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From the author of War Horse comes a full arsenal of live music, dance and visual hi jinx! Kneehigh and Emma Rice, the new Artistic Director of Shakespeare's Globe, return to St. Ann's with 946: The Amazing Story of Adolphus Tips adapted from the novella by Michael Morpurgo. This true tale of local townsfolk and the African American soldiers sent to rehearse the Normandy invasion from their shores explodes everything we thought we knew about the D-Day landings. Seen through the lens of a little girl and her lost cat, 946 takes its title from the number of casualties sustained during these bungled maneuvers, a secret kept, until now, by the American and British governments.
Called "hilarious" (Broadway World) and "engaging" (TheaterMania), The Accidental Pervert is a laugh-out-loud play that tells the awkwardly poignant story of a boy's journey into manhood after discovering his dad's video tapes hidden in a bedroom closet. Andrew subsequently develops an addiction that continues until the age of 26, when he meets his wife to be, and finds himself struggling to find the balance between fantasy and reality.
"The Accidental Pervert Will Arouse Your Socks Off!" - Village Voice
Let acclaimed performer and comedian Andrew Goffman take you on a whirlwind tour of his funny romance with magazines, video, and off-color fantasies while you roll in the aisles. However, it's not all laughs in this layered show, which ends on a touching moment of redemption as he struggles to find true love and perspective through real-life relationships.
• The Accidental Pervert has eclipsed 1000 performances in the legendary Greenwich Village area of New York!
• Award winning run in Buenos Aires, Argentina!
• Winner 2013 BEST COMEDY Award in Panama City, Panama!
• Opening in Zurich, Switzerland and the Island of Malta 2014! 2015 premiers in Kristiansand and Oslo, Norway!
So come have some good dirty fun with The Accidental Pervert! Oh, and leave the little ones home. The show has mature themes and is meant for audience members over 16.
The extraordinary true story of the first female photo-journalist Alice Austen. Alice Austen fell in love with photography and another woman at a time when women were expected to do neither. Alice in Black and White traces her love affairs with photography and her partner Gertrude Tate at the turn of the 20th Century to her heartbreaking fall into poverty and obscurity by the 1950s. The play won the StageWrite Women's Theatre Initiative Award and received its world premiere in Louisville, produced by Looking for Lilith Theatre Company, who revive their production for the occasion of the 150th anniversary of Alice's birth.
Ambition is a musical exploration of three forgotten killer women from American history. Featuring a cutthroat palate of haunting vocals and live instrumentals, Ambition gives voice to a trio of dark, long-silenced stories.
Poseidon Theatre Company takes their style of storytelling, movement and design to bring to you an adrenaline laced version of this timeless tale set in an intimate venue with an original score.
4 Performances. 60 Seats a show. 2500 Years Ago Her Story Was Told.
Join Us for our Inaugural Production.
Pulitzer Prize-winner Annie Baker, who The New York Times has called "one of the freshest and most talented dramatists to emerge Off Broadway in the past decade," returns for the second production of her Signature residency with a world premiere play, directed by Lila Neugebauer. The Antipodes follows John, her insightful, funny and mysterious first play at Signature, which sold out an extended run and appeared on the Top 10 lists of The New York Times, New York Magazine and Time Magazine, among others.
Arthur Miller's The Crucible. returns to Broadway in a new production directed by the acclaimed Belgian director Ivo van Hove. Set during the Salem witch trials of the 1690s, The Crucible. is a timeless parable of morality, a scorching indictment of intolerance, and a central work in the canon of American drama.
Shakespeare's sparkling comedy about love, family and identity is full of wit, music and gender-bending fun. The rightful duke and his supporters have been banished, while his impulsive daughter Rosalind remains at the mercy of the oppressive new regime. Comic twists and turns abound when Rosalind, disguised as a boy, flees the court to seek her father in the mysterious Forest of Arden. Her journey of self-discovery brings her face to face with Orlando, the man she loves.
A man shares a bowl of berries, and a young woman falls in love. A world away, a mother prepares a bowl of soup to keep her son from leaving home. And a son cooks a meal for his dying father to say everything that words can't. In Julia Cho's poignant and lyrical new play, the making of a perfect meal is an expression more precise than language, and the medium through which life gradually reveals itself.
