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887 Murray Avenue, Quebec City, Canada: The apartment complex where renowned director Robert Lepage (The Blue Dragon) spent his youth comes to life as a bewitching, tech-saturated dollhouse in this deeply personal solo work. Populated with miniature neighbors and family members as well as stories embedded in rooms, walls, and windows, 887 constructs an evocative memory palace. As Lepage revisits his childhood home and other brilliantly reconfigured spaces from his past and present — among them his current Quebec City flat and the front seat of his father's taxi — he unearths a life's worth of memories, sifting in the process through the things we can't seem to recall and those we aren't able to forget.
Inspired by a true story and based on the nine circles of Hell in Dante's Inferno, the play centers on Daniel Reeves, who is arrested and prosecuted for acts that he may have committed while serving in the U.S. Army during the Iraq War. Thrown into a labyrinth of military bureaucracy, the confused and troubled teenager tries to navigate layers of commanding officers, public defenders, pastors, army psychiatrists, and, essentially, his own personal hell.
From the author of War Horse comes a full arsenal of live music, dance, and visual high jinks! The theater company Kneehigh and Emma Rice, artistic director of Shakespeare's Globe, return to St. Ann's Warehouse with 946: The Amazing Story of Adolphus Tips, adapted from the novella by Michael Morpurgo. This true tale of local townsfolk and the African-American soldiers sent to rehearse the Normandy invasion from their shores explodes everything we thought we knew about the D-Day landings. Seen through the lens of a little girl and her lost cat, 946 takes its title from the number of casualties sustained during these bungled maneuvers — a secret kept, until now, by the American and British governments.
The Abrons Arts Center is an Obie Award-winning performing and visual arts program. It supports the creation and presentation of innovative, multidisciplinary work. Exhibit A? The center's spring season of boundary-pushing theater, dance, and performance, including the following:
- the eighth annual American Realness festival (January 5-15)
- the 2017 OpenICE season, featuring an array of chamber, electro-acoustic, improvisatory, and multimedia work (January 23, March 3-5)
- Dutch choreographer Jan Martens' Sweat Baby Sweat, which covers the lifetime of one man and one woman in one hour (January 27 and 28)
- a return of Richard Maxwell's acclaimed Good Samaritans, presented by New York City Players (February 8-March 4)
- Your Hair Looked Great, a series of motivational speeches and TED-style talks that asks us what defines the good life and how we define success (February 9-25)
- Real Talk / Kip Talk, a series of live talk shows about the state of contemporary performance in New York City, hosted by Kippy Winston (February 25 and April 15)
- The Terrifying, a premiere from Minor Theater, which brings horror movies to live theater and experiments with sound, darkness, silence, and suspense (March 12-April 2)
- Aynsley Vandenbroucke, who uses experimental literary devices to create a series of live, three-dimensional essays
- Mourning Becomes Electra, continuing Target Margin Theater's two-season exploration of Eugene O'Neill (April 26-May 20)
- Keen (Part 2), an exploration of that which we avoid: the contours of grief (June 1-11)
- the premiere of Raw Bacon from Poland, from 2016 Guggenheim Fellow Christina Masciotti (June 1-17)
- Dylan Crossman's dance piece Here We Are, which uses movement and an electronic soundscape to explore the concept of humanity within formalism (June 15-17)
The Accidental Pervert is a laugh-out-loud play that tells the awkwardly poignant story of a boy's journey into manhood after discovering his dad's videotapes hidden in a bedroom closet. The boy subsequently develops an addiction that continues until the age of 26, when he meets his wife-to-be and finds himself struggling to find the balance between fantasy and reality.
Let acclaimed performer and comedian Andrew Goffman take you on a whirlwind tour of his funny romance with magazines, videos, and off-color fantasies while you roll in the aisles. However, it's not all laughs in this layered show, which ends on a touching moment of redemption as he struggles to find true love and perspective through real-life relationships.
So come have some good dirty fun with The Accidental Pervert! Oh, and leave the little ones home. The show has mature themes and is meant for audience members over 16.
• The Accidental Pervert has eclipsed 1,000 performances in the legendary Greenwich Village neighborhood of New York!
• Award-winning run in Buenos Aires, Argentina!
• Winner of a 2013 Best Comedy Award in Panama City, Panama!
A compelling play written by the talented and award-winning playwright Peter DeAnda, Adam is set on the Caribbean island of Bimini, in the Hall of the U.S. House of Representatives, and in Harlem's famed Abyssinian Baptist Church. Timothy Simonson gives a solo tour de force performance as the charismatic Adam Clayton Powell Jr. on his political journey as Harlem's first black Congressman, who represented his district from 1945 to 1971.
Fourteen-year-old best friends Jenny and Emily are hungry for experience and eager for "real life" to begin, and in suburban South Carolina in the late '80s, experience equals boys. Emily chooses her senior crush from the high school play, and Jenny a man she's seen at her family's church. With parallel stories that take tricky and terrifying turns, Erica Schmidt's All the Fine Boys dives deep into the fascinations and complications of sexual awakening and the first painful gasps of adulthood.
Angels Among Us highlights the journey of 9 characters living through the worst days of their lives, but little do they know that everything happens for a reason... even if they don't quite see any hope just YET.
Presented in a series of 4 coherent and connected vignettes, our characters learn that sometimes they have to get through absolute devastation in order to experience the divinity and joy in their lives. As they learn to overcome their fears and let go of what they can't control, they might just be able to connect with a higher part of themselves and find understanding, peace, and happiness...
This play explores the complicated nature of the human experience and the struggles we all face through having to feel our pain, joy, growth, fear, and surrender, while having to evolve and face our mortality...
Pulitzer Prize winner Annie Baker returns for the second production of her Signature Theatre residency with a world-premiere play directed by Lila Neugebauer. The Antipodes follows John, her insightful, funny, and mysterious first play at Signature, which sold out an extended run and appeared on the Top 10 lists of the New York Times, New York, and Time, among others.
Only one of Pulitzer Prize winner August Wilson's plays in his masterful American Century Cycle has never been seen on Broadway — until now. Set in the early 1970s, this richly textured piece follows a group of men trying to eke out a living by driving unlicensed cabs, or jitneys. When the city threatens to board up the business and the boss' son returns from prison, tempers flare, potent secrets are revealed, and the fragile threads binding these people together may come undone at last. Manhattan Theatre Club has a long history of coproducing works by this legendary playwright — King Hedley II, Seven Guitars, The Piano Lesson — and is proud to produce the Broadway debut of Jitney.
This intimate night of storytelling tracks one birth mother's true adoption journey. That journey begins at conception and proceeds to the placement of her child with the gay couple of her dreams. Along the way, she continues living life, dating, and attending the occasional orgy. Bring hankies.
The year is 1967. A writer (played by Josh Radnor) from the bohemian Greenwich Village commutes to Long Island to teach a creative writing class for adults. His students discover the power of storytelling to alter their lives, and one special student (Elizabeth Reaser) — a kindred spirit? something more? — reawakens his own artistic impulses.
Beautiful Monster is a new play depicting the final hours of the life of Mary Shelley, author of Frankenstein. On the eve of her expected death, Mary, gripped by madness, is visited by the dead: her husband and Romantic poet Percy Shelley, their shared lover Lord Byron, and literary rival John William Polidori, author of the first known vampire fiction — fiction begun, along with Frankenstein, on that now famous night of ghost stories on the banks of Lake Geneva. As the clock ticks toward Mary's death, she recalls in a series of hallucinations her heart-wrenching confrontations with Percy's formidable mother and the tender friendship of her loving stepsister. She's even confronted by the monster she created.
Note: This show includes nudity and sexual content.
