NEW YORK CITY
SHOWS AND TICKETS
- Concerts / Events
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- Performance Art
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In 1996, a young Eliza Bent and a friend created, directed, and starred in an amateur historical film for a school project. In it, Bent portrayed Hawaii's last reigning monarch, Queen Liliuokalani. Now, 22 years later, Bent's home movie has become a starting point from which audiences are led on a journey that grapples with personal history, legacy, and cultural appropriation. In the tradition of Spaulding Gray, Fran Leibowitz, and David Sedaris, Bent's humorous, cringe-inducing stories chart a young Bostonian's education in race and appropriation.
Daniel Alexander Jones returns to Joe's Pub as Jomama Jones, his critically acclaimed alter ego, in Black Light. Commissioned as part of Joe's Pub's New York Voices program, Black Light is a revival for turbulent times. Jomama leads an intimate journey — through the darkness of personal and political upheaval and the shards of shattered illusions — illuminated by spontaneous humor. Black Light draws musical influence from Prince, Sade, Diana Ross, and Tina Turner, and is marked significantly by the Black American Freedom movement, Afromysticism, goddess mythology, and divination. This immersive performance piece removes the barrier between artist and audience through inquiry, story, and song.
Abigail Rockwell, granddaughter of the American illustrator, Norman Rockwell, continues her NYC jazz debut at the Metropolitan.
One hundred years from now, a race of hip-hop androids known as Brobots will form a unit, The Tribe Called Space Quest, to spread their message of peace, love, and dope-ness all over the universe. Through live looped vocals, rhymes, and beat-boxing, they perform the origin story of the first of their kind. They call it The Brobot Johnson Experience, a sci-fi hip-hop solo concert that defies both space and time.
Bromance stars a trio of friends who flip, throw, and catch each other, turning handshakes into handstands and racing through fast-paced, high-risk stunts featuring parkour, hand-to-hand balancing tricks, and Cyr wheel skills. A tour de force of cutting-edge physical heroics, the adrenaline-fueled contemporary acrobatics and astonishing talent of these three mates from London will make a hopeless bromantic out of you.
Note: This show is for everyone ages seven and up.
Choreographer Jérôme Bel's Gala, featuring 20 New Yorkers of all abilities from all walks of life, will have its New York premiere March 1 -3 at NYU Skirball. Gala's cast, ranging in age from 8 to 80 years old, is a mix of professional dancers and amateurs dancing onstage for the first time.
There will be a special family-friendly matinee on Saturday, March 3 at 3pm, for children ages 7 and up; special preshow activities begin at 2pm. The matinee is a coproduction of NYU Skirball's Serious Fun Family Matinee series and the third annual Tilt Kids Festival, an arts festival for families presented by the Cultural Services of the French Embassy and the French Institute Alliance Française (FIAF).
Through their movement, the gentle humanity of each performer lights up this inspired production. Breaking the sanctity of the stage, this is a jumble of joys, failures, and stumbling insights into the uniting power of dance.
A story reveals the illusion of one's identity in Derek DelGaudio's modern allegory, In & Of Itself. New ways of seeing the unseeable are explored, as memories from yesterday, inexplicable events witnessed today, and secrets imagined for tomorrow all blend together, creating a perpetual paradox of a show. The writer and producers of Nothing to Hide reunite with executive producer Neil Patrick Harris to present this theatrical experience directed by Frank Oz.
A politico's daughter is murdered in a drug-infested squat in Manhattan's Lower East Side. The newspapers go wild over the sensational crime. In this interactive live murder mystery game, you become a rookie cop and canvas the neighborhood in the atmosphere of a fun interactive outdoor NYC theater. Your task is to interrogate key players and gather clues to crack the case before the commissioner replaces the chief and shuts down the precinct. Watch each other's backs as you encounter the neighborhood's junkies, hookers, pimps, corrupt cops, and mobsters.
The content in the Lombardi Case 1975 is a very realistic look at the underworld on NYC in the mid-1970s. We pride ourselves in being authentic to the reality of the characters we are portraying. With this in mind, we must inform the audience of the experience's "R" rating. If you are uncomfortable with some harsh language and racy content, please try one of our other shows.
In the wee hours of the night, siblings are found dead in their tenement. With the air rife with foul play, you enter an interactive murder mystery where you help crack a case based on a real unsolved crime from the 1870s. Your investigation takes you on an NYC scavenger hunt through the underbelly of the 5 points where you encounter unsavory characters, discover clues, confront suspects, and mete out the justice that the slain victims deserve.
It's All True is an opera-in-suspension based on the complete live archives of iconic underground band Fugazi. An obsessive leap into 1500 hours of gig detritus made from only incidental text and sounds, none of Fugazi's actual songs. An ear-body-and-mind-flossing: overloaded, maddening, properly funny, and a radical incitement to action.