After playing to sell-out crowds in Dublin, Edinburgh and London, the cult hit show Bears in Space arrives in New York City with its acclaimed original cast. Two cosmonaut bears on a spaceship hurtle toward the impossibly distant limits of the universe while chased by villainous beings. An ethereal adventure that considers the perils and wonders of a journey across space and time to nowhere.
Critically acclaimed Irish writer Conor McPherson adapts Daphne du Maurier's sensual and intriguing story, which was also the basis for Alfred Hitchcock's masterpiece of the same title. In an isolated house, strangers Nat and Diane take shelter from relentless masses of mad attacking birds. They find temporary sanctuary but not comfort or peace; there's no electricity, little food, and a nearby neighbor may still be alive and watching them. When another refugee arrives with news of the outside world, paranoia takes hold of this makeshift fortress. An unsettling look at human relationships in the face of societal collapse.
Black Angels Over Tuskegee is the story of the Tuskegee Airmen told in narrative of six men embarking upon a journey to become pilots in the United States Army Air Forces. The play explores their collective struggle with Jim Crow, their intelligence, patriotism, dreams of an inclusive fair society, and brotherhood. The play goes beyond the headlines of the popular stories of the Tuskegee Airmen and exposes the men who exhibited the courage to excel, in spite of all the overwhelming odds against them.
Winner 2009 Artistic Achievement Award "Best Play"
"Uplifting! Inspirational! This show is also tough to resist. By the end, when the pilots overcame their obstacles and finally got up into the air to the swelling of music, tears welled up in my eyes." - New York Times
In times of political unrest, must a man die for the greater good of the nation? The assassinations of Rome's great ruler of the Republic and the revolutionary leader Malcolm X share the stage when New York's acclaimed The Acting Company pairs Shakespeare's Julius Caesar with X, a compelling new play by lauded playwright Marcus Gardley (The House that Will Not Stand, The Gospel of Lovingkindness, Every Tongue Confess, On The Levee). Presented in repertory, each featuring the same outstanding cast, these two gripping dramas examine two charismatic leaders who rise only to fall victim to rivalry, resentment and retribution.
In this irreverent new genre-bending piece, theatre makers Christopher Chen and Lee Sunday Evans apply their playful imaginations to the work of a Chinese dissident artist. This hybrid art-theatre work instigates an exploration into the nature of authority and authenticity, inviting you to navigate the labyrinthine relationships between truth and perception, illusionary art and real jeopardy.
Set in Russia at the turn of the twentieth century, The Cherry Orchard chronicles a noblewoman's return to her family estate after a five-year absence to escape troubling memories of her son's death. Lyubov Ranevskaya arrives home to find the cherry orchard in full bloom, but the finances of the estate on the verge of ruin. Lyubov and her brother, Gaev, find themselves scrambling to retain a vision of gentility amidst a climate of huge social and economic transition.
A popular Alan Ayckbourn classic in repertory with one of his newest works.
Confusions: Since its premiere in 1974, Confusions has become one of the most popular and studied plays of the last 40 years. From a devoted and isolated mother to her unfaithful travelling salesman husband, through a solicitous waiter to well-heeled diners and an utterly shambolic garden fete, human frailty is laid bare as one hilarious situation after another unfolds.
Hero's Welcome: A decorated war hero returns to his boyhood stomping ground with a new young bride, but is all as it seems? Once the welcome flags have stopped waving, few of his friends seem particularly happy to see him back. Murray's declared intention of staying put and settling down threatens to stir up all sorts of old rivalries and resentments. Suddenly the couple, in search of peace, find themselves once more in the firing line.
Cost of Living is the story of four very different people, in four very different circumstances, each trying to get by. Eddie, an unemployed truck driver, reunites with his ex-wife Ani after she suffers a devastating accident. John, a brilliant and witty doctoral student, hires over-worked Jess, a caregiver. As their lives intersect, Majok's play delves into the chasm between abundance and need and explores the space where bodies — abled and disabled — meet each other.