Ireland's esteemed theater company Druid marks its BAM debut with this 20th-anniversary revival of Martin McDonagh's Tony Award-winning, pitch-black comedy. The first in a trilogy of plays set in the provincial Irish town of Leenane, it tells the story of spinster Maureen Folan. She lives with her manipulative, aging mother Mag. They spend their days aggressively nagging, scratching, and jabbing each other with insults. But when Maureen meets a viable suitor who is smitten with her, Mag sets in motion a chain of events that hilariously and horrifyingly threaten her daughter's last likely chance at a romantic relationship. Not to be outdone, Maureen plots and enacts a chilling revenge — an action that ultimately seals her purgatorial existence.
1980's Communist Budapest, amateur folk dancing, disturbing secrets, and government surveillance intertwine to form Our Secrets, performed by the internationally acclaimed ensemble Béla Pintér and Company. Infused with live music and dancing, Our Secrets tells the story of a musician forced to choose between exposing his own criminal sexual behavior and dooming his community.
By turns hilarious and devastating, and thematically reminiscent of the Oscar-winning film The Lives of Others, this epic tale uncovers a generation of artists who learn the hard way that there is no such thing as a right to privacy. Our Secrets offers a searing and incisive look at Hungary's past while providing a blueprint for the present day.
Black Angels Over Tuskegee is the story of the Tuskegee Airmen told in narrative of six men embarking upon a journey to become pilots in the United States Army Air Forces. The play explores their collective struggle with Jim Crow, their intelligence, patriotism, dreams of an inclusive fair society, and brotherhood. The play goes beyond the headlines of the popular stories of the Tuskegee Airmen and exposes the men who exhibited the courage to excel, in spite of all the overwhelming odds against them.
Winner 2009 Artistic Achievement Award "Best Play"
"Uplifting! Inspirational! This show is also tough to resist. By the end, when the pilots overcame their obstacles and finally got up into the air to the swelling of music, tears welled up in my eyes." - New York Times
Galloping through 40 years in a New England seminary, Bull in a China Shop follows Mary Woolley and her partner Jeannette Marks as they reform and revolutionize women's education at the height of the suffrage movement. As evolving ambitions and desires strain the couple's relationship, this fast-paced comedy explores how we change the world, how the world changes us, and how we try to grow old together.
Calderon's Two Dreams is a repertory performance of two classics by Pedro Calderón de la Barca. His first masterpiece, Life Is a Dream (1635), deals with questions of freedom and choice in a confusing reality. As his career soared, he felt the need to go deeper into his own spirit, and he completely rewrote the 1635 play to examine deeper questions. In Life Is a Dream (1677), the setting changes to the court of the universe. The central question of the earlier version — "Will this prince be a fitting ruler?"— in the later version becomes "Is the human being a fitting caretaker of the universe?"
CasablancaBox is an exploration into the accidental nature of great art through the lens of the classic film Casablanca. Stories of risk, sacrifice, brilliance, and accidents are told by actors who jump in and out of time, character, gender, style, tone, aesthetic, and most importantly, Casablanca. With an intricately woven multi-narrative script and video score, CasablancaBox is an imagined "making of" and an immersion into the glamour, war, censorship, sexism, racism, addiction, and refugee crisis of 1940s Hollywood.
Chicken is a madcap subterranean adventure lit with circus folk, death, and a sort of redemption.
Five acrobats catapult and tumble through a strikingly rendered landscape, seascape, and cityscape, grappling defiantly to connect across the walls, fences, and other obstacles that spring up between them. Equal parts high-flying spectacle and trenchant critique, Limits imagines a world in which we soar over the borders that separate us — if we can only keep each other from collapsing. Set to an eclectic live score, this acrobatic exploration of a European Union in flux from Sweden's Cirkus Cirkör (Wear It Like a Crown, Inside Out) sets out to challenge both the limits of the human body and the body politic.
Coming to the Hand is a selection of Wallace Stevens poems for the stage, as well as Stevens' one act play Carlos Among the Candles.
The performance group Small Theaters Around the Country continues their work transposing poetic texts for the stage. On offer here is a program of staged Wallace Stevens poems, as well as his one-act play Carlos Among the Candles, performed once in 1917. What are all those fish that lie gasping on the strand?
Paralyzed by the fear of getting old, Paul is a legendary, lonely, alcoholic painter engaging in reckless behavior as his younger actor-turned-agent, David, struggles to return Paul to his former glory. These soulmates face their demons together, creating a strong and volatile bond leading each to perform desperate acts of love.
A single art installation is a ticking backdrop for six new plays exploring various walks of American life in the face of the current policitcal climate.
Cost of Living is the story of four very different people in four very different circumstances, each person trying to get by. Eddie, an unemployed truck driver, reunites with his ex-wife Ani after she suffers a devastating accident. John, a brilliant and witty doctoral student, hires overworked Jess, a caregiver. As their lives intersect, Martyna Majok's play delves into the chasm between abundance and need and explores the space where bodies — abled and disabled — meet each other.
Rasher Moorigan has a secret that only his mother knows. Tonight — for the first time in over 30 years — mother and son spend May Eve together in a wreck of a house down the back lanes of Dublin. Melding reality and myth, Honor Molloy's Crackskull Row is the story of an Irish family's desperate actions and forbidden loves. The play premiered in September 2016 at Origin's 1st Irish Theatre Festival, where it won awards for Best Director (Kira Simring) and Best Production. Simring directs this production too, which stars original cast members Gina Costigan, Terry Donnelly, Colin Lane, and John Charles McLaughlin.
Note: This show is recommended for mature audiences.
After six years in the army, Stephan Wolfert hopped off the Amtrak deep in the mountains of Montana and found himself at a performance of RICHARD III that would change his life forever. In this heartrending two act, one man show, Wolfert examines his own experience pre- and post-service, in the lines of some of Shakespeare's most famous speeches. Through his own personal insights as he explores our societal neurosis of war, and questions, is there room for improvement in the way in which we reintegrate our Vets back into society? The military recruits citizens and trains them to kill, but what does the "de-cruit" process look like? How do we re-learn to live together? Trigger warning: Cry Havoc! contains strong language and strong content.
In the final scene of Ibsen's 1879 groundbreaking masterwork, Nora Helmer makes the shocking decision to leave her husband and children, and begin a life on her own. This climactic event — when Nora slams the door on everything in her life — instantly propelled world drama into the modern age. In A Doll's House, Part 2, many years have passed since Nora's exit. Now, there's a knock on that same door. Nora has returned. But why? And what will it mean for those she left behind?
Dolphins and Sharks is a timely and ferocious comedy that grapples with income inequality, gentrification, and cutthroat capitalism. Protagonist Isabel Peters has a stable job at Harlem Office. Clock in. Clock out. Get paid. But when an overeager new employee gets hired and an ambitious manager becomes the office's overseer, Isabel finds herself at the center of office politics and down to her last nerve. With cutbacks around the corner, soon all are fighting to keep their jobs and their sanity. Some, though, will do anything to survive.
For over 400 years, the Drunk Shakespeare Society has been meeting and drinking. And drinking. And doing Drunk Shakespeare. A self-proclaimed "drinking club with a Shakespeare problem," its members invite audiences to join them for a meeting in their society lounge. The evening begins with an actor drinking more than a sophisticated amount of alcohol before attempting to lead the cast through a Shakespeare play in one hour. The results are messy, outrageous, and the night devolves into debauchery.
Note: The theater is wheelchair accessible.
Catholic school was wrong about hell. It's not fire and brimstone or gnashing of teeth. Hell is Madison, Wisconsin. Mo hates everything about Wisconsin: the people, the quiet, the cold, the psychiatric hospital where she works. Everything, that is, until she meets Ed, the blunt and kindhearted patient with a dark and infamous past. Through bad jokes, imagining New York City with no humans in it, and writing letters to Frank Sinatra, the two form a bond that they share with no one else. Ranging in scope from Catholicism to serial murder, Ed and Mo is a dark comedy that examines finding the people you never knew you needed.