In A Kind Shot, a 6'1" blonde spitfire, Terri Mateer, tells her life story of becoming a pro basketball player in France. Raised by a single hippie mom, an African-American surrogate father stepped in and taught her how to play the game. Being 6'1" in the sixth grade, she's a natural, but dreams of becoming an architect. Terri's unbelievable journey includes playing pro ball, modeling, stripping, designing erotica, and taking lots of shots at life. It's an uplifting, honest, no-holds-barred personal account that illustrates we all need a little bit of kindness.
A dark folktale woven together with a high-energy concert, this genre-bending music-theater hybrid starring Klezmer-folk sensation Ben Caplan is inspired by the true stories of two Jewish Romanian refugees who arrived in Canada in 1908. Old Stock: A Refugee Love Story is about how to love after being broken by the horrors of war. It's about refugees who get out before it's too late and those who get out after it's too late. And it's about looking into the eyes of God.
"Listen to the beats / The rhythm of my Bushwick streets." Brooklyn impresario Modesto Flako Jimenez conjures his beloved borough in this bilingual elegy told through poems, projections, and music. With lyrical brilliance and irreverent play, ¡Oye! For My Dear Brooklyn complicates our perceptions of race, language, and gentrification and calls us to be truly present when asking this question: "What is my moral worth?"
In 1949, Dr. Jacob Bronowski installs a secret alarmed room in his house. Fifty years later, his grandson discovers his secrets, unearthing echoes from across six million years of human history, told from the perspective of a century in which every year is a revolutionary year. Secret Life of Humans is inspired by Yuval Harari's international bestseller, Sapiens: A Brief History of Humankind.
Curated by Nicky Paraiso, A Series of One is a platform for provocative, challenging solo performances presented at La MaMa during our 56th season, which is centered around storytelling and personal narratives. These courageous artists exemplify La MaMa's mission by continuing to create adventurous and engaging art which allows audiences to experience the dynamism of a single performer — no distractions.
Shows include: Blake Sugarman's Prelude to the Apocalypse John Jarboe's You Can Never Go Down the Drain Marina Celander's Mermaid's Howl Megan Metrikin's Finding Fellini
Sound House is inspired by the haunted and often funny sound worlds of idiosyncratic 20th-century British composer Daphne Oram, inventor of Oramics, a precursor to the synthesizer. This multi-strand sound-generating machine serves as a structural model for an architectonic play in which disparate eras, worlds, and time signatures collide as Daphne's present-day alter ego, Constance Sneed, investigates the condition of invisibility that plagues her, too, and envisions a world in which old ladies do not die alone or forgotten.
The collaborators have developed the play not only as text but as a "multidimensional object" — precisely constructed yet constantly shifting — in which sound not only carves out story, but functions as an experiential road map to the distortions of time and space that are central to Oram's ideas. Their mission: create a true "sound house," an immersive sonic experience.
The AIDS epidemic had a devastating, lasting impact on New York City's downtown artist community. Some of Performance Space New York's most influential artists (John Bernd, Ethyl Eichelberger, Ron Vawter, David Wojnarowicz) died prematurely, leaving a gaping hole in this community and a subsequent generation without important mentorship. When Ishmael Houston-Jones first started working on Them at Performance Space 122 in 1985, with a text by Dennis Cooper and a cacophonous live electric guitar score by Chris Cochrane, the show was intended to be a poetic and frank coming-of-age story of gay men. By the time it premiered in 1986, AIDS was ravaging queer communities, and the artists felt it would be disingenuous not to address it in the work. They consequently included coded allusions to the epidemic and turned Them into one of the most haunting pieces of art to come out in the early AIDS years.
In This is the Color Described by the Time, collaboratively created by the performance laboratory Door 10, audience members wear individual headphones to drop inside the imagined unconscious of avant-garde writer Gertrude Stein. Through this intimate approach, the audience experiences Stein's repeated and unusual phrases as layers of thoughts, voices, and memories interwoven into a rich soundscape.
This is the Color Described by the Time is a fractured journey through Stein's daily routine in France during World War II as she struggles with writer's block, listens to the radio, shares a meal with Alice B. Toklas, and confronts her own mortality. Dramatizing her friendships with Vichy official Bernard Faÿ and humanist playwright Thornton Wilder, the piece examines Stein's forgotten politics and raises questions about the inextricable link between the political, personal, and artistic.
I Am a Boys Choir proudly presents a real live history show performed by a community of intergenerational performers. This Is What You Shall Do… is a spectacle of pageant and pageantry that opens up a queer past hundreds of centuries old —a history that is concrete, veiled, and/or totally imagined. But "What is the past?" you may ask. "And how does now begin and end?" And most importantly, "Will there be a quiz?" This Is What You Shall Do… explains the presence of the present, exploding outward to a place where time loses linearity, the future is now, and the past is covered in stardust.
Time No Line is a solo performance based on John Kelly's 40 years of journal writing. The work theatrically combines his deeply personal texts with movement, video, music, song, and live drawing into a "live memoir." His experiences within the East Village art scene of the 1980s, gender performance, and the AIDS epidemic have defined his status as a survivor whose presence challenges the ruptures in our cultural and generational dialogue.