This summer, acclaimed theater director Aleksey Burago and The Russian Arts Theater and Studio continues its 2015-2016 season with Fyodor Dostoevsky's magnum opus Crime and Punishment. In the hot slums of St. Petersburg lives Raskolnikov, a former student struggling with debt and disillusionment. Believing himself to be a superior man, he soon executes a plan to kill and rob an old pawnbroker, arguing that her money can be used for good deeds, while ridding the world of a worthless parasite. As the growing voice of his conscience sets in, Raskolnikov soon finds the noose of his own guilt tightening around his neck. Join the Russian Arts Theater and Studio as it brings one of the greatest novels to life at the West End Theater and embark upon a journey into the mind of a killer and his search for redemption.
Winner of 5 Tony Awards, including Best Play!
Fifteen-year old Christopher has an extraordinary brain; he is exceptionally intelligent but ill-equipped to interpret everyday life. When he falls under suspicion for killing his neighbor's dog, he sets out to identify the true culprit, which leads to an earth-shattering discovery and a journey that will change his life forever.
A Day by the Sea is a warm, human and often humorous depiction of the "crisis" of middle age. Julian Anson, a once-promising Foreign Service employee, confronts professional disappointment and personal failure while picnicking along the English seaside. Jolted into the realization that maybe it's not too late—he seizes an opportunity to correct his past mistakes and start fresh—but will the results be any different?
A woman tries to feed her husband a fried drumstick. Dragons roam a flat earth. The last Black man in the whole entire world dies again. And again. Careening through memory and language, Parks explores and explodes archetypes of Black America with piercing insight and raucous comedy. A riotous theatrical event, The Death of the Last Black Man in the Whole Entire World hums with the heartbeat of improvisational jazz.
For over 400 years, the Drunk Shakespeare Society has been meeting and drinking. And drinking, and doing Drunk Shakespeare. A self-proclaimed "drinking club with a Shakespeare problem," the membership invites audiences to join them for a meeting in their society lounge. The evening begins with one actor drinking more than a sophisticated amount of alcohol before attempting to lead the cast through a Shakespeare story in sixty minutes. The results are messy, outrageous, and the evening devolves into debauchery.
The theater is wheelchair accessible.
In the darkest hour of the night, surrender your heart to call the light.
Two halves of a soul hunt through a hall of records. A librarian breaks the seal of a mysterious archive. A teacher and her class prepare the pageant to end all pageants.
Duat conjures a spell of disintegration, transformation and three parts. A little bit vaudeville, a little bit rock and soul.
Hearts racing. Minds reeling. Knees buckling. Connie and Tristan have palpable chemistry—or is it a side effect of a new super-antidepressant? They are volunteers in a clinical trial, but their sudden and illicit romance forces the supervising doctors to face off over the ethical consequences of their work. From Lucy Prebble, "one of the UK's hottest new playwrights" (The Telegraph), The Effect takes on our pill-popping culture with humor and scintillating drama.
An alcoholic, an escort, a self-diagnosed neurotic and a well-intentioned simpleton walk into a bar... Broken and deeply flawed, they find their lives irreversibly entwined no matter how hard they try to break free of one another. The End of Longing is a bittersweet comedy that proves that broken people don't need to stay broken.
It's summer in New England and every weekend is someone else's engagement party. The wildflowers, specialty cocktails, and artisanal appetizers are totally Instagram-worthy, but the people are not quite so perfect. One night, Lauren takes it into her own hands to make sure that her best friend doesn't marry an inadequate suitor – a drunken mistake that incites a cascade of calamities, threatening to expose all of Lauren's secrets. Engagements is a dark comedy about ugly feelings in an age of beautiful self-images.
"Why I Live at the P.O." and "One Writer's Beginnings." Adapted from the works of Eudora Welty by Voices of the South Theatre Company and Gloria Baxter.
"Why I Live at the P.O." is among the best loved of Eudora Welty's acclaimed short stories. Peppered with wonderfully eccentric characters, this comic short story follows follows the trials and tribulations of Sister as she recounts her mad-capped quest for liberation from her family.
"One Writer's Beginnings" is Eudora Welty's much praised memoir which she wrote later in life. The first chapter entitled "Listening" takes a lyrical look into the author's childhood, exploring memory, family and how a life-long love of words led her towards a writer's life.