An alcoholic, an escort, a self-diagnosed neurotic, and a well-intentioned simpleton walk into a bar. Deeply flawed and broken, they find their lives entwined no matter how hard they try to break free of one another. The End of Longing is a bittersweet comedy that proves broken people don't have to stay broken.
Could Henrik Ibsen ever have predicted his masterful play An Enemy of the People would be more timely 132 years after its premiere? The play asks searing, fundamental questions: What happens when a democratic majority chooses unwisely? How can we best face the extraordinary challenges coming our way?
With Escaped Alone — a Royal Court Theatre production directed by James Macdonald — acclaimed British playwright Caryl Churchill casts a comically black look at catastrophe. Four richly drawn women chat in a sunny backyard, interrupted by reports of bizarre disasters. Churchill's portrayal of the women, played by Linda Bassett (Mrs. Jarrett), Deborah Findlay (Sally), Kika Markham (Lena), and June Watson (Vi), blends warmth, dry humor, and apocalyptic devastation.
Remember when you felt you could do anything, when there was still nothing to fear? Yes, things have changed a bit, haven't they? And everyone keeps saying there's nothing to be afraid of! Please join the old gang at a get-together to raise a toast on the 10th anniversary of the production of Robert's underappreciated masterpiece. To recall that wonderful creative atmosphere, which we all miss so much, Nellie will host this celebration at our old haunt, the Talk House (which, despite everything, remains open). Please come. We need each other.
At the Cabaret Voltaire — the Swiss nightclub home of the Dadaists — five important artists of the movement take the stage after being overlooked for so long: its female innovators. Deconstructing theatrical and literary conventions — meaning, syntax, and creation of language as well as the form and content of Dadaism — these fantastic artists explore what it is to be a female in society.
Playwright Branden Jacobs-Jenkins returns to Signature Theatre for the second production of his residency: the world premiere of Everybody. Directed by Lila Neugebauer, this modern riff on one of the oldest plays in the English language promises to be just as unique as Gloria, An Octoroon, and the award-winning Signature production of Appropriate.
Pulitzer Prize finalist Lisa Loomer has written a heartwarming comedy about a middle-aged woman who desperately seeks to have a child and runs into all sorts of formidable obstacles. Seth Barrish, director of Mike Birbiglia's Thank God for Jokes and Martin Moran's All the Rage, oversees this production.
A Duke freshman is nationally shamed for her unlikely student loan replacement: pornography. Exposed is the story of a girl who skyrockets to internet stardom and public ridicule after she boldly redefines what it means to "come of age." But are the consequences worth it?
From acclaimed playwright and screenwriter Tanya Saracho (Mala Hierba, ABC's How to Get Away With Murder) comes Fade, a behind-the-scenes comedy about the burgeoning friendship between Lucia and Abel, two Latinos of Mexican descent working at a ruthless Hollywood studio. Lucia is a tenacious novelist, newly hired to write for a TV detective series and struggling to find her place among a team of domineering white male coworkers. Abel is one of the studio's janitors, sympathetic to Lucia's difficulties and generous with his opinions and personal anecdotes, which keep the two of them in an absorbing tête-à-tête throughout their workdays. As their bond grows, Abel's stories blur with those Lucia is writing for the show, and they both find themselves in the center of their own not-quite-made-for-TV drama.
Note: Talkbacks will be held after the performances on Wednesday, February 15; Wednesday, February 22; and Wednesday, March 1.
Inspired by the classic children's book The Story of Ferdinand, Ferdinand tells the poignant story of Tom, a single dad, struggling to go with the flow and raise his son in a world determined to make him fight. Raised on the story of his namesake Ferdinand, the bull who refused to fight but just wanted to sit and smell the flowers, young Ferdy learns the hard lessons in life as his father endeavors to shield him from the harsh realities of adulthood.
Fringe of Humanity is set in the bowels of a lawless third world country. There a motley crew of filmmakers — including a director recovering from heroin addiction, a PTSD-addled cinematographer, and a washed-up movie star — gather to put the finishing touches on a script scheduled to start principal photography. Plans quickly spin out of control as personalities clash and conflicts erupt. When the violence of the city outside invades the filmmakers' hotel suite, everyone's humanity comes into question.
Obie Award winner Paul Calderon wrote, directed, and stars in this world-premiere production. David Zayas (Showtime's Dexter) costars.
From Cold Lake is a serialized monthly radio play set in the fictional town of Cold Lake, Minnesota.
Take a left at the Texaco on County Road 8, keep right when you pass the barn with the funny roof, and once you start to feel kinda lost, that's how you know you're almost there. And it just so happens that the time has come to celebrate Cold Lake's bicentennial. From the ice fishing fleets to local artist Linda Klaver's open mic night at Debbie's Bar/Bait Shop, this is the townspeople's year, and gosh darn if they're not gonna shine.
From Cold Lake is written and directed by Colin Waitt, with an original score by Drama Desk nominee Thomas Crawford (SeaWife).
Ben Hecht and Charles MacArthur's classic 1928 comedy, The Front Page, is now on Broadway.
The press room of Chicago's Criminal Courts Building is buzzing with reporters covering the story of an escaped prisoner. When star reporter Hildy Johnson (John Slattery) accidentally discovers the runaway convict, he and his editor, Walter Burns (Nathan Lane), conspire to hide the man from the other reporters while the two of them chase the biggest scoop of their careers.
In the New Mexico desert, a down-on-her-luck folk singer (Deirdre O'Connell) takes a job at a giant online retailer's shipping center. Her young manager struggles to connect with his girlfriend, newly relocated from New York. And a drifter living at a local campground dangerously links them all. Raw, surprising, and funny, this world premiere from the fast-rising author of Kill Floor is about four lonely lives coming together in the search for fulfillment.
Tony winner Harvey Fierstein (Hairspray) takes the stage as Beau, an expat pianist living in London. At the dawn of the internet dating revolution, Beau meets Rufus, an eccentric young lawyer. After a life spent recovering from the disappointment and hurt of loving men in a world that refused to allow it, Beau is determined to keep his expectations low with Rufus. But Rufus comes from a new generation of gay men who believe happiness is as much their right as anyone else's, and what Beau assumed would be just another fling grows into one of the most surprising and defining relationships of his life.
A moving, funny love story that reflects the triumphs and heartbreaks of the gay rights movement, Gently Down the Stream celebrates and mourns the ghosts of the men and women who led the way for equality, marriage, and the right to dream. Tony Award nominee Sean Mathias (Waiting for Godot / No Man's Land) directs the world premiere of this play by Martin Sherman (The Boy From Oz), a contemporary playwright of enormous influence and fellow Tony nominee.
It has been said that theatre at its most basic is great storytelling. Georgie: My Adventures with George Rose is an exhilarating story, and indeed brilliantly told. Two-time Tony Award-winning character actor George Rose (The Mystery of Edwin Drood, My Fair Lady, The Pirates of Penzance), a bon-vivant with a flair for the dramatic and the eccentric, starred on the Broadway and London stages alongside luminaries like Katharine Hepburn, Noel Coward, Dame Edith Evans, Richard Burton, and Laurence Olivier in a storied career that met an unexpected end.
Sally Field and Joe Mantello star in The Glass Menagerie on Broadway.
The Glass Menagerie is the play that brought a brilliant young writer named Tennessee Williams to national attention and, in his own words, "changed my life irrevocably" when it premiered on Broadway in 1945. More than 70 years later, Williams' most personal work for the stage continues to captivate and overwhelm audiences around the world.
In a dining hall at a rehabilitation center, pleasure battles virtue in an urban story of an intake counselor and her patient. This return production of Richard Maxwell's acclaimed Good Samaritans is presented by New York City Players. Rosemary Allen and Kevin Hurley star; the show is written and directed with songs by Maxwell.
Jeff Talbott's new play looks into the life of Baylen — an honest, hardworking gravedigger who sweats and bleeds to support his small family. He has it all in his hands: love, death, and dirt. But when society begins to crush him, which one will he hold on to?
