for a group of longtime pals. Instead of letting off steam over baseball, they've formed a support group — with its "no ladies" policy strictly enforced — in which they can vent about dashed romances, stalled careers, and other middle-age maladies. But when an unexpected visitor crashes their party, the guys' traditional notions of masculinity are exploded. This topical, Chicago-flavored comedy gleefully dissects the ever-changing role of gender in today's culture — and proves that understanding is sometimes found in the least likely of places.
"Ice Follies" read the cover of Time magazine on January 24, 1994, after ice skating medalist favorite Nancy Kerrigan was struck in the leg with a police baton by Shane Stant. In his darkly funny and unrelenting play, Dan Aibel explores the lengths one will go to for fame. Margot Bordelon returns to Chicago to direct this world premiere play named for Tonya Harding, the first woman ever to complete a triple axel jump in competition. Nancy Kerrigan never saw her coming.
Artistic director Barbara Gaines reexamines Shakespeare's notorious "battle of the sexes" with an all-woman company. She partners with playwright Ron West (Chicago Shakespeare Theater's The Comedy of Errors) to frame Shakespeare's story as a performance by a group of suffragettes on the eve of the passing of the 19th Amendment.
The 2014 fatal police shooting of unarmed black teenager Michael Brown brought international attention to the town of Ferguson, Missouri, and the festering history of race relations in America. Award-winning playwright, performer, and Goodman artistic associate Dael Orlandersmith brings to life a riveting exploration of the tragedy and its aftermath. Based on dozens of interviews with Ferguson residents, Until the Flood encompasses the perspective of such disparate people as a middle-aged black teacher, an elderly barbershop owner, and a white policeman. The result: a richly complex mosaic of a community — and a country — in trauma.
Visionary Belgian director Ivo van Hove injects a raw, pulsating energy into Arthur Miller's 1955 classic, which won the 2016 Tony Awards for best revival of a play and best director. Straight from sold-out runs on Broadway and the West End comes the Chicago debut of van Hove's production. Brooklyn longshoreman Eddie Carbone welcomes his immigrant cousins to America. But when one of them falls for Eddie's young niece, his jealous mistrust exposes an unspeakable secret — one that drives him to commit the ultimate betrayal.
Ireland's most prestigious theater ensemble is back with a contemporary interpretation of Samuel Beckett's seminal work. Staged by Tony Award-winning director Garry Hynes, this production marks the legendary company's third return to Chicago Shakespeare Theater, following The Cripple of Inishmaan (2011) and The Walworth Farce (2009).
Haven Theatre Company announces We're Gonne Die, the final production in its fourth season, written by Young Jean Lee. A singer takes the stage, backed by her rock-band compatriots, to share Young Jean Lee's life-affirming show about the one thing we all have in common: "We're gonna die." Drawing from true stories of people's experiences with tragedy, despair, and loneliness, this personal and rejuvenating play with live music reminds us that in our darkest, most isolated moments, we are not alone.
Welcome to the underground drag scene, a place where many gay men create families for themselves. The legendary House of Lights is one such family. As they prepare for a competitive ball with a rival house, the members confront their respective identities within the family. Wig Out! is an electrifying tale of community, queer subculture, and sexuality.
Note: This show is recommended for mature audiences.
The Wolves is an unconventional exploration of the pitfalls of friendship and coming maturity, as seen through the struggles of a girls' athletic team. Nine teenage girls stretch, train, and argue about everything from the meaningful to the mundane as they try to make sense of the world from the relative safety of their suburban patch of Astroturf. Infused with the raw, jagged energy of adolescence, The Wolves offers a refreshingly complex depiction of girls navigating friendships, growing up, confronting the future — and trying to score a few goals.
Chicago's premiere horror theater company begins its 2017 season with the award-winning stage play based on Susan Hill's 1983 novel. In this gothic spine-tingler, a solicitor hires an actor to tutor him in recounting to family and friends a story that has long troubled him. It concerns events that transpired when he attended the funeral of an elderly recluse 20 years ago. There he caught sight of a woman in black, the mere mention of whom terrifies the locals, for she is a specter who haunts the neighborhood. Together the two men re-create the events of that dark and stormy night.
Note: This show is for viewers age 13 and up.
The refugee experience is illuminated by this story about love and renewal in the face of past devastation. Challenged by his Iraqi roots, Abdul Samee has obscured his Muslim identity in favor of assimilation — he's changed his name to Sam and even tells his coworkers that he's Italian. But his attitudes change when he meets Yasmina, a refugee from his father's homeland whose own experiences have hardened her to the possibilities of love. As a tentative relationship between the two blossoms into something more, each begins to find hope in the future, buoyed by the power of family, connection, and the embracing of their shared culture.
There's a haunted place between where we started and where we need to be that finds the most tender among us — and breaks them open. In You Got Older, Clare Barron's bawdy, irreverent, and touching play, Mae, brokenhearted and unemployed, returns home to care for her ailing father and escape the loneliness of a life that just can't seem to get off the ground.