Branden Jacobs-Jenkins, who The New York Times calls "one of this country's most original and illuminating writers," comes back to Signature for the second production of his residency with the world premiere of Everybody. Directed by Lila Neugebauer, this modern riff on one of the oldest plays in the English language promises to be just as unique as Gloria, An Octoroon and the award-winning Signature production of Appropriate.
The press room of Chicago's Criminal Courts Building is buzzing with reporters covering the story of an escaped prisoner. When star reporter Hildy Johnson accidentally discovers the runaway convict, he and his editor Walter Burns conspire to hide the man from the other reporters, while they chase the biggest scoop of their careers.
You think you're having a bad day? Meet Sam. He works the red‐hot reservation line at one of New York's trendiest restaurants, where the best food inspires the worst behavior. Coercion, petty threats, bribes, histrionics—a cast of desperate callers, all brought to life by Ferguson, will stop at nothing to land a prime reservation, or the right table in Becky Mode's hilarious and delicious comedy. Amid the barrage, Sam has his own problems to deal with. While juggling scheming socialites, name‐dropping wannabes, fickle celebrities and egomaniacal bosses, can he still manage to look out for himself?
A limited number of rush tickets are available for purchase in-person for $40 at the Lyceum Theatre box office beginning at 10:00am (12:00pm on Sundays) for that day's performance(s) only. Up to two tickets per person. Rush tickets are subject to availability and may not be offered at all performances. Rush seating locations will be determined at the discretion of the box office.
Tony-winning writer and director Richard Nelson returns to The Public this fall with the next play in his new three-play cycle, The Gabriels: Election Year in the Life of One Family. The second play, What Did You Expect?, brings us back to the kitchen of the Gabriel family, with the country now in the midst of the general election for president. In the course of one evening in the house they grew up in, history (both theirs and our country's), money, politics, family, art and culture are chopped up and mixed together, while a meal is made around the kitchen table.
In the exquisitely moving finale of his three-play cycle, Tony-winning writer and director Richard Nelson brings us back into the Rhinebeck kitchen of the Gabriel family as they await the results of the Presidential Election on November 8, 2016. Women of a Certain Age takes place in the course of a single night, eight months after we first meet the Gabriels. Patricia, the family matriarch, joins her children and daughters-in-law as they prepare a meal from the past and consider the future of their country, town and home. Paying tribute to the difficult year behind them, the Gabriels compare notes on the search for empathy and authenticity at a time when the game seems rigged and the rules are forever changing.
Love and betrayal are no strangers to Divine, the cross-dressing gay prostitute at the heart of Jean Genet's 1943 novel, Our Lady of the Flowers. Her story of forsaken desire collides with the 21st century confessional video blog of a real-life porn star in Genet Porno, a psychosexual melodrama that exposes our contemporary culture of narcissism and the consequences of blurring our public and private lives in an epic emotional journey from light into darkness.
Tony winner Harvey Fierstein takes the stage this spring in a ravishing world premiere by one of the most influential playwrights of our time, Tony Award nominee Martin Sherman. Directed by Tony Award nominee Sean Mathias, Fierstein plays Beau, a pianist expat living in London, who meets Rufus, an eccentric young lawyer, at the dawn of the internet dating revolution. After a life spent recovering from the disappointment and hurt of loving men in a world that refused to allow it, Beau is determined to keep his expectations low with Rufus. But Rufus comes from a new generation of gay men who believe happiness is as much their right as anyone else's, and what Beau assumed would be just another fling grows into one of the most surprising and defining relationships of his life.
A remarkably moving, brilliantly funny love story that reflects the triumphs and heartbreaks of the entire length of the gay rights movement, celebrating and mourning the ghosts of the men and women who led the way for equality, marriage and the right to dream.
The Glass Menagerie is the play that brought a brilliant young writer named Tennessee Williams to national attention, and, in his own words, "changed my life irrevocably" when it first premiered on Broadway in 1945. More than seventy years later, Williams's most personal work for the stage continues to captivate and overwhelm audiences around the world.
The world premiere of Jeff Talbott's new play The Gravedigger's Lullaby.