The Great American Drama is a living, ever-changing theatrical experiment to test the validity of the American Dream — the notion that anyone, regardless of circumstance, can achieve prosperity and success through hard work and determination. Through interviews and surveys, potential audience members will tell the creative team how they like their theater and what would make them buy a ticket, and four Neo-Futurists will strive to deliver every request. After each show, the audience will be invited to review the performance, and the cast members update the show accordingly in pursuit of theatrical success.
Greenland follows a family in the Rocky Mountains of Colorado who reunite after a devastating event changed their lives 10 years ago. The piece opens with a dead deer being dropped onto the living room floor of the family cabin. Is it possible that this dead animal might just get up and leave? It's possible. But what's more probable is that Sissy, Ryan, Chappy, and Jazz will watch this animal rot and will become accustomed to, or perhaps even in love with, its stench.
Written in 1921 by Nobel Prize-winning playwright Eugene O'Neill, this iconic American drama is a searing social commentary on the divide between the rich and poor in the industrial age. The timeless story of class and identity is reimagined in a production by visionary director Richard Jones, whose acclaimed staging for The Old Vic has been boldly reimagined for the Park Avenue Armory's soaring Wade Thompson Drill Hall.
Tony-nominated actor Bobby Cannavale stars as Yank, the laborer searching for a sense of belonging and individual identity within a society dominated by the elite. His journey from the bowels of a transatlantic ocean liner to the wealthy neighborhoods of New York literally revolves around the audience like the conveyer belt of a large machine, in a design by Stewart Laing that mirrors the industrial backdrop of the play on an epic scale. The production challenges audiences to confront capitalism and inequality, providing a contemporary rallying cry addressed as much to our own gilded age as to O'Neill's.
Academy Award winner Dianne Wiest (Hannah and Her Sisters, Bullets Over Broadway) plays Winnie in Samuel Beckett's masterpiece Happy Days. Buried up to her waist and sinking into the earth, Winnie is one of modern drama's fundamental female roles: an endlessly fascinating spirit of buoyant resourcefulness and unassuming grace in the face of inevitable oblivion. By turns hilarious and heartbreaking, compassionate and ferocious, this extraordinary Happy Days is directed by James Bundy, artistic director of Yale Repertory Theater, where this production originated.
Hi-Fi | Wi-Fi | Sci-Fi: Predictions Past Present and Future is a one-of-a-kind production composed of a series of short plays by Robert Patrick. It includes the dramas Camera Obscura and All in the Mind — minimalist works from the 1960s and '70s that questioned the future and presciently foreshadowed the cyber web we live in today. Completing the series is a new play, Anything Is Plausible, which immerses the viewer in technologies that were science fiction when the other two plays were written. Such as? 360-degree video, virtual reality, and distance collaboration (telepresence) between two cities: Seoul and New York City.
At a dinner party in the wilds of New Jersey, two married couples discuss a younger acquaintance — a polyamorous woman who also hunts her own meat. Fascinated, they invite this mysterious woman and her two live-in boyfriends to a New Year's Eve party, which alters the course of their lives. How to Transcend a Happy Marriage asks: How much love can a twosome contain? What are the limits of friendship, and what happens when parents who have forgotten their own wildness have a wild rumpus all their own?
In the final months before 9/11, liberal Jewish studies professor Michael Fischer reunites with his two sisters for a celebration of their father's 75th birthday. All deeply invested in their own versions of family history, the siblings clash over everything from Michael's controversial scholarly work to the mounting pressures of caring for an ailing parent. As destructive secrets and long-held resentments bubble to the surface, the three negotiate — with biting humor and razor-sharp insight — how much of the past they're willing to sacrifice for a chance at a new beginning.
If I Forget is a sharply funny, unflinchingly honest new play about the stories we choose to believe, the compromises we can't avoid, and the hurt only our nearest and dearest can inflict.
Indecent is a new play from Pulitzer Prize winner Paula Vogel inspired by the true story of the controversial 1923 Broadway debut of Sholem Asch's God of Vengeance. It charts the journey of an incendiary drama and the artists who risked their lives to perform it. Created by Vogel and director Rebecca Taichman and set at a time when waves of immigrants were changing the face of America, this play with music is a riveting look at an explosive moment in theatrical history and comes to Broadway from its critically acclaimed, sold-out run at the Vineyard Theatre.
When a famous psychologist and author calls a temp agency for an apprentice, the perfect candidate appears at his door. Witty, studious, and eager to please, Matt Sinclair quickly makes an impression with Dr. Eugene Harper. All is not as it appears, however, and what starts as an interview quickly turns sinister as the author's true motives are revealed. Interview tells the story of a psychologist, a criminal defendant, and a legal system that stops at nothing to gain an alleged killer's confession…even if it means driving the accused to the brink of insanity.
Ipsa Dixit ("she herself has said it") is an evening-length work of theatrical chamber music that explores the intersections of music, language, and meaning through blistering ensemble virtuosity and extended vocal technique. Drawing on texts by Lydia Davis, Freud, Plato, and Aristotle, and developed over six years of intense collaboration by the members of the Wet Ink Ensemble, Ipsa Dixit blends elements of monodrama, Greek theater, and screwball comedy to skewer the treachery of language and the questionable authenticity of artistic expression.
In times of political unrest, must a man die for the greater good of the nation? The assassinations of Rome's great ruler of the Republic and the revolutionary leader Malcolm X share the stage when New York's acclaimed Acting Company pairs Shakespeare's Julius Caesar with X: Or, Betty Shabazz v. the Nation, a compelling new play by lauded playwright Marcus Gardley (The House That Will Not Stand, The Gospel of Lovingkindness, Every Tongue Confess, On the Levee). Presented in repertory, each featuring the same outstanding cast, these two gripping dramas examine two charismatic leaders who rise only to fall victim to rivalry, resentment, and retribution.
X: Or, Betty Shabazz v. the Nation is about the assassination of Malcolm X — both the story people think they know and illuminating details that have seldom been shared. Gardley adapts the framework of Shakespeare's Julius Caesar for his play to deepen our understanding of one of America's most complex, compelling historical figures and explores the tumultuous landscape of ideology and activism in the 1960s. Through the story of Julius Caesar, a rising political star torn down by his most trusted allies, audiences witness the art of persuasion, the ugliness of backroom politics, and the historical patterns we can't stop repeating. Tackling essential questions about the balance of ambition, personal loyalty, and love of country, Shakespeare's timeless political masterpiece has never been more relevant.
Kidnap Road by Catherine Filloux is a two-person theatrical imagining of the captivity of former Colombian senator and anticorruption activist Íngrid Betancourt.
Tensions rise when famed attorney William Kunstler arrives on a college campus to give a seminar and the brilliant young law student assigned to introduce him objects to his appearance. Has Kunstler finally met his match?
Kunstler was an American civil rights pioneer and attorney so famous that he played himself on Law & Order. His career defending "social outcasts" was as colorful as the man himself. Director of the ACLU from 1964-72, he gained prominence serving as defense attorney for the Freedom Riders and the Chicago Seven as well as for members of the Black Panther Party, the Attica Prison rioters, the American Indian Movement, and Weather Underground. As an attorney in private practice in New York City, he continued to court headlines with controversial clients, from Omar Abdel-Rahman (involved in the 1993 World Trade Center bombing) to notorious Mafia figures like John Gotti.
Jeff McCarthy (Southern Comfort at the Public Theater) stars as the title character in this fictionalized account. Joining him onstage is Steppenwolf Theatre Company regular Nambi E. Kelley as the whip-smart student who opposes Kunstler.
An evening of 3 one-act plays that received their world premiers at past LaBute New Theater Festivals at St. Louis Actors' Studio's Gaslight Theater, plus the world premiere of Neil LaBute's What Happens In Vegas.