With Hadestown, celebrated singer-songwriter Anaïs Mitchell and inventive two-time OBIE award-winning director Rachel Chavkin (Three Pianos, Natasha, Pierre and the Great Comet of 1812) transform Mitchell's "phenomenal concept album" (Rolling Stone) into a bold new work for the stage. This folk opera follows Orpheus' mythical quest to overcome Hades and regain the favor of his one true love, Eurydice. Together we travel from wide open plains where love and music are not enough nourishment to survive the winter, down to Hadestown, an industrialized world of mindless labor and full stomachs. Inspired by traditions of classic American folk music and vintage New Orleans jazz, Mitchell's beguiling melodies and poetic imagination pit nature against industry, faith against doubt, and love against death.
After centuries of performances and countless adaptations of this iconic work, what remains is a vision of Hamlet that has never been seen before and never will again.
Oscar Isaac in Hamlet staged by Sam Gold.
Oscar is celebrated for the honesty, authenticity, and intensity of his performances, and Hamlet marks his long-desired return to theatre after an impressive series of starring film and television roles. Sam is renowned for the transparent subtlety and nuance of the theatrical worlds he creates, Together Oscar Isaac and Sam Gold will explore the 'undiscovered country' of Hamlet's world which begins, of course, with the first words of the play, 'Who's there?'"
Michael is a neurotic actor and adoptee obsessed with two things—finding his real mother, and playing the famous gloomy Dane. His twin fixations collide when he tracks down Anna, a reclusive former actress-turned-barfly; gripped by the notion that she might be his actual birth-mother, he first stalks her from a distance, then lures her into a noirish production of Hamlet playing the role of his mother the queen. Hamlet In Bed is a twisty and darkly comic story about mothers and sons--about what it means to live a life in the theatre, both a generation ago, and now—and about families—the ones we're born into, and the ones we find along the way.
In the basement of a small evangelical church in Southeastern Idaho, a group of young missionaries is preparing to go to the Middle East. One of them—a young man who has recently lost his father—has bought a one-way ticket. But his plans are complicated when his estranged sister returns home and makes it her mission to keep him there.
Twenty-five years ago, a motley group of friends met as kids at a summer camp where the head counselor secretly taught them that their disabilities could be "cured" through the power of prayer. Today, the group has gathered to mourn the untimely passing of one of its members. Over the course of the night, old wounds are uncovered, friendships are tested and the truth surrounding their late friend becomes troublingly clear.
Amidst the bustle of a crowded London train station, Georgie (Mary-Louise Parker) spots Alex (Denis Arndt), a much older man, and plants a kiss on his neck. This electric encounter thrusts these two strangers into a fascinating and life-changing game. Directed by Drama Desk Award winner Mark Brokaw (The Lyons, How I Learned to Drive), Heisenberg brings to blazing, theatrical life the uncertain and often comical sparring match that is human connection.
How to Be a New Yorker shows audiences everything they ever needed to know about what it takes to be a real New Yorker, or at least not stand out as a tourist.
Winner of 4 Tony awards, including Best Play!
The angst, anguish and amity of the American middle class are first coaxed – then shoved – into the light in this uproarious, hopeful, and heart-breaking play that takes place over the course of a family dinner on Thanksgiving. Breaking with tradition, Erik Blake has brought his Pennsylvania family to celebrate and give thanks at his daughter's apartment in lower Manhattan. As darkness falls outside the ramshackle pre-war duplex, and eerie things start to go bump in the night, the Blake clan's deepest fears and greatest follies are laid bare. Our modern age of anxiety is keenly observed, with humor and compassion, in this new American classic.
In July of 2000, immediately following the failed Israeli-Palestinian peace talks at Camp David, three adult siblings and their families gather in a suburb of DC for their father, Lou's, 75th birthday. Middle son Michael, a Jewish studies professor, has recently finished the manuscript he hopes will push him into tenure. Dedicated to his father, a Jewish WWII veteran, the book argues an incendiary point about American Jews, Israel, and the Holocaust – but Lou hasn't said a word about it, leaving Michael uneasy. And as the visit continues, it becomes clear that Lou isn't the only member of the family leaving things unspoken. Money, marriage, and career pressures bear down, quickly turning familial responsibility into resentment. With deep sensitivity and dark humor, If I Forget focuses an unwavering gaze on the personal politics of family, heritage, and history – and the scars and legacies they leave behind.