Stephen Adly Guirgis' play The Last Days of Judas Iscariot, directed by Estelle Parsons and performed by members of the Actors Studio, will be revived as part of the Studio's 70th anniversary celebration.
Life According to Saki is inspired by the life and short stories of early 20th-century writer Hector Hugh Munro, nicknamed "Saki." Somewhere between Oscar Wilde and Roald Dahl, Saki's creations are witty, absurd, and peculiarly optimistic.
It is November 1916 at the Battle of the Somme — where Saki and his fellow soldiers bear witness to a world turned on its head. They seek refuge in Saki's stories, where the serious is taken lightly and the light seriously, and for a time the war cannot intrude.
Winner of the Carol Tambor Best of Edinburgh Award, Life According to Saki is now making its U.S. premiere. This debut play by award-winning children's author Katherine Rundell is directed by Jessica Lazar and designed by Anna Lewis. It is brought to life by an ensemble cast and the occasional puppet.
Behold The Spectatorium: an audacious, visionary 12,000-seat theater designed for the Chicago World's Fair of 1893 by Steele MacKaye, the now-forgotten theatrical impresario around whom this haunted, 40-year love story spins. From the minds of celebrated playmaking company The Debate Society, The Light Years is an epic yet intimate tale of two families struggling to meet their future — and a spectacular tribute to man's indomitable spirit of invention.
Linda Wilde has it all. She's an award-winning senior executive as well as a busy wife and mother. But when she pitches a revolutionary concept that could change the way the world looks at women of a certain age, she finds herself fighting for her own relevance as every part of her carefully considered life starts to show cracks. Manhattan Theatre Club presents this timely, moving, and fiercely funny new play by Penelope Skinner (The Ruins of Civilization) in its American premiere, directed by MTC artistic director Lynne Meadow.
The White Witch has trapped Narnia in a perpetual state of winter with no hope of Christmas. But all that changes when four siblings venture through an old wardrobe and enter this land of talking animals, charming fauns, giants, and dwarves. Standing shoulder to shoulder with Aslan the Great Lion, the children courageously battle the forces of evil and discover that love is the deepest magic of all.
Set in Alabama in 1900, The Little Foxes follows Regina Giddens and her ruthless clan, including her sister-in-law Birdie, as they clash in often brutal ways in an effort to strike the deal of their lives. Far from a sentimental look at a bygone era, the play has a surprisingly timely resonance with important issues facing our country today.
In a first for Manhattan Theatre Club, Laura Linney and Cynthia Nixon will alternate between the roles of Regina and Birdie, both members of a strong-willed, aristocratic Southern family. The actresses will play the characters in repertory, appearing opposite each other at each performance.
A playwright invites us along as he returns to his high school gymnatorium on the night before it's to be torn down, to examine and reimagine the lives that were touched in some way by the building — especially those involved in the school's many past productions of Our Town. Equal parts earnest love letter and meta dissection of Thornton Wilder's masterpiece, Looking Back, It May Not Have Been Ridgefield High's Best Production of Our Town takes the awkward and the cringe-worthy, the hilarious and the tragic, the ordinary and the extraordinary, and explores what it means to be human today.
Lucky Penny is a two man show that depicts an everyman's hilarious and moving journey through the life cycle. From the death of a parent to the birth of a child. David Deblinger zig zags through a range of mad, sad, beautiful, crazy characters & stories punctuated by jazz/pop vocals performed by the great Fred Johnson.
The renowned Frog & Peach Theatre Company presents Shakespeare's most terrifying tale of blood, war, and witchcraft: Macbeth. Don't see it alone.
Founded by members of the Actors Studio, Frog & Peach Theatre Company has been turning New Yorkers of all incomes and backgrounds on to the pleasures of Shakespeare with breathtaking performances, cinematic pacing, and gorgeous productions.
An isolated woman finds solace in shopping. After one of her big-box sprees, she finds, stuffed inside a box of Halloween lights, a cry-for-help note written by a woman in a Chinese labor camp. Inspired into activism, the shopper embarks on an odyssey of global proportions.
Inspired by true events, Made in China is a fantastical exploration of human rights, consumerism, and morality as told through the unlikely love story between a middle-aged American woman and her Chinese expat neighbor. Baby pandas, dancing appliances, and romping middle-aged lovers populate Wakka Wakka's fantastical universe. Made in China features 30 puppets, music inspired by both American and Chinese traditions, and animated video.
Sometimes even the most devout can lose their faith. When Ken, a middle-aged man from Nebraska, suddenly finds he's lost his — along with his sense of purpose — he goes on a wild adventure to find it. Along the way he encounters a world vastly different from his own, filled with chance meetings and romantic encounters that shake him to the core. From the playwright of August: Osage County comes a fascinating exploration of what happens when we lose our belief system and of the characters that enter our lives on the path to a meaningful existence.
A trial in the afterlife, with the Devil as prosecutor. In the new play Martin Luther on Trial, Luther's beloved wife, Katarina, defends him as witnesses including Adolf Hitler, Sigmund Freud, Rabbi Josel, St. Paul, Pope Francis, and Martin Luther King Jr. take the stand. Even as 2017 marks 500 years since Luther ignited the Protestant Revolt against Rome, he continues to spark intense debate. You be the judge in this witty, provocative exploration of one of history's most explosive personalities and the religious and political controversies he unleashed.
In this tale of irrepressible lust, impossible purity, and infuriating hypocrisy, incompatible values collide and expose the tenuous boundary between order and anarchy. Such is director Simon Godwin's take on this Shakespeare play. Godwin, an associate director at London's National Theatre, sees Measure for Measure as a high-stakes conflict of clashing ideologies in a tensely diverse world. How apropos...
The mob just made a hit, but everyone will live to talk about it. And talking they are because when the "boys" get together, it's a scream! Join this interactive show for a private audience with the Don; maybe he'll make you an offer you can't refuse. Mingle with mobsters and molls, meet the new "Boss of Bosses," break bread and heads with wiseguys and Mafia princesses. Sure, you'll be ducking bullets over Broadway, but that won't stop the fun! Eat, drink, dance, and be merry. You might just die laughing!
This two and a half hour comedy mystery includes a three-course sit-down dinner and dancing. Audience members even have the chance to solve the case and win prizes. Seven prizes are awarded at every performance and include "Academy Awards" for the best actor and actress in the audience.
In the third chapter of the Big Gay Italian trilogy, Anthony J. Wilkinson's character is approaching his 40s and facing the challenges of balancing his now successful weight loss company with past and present gay relationships. New and familiar characters come together to join him on his journey through another outrageous comedy of errors.
The women of the Muscolino family have spent years oppressed by the frightening temper of their husband and father. All of them are hiding dreams, loves, and longings; all are desperate for a life beyond their four walls. But when a plane crashes into their neighborhood, the family's plans are put on hold. The women fight to find their voices and to hold on to each other. Napoli, Brooklyn is a play about sisterhood, freedom, and forgiveness in 1960s Brooklyn.
In the summer of 1992 in Medford, New Jersey, Adam and his gang of friends face life after high school. But when the five of them encounter a mysterious visitor from another world, their lives are forever changed. Nibbler is a dark comedy about a time in life when everything and nothing seems possible.
Not That Jewish is Emmy Award-winning writer, actress, and comedian Monica Piper's autobiographical telling of a Jew…'ish' girl's life. From growing up in a show business family in the Bronx and taking her first steps on a comedy club stage to a WASP wedding and an "almost" night with Mickey Mantle, Piper shares the milestones and moments that shaped her life, using the same signature wit found in her writing for Roseanne, Mad About You, and Rugrats. Over the course of 80 minutes, the audience travels with Piper from innocence to individuality, from reliant to resilient, and shares the hilarity and heartache along the way.
When a senseless act of violence changes her life forever, a liberal college professor finds herself drawn to the very weapon used to perpetrate the crime — and to the irresistible feeling of power that comes from holding life and death in her hands. Peering down the barrel of a uniquely American crisis, she begins to suspect that when it comes to gun violence, we're all part of the problem.
Roundabout Underground presents On the Exhale, a provocative world premiere from Martín Zimmerman (Netflix's Narcos), directed by Tony nominee Leigh Silverman (Violet). Staged with heart-pounding intensity in Roundabout's intimate Black Box Theatre, this play draws you into the white-hot center of one of the most divisive — and most urgent — debates in the United States.
Nut grew up as the youngest child of Julius, a Vietnam vet, in working-class America during the 1980s and 90s. Julius suffers from the effects of Agent Orange, and Nut worries their time together may run out before they can embrace something essential about their relationship. Paging through forgotten photo albums and acting out old war movies about brothers-in-arms, Nut leaps through time and memory, tracing the complex intimacy between father and child when the child is transgender, fighting for a mutual recognition before it's too late.
It's 1997. Alone in her computer lab, 13-year-old Jane finds her escape from the awkward throes of puberty by joining her sister and her unattainable high school crush in a covered wagon headed west on "The Oregon Trail." Under the guidance of the all-powerful Voice of the Game, we watch "Then Jane" and her family navigate the deadly perils of 1850s frontier life, while present day Jane navigates the different but all-too-real dangers of high school, college, and eventually adulthood. Jane soon finds herself in her 20s, unemployed and battling an undefinable lifelong depression, even as "Then Jane" continues to face the tribulations of the trail. With nearly two centuries between them, both Janes face hardships that seem impossible to overcome—until they find one another.
A darkly comic epic, Oslo is the true but untold (until now) story of how one young couple, Norwegian diplomat Mona Juul (Jennifer Ehle) and her husband, the social scientist Terje Rød-Larsen (Jefferson Mays), planned and orchestrated top-secret, high-level meetings between the State of Israel and the Palestine Liberation Organization, which culminated in the signing of the historic 1993 Oslo Accords. Featuring dozens of characters and locations across the globe, Oslo is both a political thriller and the personal story of a small band of women and men struggling together — and fighting one another — as they seek to change the world.
A renowned psychiatrist is asked to testify on behalf of a young patient. When he refuses, his career, ethics, and faith are thrown into question.
Neil Pepe directs this world premiere of the latest play by Pulitzer Prize winner David Mamet (Glengarry Glen Ross).
Perfect Crime is a thriller about three psychiatrists, a detective, a crazy patient, and at least one dead body. A man is murdered...or is he? Did his wife kill him? The detective investigating the case thinks so — until he starts to fall in love with her and the husband mysteriously reappears. The plot includes Gone Girlish and Agatha Christiesque twists and turns. Audiences member don't have to navigate them all by themselves, though. There's an "answer key" for people to review after the show if they're still trying to figure out what happened and how.
Pin* and the Blue Fairy is a new play based on Collodi's classic The Adventures of Pinocchio that examines the wooden puppet's journey to become a proper boy through the eyes of a contemporary trans teenager named Blue. As Blue attempts to find their own path, they turn to Pin's tale, and their stories intertwine in a search for understanding, transformation, and personal truth.
Co-created by translator and writer noah kat baus and director-choreographer Adin Walker, and produced by OUTLIERS Theatre Co, Pin* and the Blue Fairy brings together a collaborative team of queer, trans, non-binary, and non-cis artists for a special work-in-progress showing!
In Dominique Morisseau's Pipeline, Nya Joseph is a dedicated, inner-city public high school teacher who is committed to her students' achievement. At the same time, she sends her only son, Omari, to a private boarding school. When Omari gets involved in a controversial incident that threatens him with expulsion from his school, Nya is forced to reconcile Omari's rage with her own parental decisions as she rallies to save her son.
Can love between Blacks and Latinos survive? A Tale of Secret Lovers From Different Cultures, Who Fall In Love At First Sight, Until Mom Finds Out And Has A Heart Attack!
Updated with new songs, new moments, current politics, and new laughs, it's more funny than ever!
The Plurality of Privacy Project in Five-Minute Plays (P3M5) is a transatlantic theater project initiated to explore the value of privacy. In cooperation with the Goethe-Institut Washington, theaters across the United States and Europe have commissioned playwrights to write five-minute plays themed around the question, "What does privacy mean to you in the digital age?" The results are being presented in different formats by a network of theaters between January 2017 and June 2018. These performances, staged readings, and community forums create an artistic and cultural dialogue centered around varying American and European understandings of privacy.
Note: Performance dates and locations vary. For more information, visit the Goethe-Institut website (URL below).
Cate Blanchett and Richard Roxburgh succumb to the intoxicating power of lust and obsession in the Sydney Theatre Company's production of The Present. A new adaptation of Platonov, Anton Chekhov's first play, The Present unfolds over the course of a raucous weekend birthday celebration in the Russian countryside. Old flames ignite in this passionate and bitingly comic work. Performed by 13 of Australia's finest actors, The Present is adapted by Andrew Upton, who — along with Blanchett — led Sydney Theatre Company in an acclaimed five-year tenure that included such watershed productions as A Streetcar Named Desire (BAM, 2009) and Uncle Vanya (Lincoln Center Festival, 2012). John Crowley (Fox Searchlight's Brooklyn) directs.
When his family lost their fortune in the Great Depression, Victor Franz gave up his dream of an education to support his father. Three decades later, Victor has returned to his childhood home to sell the remainder of his parents' estate. His wife, his estranged brother, and the wily furniture dealer hired to appraise their possessions all arrive with their own agendas, forcing Victor to confront a question, long‐stifled, about the value of his sacrifice. One of the most personal plays from the consummate voice of the American everyman, Arthur Miller's The Price is a riveting story about the struggle to make peace with the past and create hope for the future.
Safe in the liberal fortress of Manhattan, Raif Almedin is a first-generation immigrant who prides himself on his modern, enlightened views. But when his daughter falls for the son of a conservative Muslim family in White Plains, he discovers the threshold of his tolerance. In Zayd Dohrn's timely play, two families are forced to confront each other's religious beliefs and cultural traditions — and to face their own deep-seated prejudice.
Each month, Gingold Theatrical Group presents a different play by George Bernard Shaw (or his contemporaries). GTG is the first group to ever present performances of all of Shaw's 65 plays! This script-in-hand series is always packed with theatrical enthusiasts eager to share Shaw's comedic theatrical pieces, all embracing his bold humanitarian precepts encouraging human rights and free speech for all. Every play is presented as a staged reading by a specially assembled, star-studded cast. The reading is followed by a spirited talkback with the cast and an international team of Shavians.
Raw Bacon From Poland, 2016 Guggenheim Fellow Christina Masciotti's newest work, tells the story of shoe salesman and aspiring personal trainer Dennis Toledo, as a lifetime of trouble assumes a new intensity after a bad tour in Iraq. Though he's managed to anesthetize the enduring wounds of his service with prescription drug abuse, when he's arrested on a domestic violence charge and sentenced to Brooklyn Treatment Court, he's forced to find new ways to handle his volatile tangle of mixed emotions. Further upheaval with his wife leaves him perched on the edge of recovery with an all-consuming drive to win full custody of his six-year-old daughter.
Ready or Not Here I Come is a story about the choices that we make and the consequences of those choices. This play is about the rapture of Christ — and a lot more.
Ms. Jenkins is the nosy neighbor who knows everything about everybody. She takes the audience into the personal lives of three families. Audience members witness those families either accepting or rejecting Christ.
Ready or Not Here I Come includes music, singing, praise dancing, and a couple surprises. Audience members may laugh and cry, but above all, they will think.
Six guests talk, joke, dance, drink, and eat. Sometimes they hold still, and sometimes they move about. There is music; there is silence; there is chatter. Old friends mingle with new acquaintances. Slowly the guests warp and rewind their actions as the celebration's mundaneness gives way to something more ominous. No one can leave. No one else arrives.
The Reception is a performance that exists at the border of theater and installation. Drawing inspiration from Luis Buñuel's The Exterminating Angel, which explores physical entrapment and the breakdown of bourgeois behavior, The Reception situates itself in modern-day New York City. In this setting it contends with bourgeois values and the surreal decadence of the 21st century in a new way.
Repertorio Español is a theater company that presents a rotating repertory of plays in Spanish. Works by both canonical authors (Lope de Vega, Calderón, García Lorca) and living writers are produced. In presenting these works, the company endeavors to bring the best of Spanish, Latin American, and Hispanic-American theater to a diverse audience, including Hispanics of all backgrounds and non-Spanish speakers. Plays are performed in Spanish with simultaneous translation to English via wireless headsets.
What better way to expose the dangers of social stagnation, unexamined group thought, and burgeoning totalitarianism than through spontaneous animal transformation? Eugene Ionesco's blunt satire rampages through a world of everyday people at first perplexed by and then swept up in the most outlandish cultural makeover ever devised. After all, "rhinocification" can happen to anyone — so keep your eyes open.
Ring Twice for Miranda is a tragicomedy set in a time roiled by economic upheaval. A man known only as Sir rules with a vengeance. Miranda, a household chambermaid, adds intrigue to his life. But when Elliot, the butler, is fired, she defies Sir and flees with Elliot into the frightening streets. All must soon make critical decisions. Imperfect facts are their only guide, since little in their world is as it appears.
This play is the work of Alan Hruska, a filmmaker (The Man on Her Mind), stage director (Waiting for Godot), and novelist (Borrowed Time) as well as a playwright (Laugh It Up, Stare It Down). Directing this production is Rick Lombardo, whose Albatross in Boston earned an Elliot Norton Award for Outstanding Production.
Riot Antigone is a punk rock adaptation of Sophocles' tragedy about a woman who breaks the law to bury one of her brothers. Seonjae Kim wrote this Riot Grrrl exploration of Antigone in collaboration with composer Erato A. Kremmyda.
The 2017 FRIGID Theater Festival presents a Playful Substance production of SAHM's Club, written by Bree O'Connor and directed by Jill DeArmon.
Sometimes a day at the park with your kids is no picnic. SAHM's Club is a dispatch from deep in the Brooklyn Mommy Game where Free Rangers and Helicopters expose the methods behind their madness and the madness behind their methods.
Entertainment with benefits! In this three-character comedy featuring a straight woman, a seductive model, and you-know-who, audiences are welcomed into a fun-filled world of foolproof moves and insider advice that could only be culled from that most insightful of individuals: the gay man. Sex Tips for Straight Women from a Gay Man is based on the international best-selling book of the same title.
This edgy historical drama smashes the conventional wisdom about "Shakespeare" and the "Virgin" Queen by suggesting the violation of a fundamental human taboo. Shakespeare and the Courtesan follows the travels of Edward de Vere, 17th Earl of Oxford and, according to some, the real "William Shakespeare." Oxford's journey through Italy is surrealistically juxtaposed with scenes of his life in England, his plays, poetry, passion, betrayal, and murder in a blend of fact and fantasy. (Did Shakespeare/Oxford have a child with his mother, Queen Elizabeth I?) The Bard meets his match when he encounters the beautiful Veronica Franco, an honored Venetian courtesan and published poet.
She Has a Name tells the story of Carlos, a lawyer who poses as a john to build a legal case against a brothel ring that is trafficking young girls internationally. He meets Number 18, a girl forced to work as a prostitute, only to discover her testimony is key to proving his case. Can he convince her to risk her life to testify for the sake of justice?
Meet Jordan Berman. He's single, but he has a date with a coworker to see a documentary about the Franco-Prussian war. At least, he thinks it's a date. Significant Other, a new play by Joshua Harmon (Bad Jews), follows Jordan and his three closest friends as they navigate love, friendship, and New York in their 20s.
This production marks a Broadway debut for Harmon as well as director Trip Cullman. Cullman, a rising young talent, guided Significant Other to and through its off-Broadway run at Roundabout Theater Company. Much of the off-Broadway cast, including lead actor Gideon Glick, will reprise their roles on Broadway.
Inspired by a true story, the play follows the trail of a young black con man, Paul, who insinuates himself into the lives of a wealthy New York couple, Ouisa and Flan Kittredge, saying he knows their son at college. Claiming he himself is the son of actor Sidney Poitier, Paul tells them he's just been mugged and all his money is gone. Captivated by Paul's intelligence (and the possibility of appearing in his father's new movie), the Kittredges invite him to stay overnight. After finding him in bed with a hustler, their view of Paul changes, and Ouisa and Flan turn detective trying to piece together the connections that gave him access to their lives. Meanwhile, Paul's cons unexpectedly lead him into darker territory as his lies begin to catch up with him.
The Skin of Our Teeth is a whimsical, profound, and searingly funny paean to human perseverance and indestructibility. The Antrobus family copes with the frustrations of parents and children amid crises threatening humanity's survival. Written by Thornton Wilder during the darkest period of World War II, this modern masterpiece has not had a major New York production since 1998. Not until now, that is. Arin Arbus, following her acclaimed repertory staging of Henrik Ibsen's A Doll's House (adapted by Wilder) and August Strindberg's The Father, directs the revival of this charming play.
Punchdrunk's Sleep No More is an award-winning theatrical experience that retells Shakespeare's Macbeth through the lens of a film noir movie. Audience members move freely through the world of the story at their own pace, choosing where to go and what to see. Everyone's journey is different.
Note: No one under sixteen will be admitted.
Earth has gone to the dogs, literally. After "the incident," humans have gone underground and into space, leaving dogs to run the planet. But the Space Pirates have decided that they need to pave over Earth to put up a parking lot for their new nightclub on the moon. The Puppies have to join forces with their archenemies the Ninja Kittens and, along with the assistance of the Great Oracle, must seek the power of the greatest weapon they've never heard of. Epic adventures and battles ensue, and along the way, we learn a deep, dark secret...or three. Will the Puppies turn tail and run? Will the Ninja Kittens — ooh, string. Can the Earth be saved from certain construction? Will it all end in discord or harmony?
The Space Pirate Puppy Musical! is written and directed by Heather Bagnall and Luke Tudball with original music by award-winning composer and lyricist Steve Schalchlin.
The goal of Staging Wittgenstein is to dramatize philosophical thought conveyed in Ludwig Wittgenstein's Tractatus Logico-Philosophicus through the lens of his later idea of the "language game." Wittgenstein is wrangling with the connection between reality and language (or lack thereof), the irony being that he uses language to discuss language, thus limiting himself in using but this one form. This project acknowledges the various forms language can take, primarily through physicality. In Wittgenstein's Investigations, he suggests that it is through the establishment of rules that one constructs a language. It is then through the enactment of said rules that one speaks said language. In this way, the Tractatus can be played out as a linguistic game. The playfulness of structure extracted from the Tractatus dictates the theory of this performance, an attempt to create a system of visually dramatized representations of the linguistic propositions put forth in the Tractatus in order to ground that ungroundable text.
I.M. Lost! is a show based on interviews with clowns and the author-performer Nathalie Ellis-Einhorn's experiences with clown training. Clowns fail again and again, but despite all logic to the contrary, believe that things will be different the next time. Nathalie's clown, dubbed Little Snotty after her tendency to cry and even leak snot out of her red nose during exercises in clown class, is a BIG failure. But she doesn't know how to cultivate the clown's irrational hope. We follow her through encounters with birthday, hospital, and theater clowns who discuss failure and why they keep pouring all their work, pain, and love into something that's sort of dumb and useless.
The Strange Undoing of Prudencia Hart is a music-filled folk theater fable. Set in a high-spirited Scottish pub, the show unfolds among and around its audience. In this intimate setting, a lyrical and enchanting story is told with live music.
Produced by the National Theatre of Scotland, this ingenious show was cocreated by writer David Greig and director Wils Wilson.
While navigating the unsettling waters of young adulthood, twin sisters Ray and Joey return home to find their father in a moment of crisis. Under the cover of late-night, small-town shadows, sleep is elusive, connections are frayed, and the southern summer heat presses in. Sundown, Yellow Moon is an ethereal, honest, funny-sad play about seeing old faces with new eyes, and the liminal space between loss and letting go. Drama Desk and Obie Award winner Anne Kauffman directs.
With warm humor and tremendous heart, Lynn Nottage's Sweat tells the story of a group of friends who have spent their lives sharing drinks, secrets, and laughs while working together on the line of a factory floor. But when layoffs and picket lines begin to chip away at their trust, the friends find themselves pitted against each other in the hard fight to stay afloat.
You're in Puerto Rico. Old San Juan. You're a tourist; you walk down the stairs of this beautiful old fort built by the Spaniards. When you reach the bottom, you realize you're in a hole.
Welcome to the basement that lies under the tourism and behind the fort walls! You spend some days there; you don't want to leave. Oh no, you're addicted.
Tell Hector I Miss Him is a new play by Paola Lázaro that unmasks a community built on the law of respect that keeps getting washed away but refuses to drown.
The Donmar Warehouse returns to St. Ann's with The Tempest, the third and final installment of director Phyllida Lloyd's all-female Shakespeare trilogy. Set in a women's prison, The Tempest follows Lloyd's productions of Julius Caesar and Henry IV, and will once again be led by the renowned Harriet Walter.
St. Ann's has been the proud American home of the revelatory trilogy that has ignited a cultural and social conversation about gender, equality, and aspiration on both sides of the Atlantic, as it empowers women to play the great Shakespearean roles normally reserved for men. The Tempest comes with a comprehensive education program for underserved youth in New York City public schools and young women touched by the juvenile justice system.
In a creepy little village on the cusp of modernity, a ravening monster stalks two teenagers and their families. Taking cues from horror movies, The Terrifying asks how you can live every day with forces that want to destroy you — including the urge to destroy yourself. Featuring sound design by Ben Williams, The Terrifying is written by Obie Award-winning playwright Julia Jarcho.
Thoughts of a Colored Man on a Day When the Sun Set Too Early is written and conceived by Keenan Scott II and follows the stories of eight young men as they try to find their identity in a world that told them they should conform. Through poetry and prose-style monologues using vernacular birthed from the hip-hop generation, this play provides a raw view of heart-wrenching subjects that plague us all. Choreographing this benefit workshop production are Jenny Parsinen (Allegiance) and celebrated star of stage and screen Taye Diggs.
In a society that cares more for good birth and good manners than for skill, Becky Sharp, poor, plain, and devilishly clever, is determined to defy the odds. Through risky romantic entanglements, shady business practices, and social climbing at any cost, she refuses to stop until the world lies at her feet. Adapted by Kate Hamill (Sense and Sensibility) from the novel by William Makepeace Thackeray, Vanity Fair exposes a world where surfaces are everything, virtue is only skin deep, and every 15 minutes of fame comes with heart-pounding risk.
Leaving her home in southern Africa for a better life, Saartjie Baartman became a star on the 19th-century London freak show circuit because of the size of her posterior. This Obie Award-winning play gives vibrant life to the story of Baartman's journey to London, her rise to fame as the "Hottentot Venus," and her eventual love affair with a French scientist. Inspired by the real-life experience of Baartman, Venus bursts with humor while examining the paradox of love.
Aimee Todoroff and Tonya Pinkins direct three poignant, tantalizing plays by two pioneering women playwrights. The plays explore gender roles, race, and death in early 20th-century America. This evening of one-act works includes Trifles (1916) and The People (1918) by Susan Glaspell as well as Exit: An Illusion (1929) by Marita Bonner.
What are we here for? Is time a friend or an enemy? Do we all eventually end up in the same place but take different routes to get there? This funny, moving, and thought-provoking new play, written and directed by Obie and Lucille Lortel Award winner Will Eno, challenges the notion of what really matters while recognizing the importance of life's simple pleasures. (All of which might sound dreary, but there's a chance this will be a really good experience.)
Water is a collaboratively created piece of participatory theater that explores human relationships to the environment in the face of profound ecological threat. It reunites playwright Callaghan, director Topol, New Georges, and 3LD Art & Technology Center 11 years after the extended run of New Georges' acclaimed production of Callaghan and Topol's Dead City, the first show at 3LD.
Having lost her mother to illness, Ginnifer moves into her mother's home in the town where she grew up. After learning a former boyfriend has committed a mass shooting, Ginnifer must confront her relationship to the heinous crime while also finding her place in America as a single woman approaching middle age.
Written by Courtney Baron, When It's You takes a personal look at the ripple effects that follow gun violence. Now making its world premiere, this timely and moving play explores contemporary American life.
When, after much time away, Kristina returns to Berkshire County, word spreads that she and her ex-husband are caring for their estranged, ailing daughter Julie. Visitors from Julie's complicated past, including her childhood best friend and her former drug dealer, practically trip over each other to reach the young woman they thought they'd lost years before but still feel deeply connected to. Heartfelt and compassionate, Hamish Linklater's The Whirligig spins a tale of a fractured community weaving a circuitous route back to one another.
Direct from its production at the Delaware Theatre Company, White Guy on a Bus — a play that unravels a complex web of moral ambiguity, revenge, and racial bias — arrives in New York. A wealthy white businessman and a struggling black single mom ride the same bus week after week. As they get to know each other, their relationship prompts an unblinking inspection of racial and economic divides.
This play is inspired by Emily Brontë's 1847 novel Wuthering Heights, set amidst the harsh English countryside, where passion consumes two lovers. Wuthering Heights (…Just the Height Points…) explores desire, destruction, queerness, and vampires.
Bobbie and Hench are home alone. Days are spent streaming porn, playing Call of Duty, watching the world go by. Their mom rarely visits anymore, and it's chaos when she does. But when Jenny, an animal-loving neighbor, takes an interest in their dog, the boys discover a world far beyond what they knew. Yen explores a childhood lived without boundaries.
A motivational speech. An ad for cheese chips. An ancient Greek hero. A desire to do good, to live right, to not fail, to make the world better, to find happiness, to find comfort, to find meaning, to find, to find, to find, success, success, SUCCESS. Your Hair Looked Great is a kaleidoscopic head-trip through the social and cultural forces that shape our sense of what life is and what life should be.
Your Hair Looked Great is the work of Tiny Little Band, a New York-based collaboration between Stefanie Abel Horowitz and Jerry Lieblich. Their last piece, Ghost Stories, premiered at Cloud City in May 2015 to rave reviews. It was previously developed at PRELUDE 14 (CUNY), Smith + Tinker (HERE Arts Center), Barn Arts Collective, Gershwin Live at Dixon Place, and the Edward F. Albee Foundation. Past work includes 1927 (Ars Nova, ANT Fest), Rod Serling: Binghamton to Syracuse, and Walt Disney and the Invention of the Human (Fresh Ground Pepper).
Yours Unfaithfully is an unromantic comedy about the price of free love. It peeks intimately and insightfully behind the closed doors of an open marriage. Stephen and Anne, blissfully happy for eight years, are committed to living up to their ideals. When Stephen, a writer who isn't writing, begins to sink into a funk of unproductive moodiness, Anne encourages him to seek out a fresh spark. Can their marriage survive uncompromising generosity, sacrifice, and love?
Published in 1933 but never produced until now, Yours Unfaithfully makes its world premiere in this Mint Theater production under the direction of Jonathan Bank. The cast features Tony and Drama Desk Award nominee Max von Essen (An American in Paris), Todd Cerveris (South Pacific), Mikaela Izquierdo (Cyrano de Bergerac), Elisabeth Gray (Breakfast at Tiffany's), and John Hutton (Lincoln).