A pathologist steals the brain of Albert Einstein; a neuropsychologist embarks on her first romance with another woman; a seizure patient forgets everything but how much he loves his girlfriend. Incognito braids these mysterious stories into one breathtaking whole that asks whether memory and identity are nothing but illusions. Directed by Tony Award winner Doug Hughes (Doubt, Outside Mullingar, The City of Conversation), Incognito takes us into the last uncharted realm—the mind.
Only one of two-time Pulitzer Prize winner August Wilson's plays in the author's masterful The American Century Cycle has never been seen on Broadway – until now. Set in the early 1970s, this richly textured piece follows a group of men trying to eke out a living by driving unlicensed cabs, or jitneys. When the city threatens to board up the business and the boss' son returns from prison, tempers flare, potent secrets are revealed and the fragile threads binding these people together may come undone at last. MTC has a long history of co-producing works by this legendary playwright: King Hedley II, Seven Guitars and The Piano Lesson, and is proud to produce this Broadway debut.
In this sensational political thriller, Shakespeare explores the tension between private loyalties and the public good, and unflinchingly questions the price of freedom. Caesar is determined to crown himself as Rome's first emperor, but a few senators, led by the idealistic, intellectual Brutus and his manipulative, rebellious friend Cassius, are prepared to sacrifice everything to liberate their country...but instead of being greeted as liberators, they are met with civil war.
Samantha is lonely and confined to her bed. Layne is shy and too afraid of the world to journey into it. When both women decide that online dating might be the outlet they need, they venture into the wilds of the Internet and find deep connection in each other. The only problem: they're each pretending to be someone else. What happens when the feelings are real but the people are not?
Ever wonder who that stranger is sitting next to you? What is their story? What are they hiding? Shellie and Dex dare to answer these questions after their flight is delayed on a snowy Thanksgiving night. What they discover about themselves, and each other, sends both of their lives into upheaval. From the darkly funny writer of Bachelorette, The Layover asks the question: Can you ever really get to know somebody when you're hiding so much yourself?
In 1782, Choderlos de Laclos' novel of sex, intrigue and betrayal in pre-revolutionary France scandalized the world. Two hundred years later, in 1985, Christopher Hampton's stage adaptation became an award-winning sensation in London's West End and on Broadway, followed by the Academy Award-winning film Dangerous Liaisons starring Glenn Close, John Malkovich and Michelle Pfeiffer. Josie Rourke's acclaimed production transfers to Broadway after a sold-out engagement at London's Donmar Warehouse which ended earlier this year and starred Janet McTeer. The production was nominated for the Olivier Award for Best Revival.
Nate Martin is hopelessly single. When his most recent breakup, another in a lifelong string of ill-fated matches, casts him into a funk, he turns to the only source of wisdom he trusts: the stars. Poring over astrological charts, he obsessively questions his past and his place in the cosmos. But in Adam Bock's disarming new play, the answer he receives, when it comes, is shockingly obvious – and totally unpredictable.
Linda Wilde has it all. She's an award-winning senior executive as well as a busy wife and mother. But when she pitches a revolutionary concept that could change the way the world looks at women of a certain age, she finds herself fighting for her own relevance as every part of her carefully considered life starts to show cracks. MTC is proud to present this timely, moving, and fiercely funny new play by Penelope Skinner (this season's acclaimed The Ruins of Civilization) in the American premiere directed by MTC Artistic Director Lynne Meadow.
The White Witch has trapped Narnia in a perpetual state of winter with no hope of Christmas. But all that changes when four siblings venture through an old wardrobe and enter this land of talking animals, charming fauns, giants and dwarves. Standing shoulder to shoulder with Aslan the Great Lion, the children courageously battle the forces of evil and discover that Love is the deepest magic of all.
Set in Alabama in 1900, The Little Foxes follows Regina Giddens and her ruthless clan, including her sister-in-law Birdie, as they clash in often brutal ways in an effort to strike the deal of their lives. Far from a sentimental look at a bygone era, the play has a surprisingly timely resonance with important issues facing our country today.
In a first for Manhattan Theatre Club, Laura Linney and Cynthia Nixon will alternate in the roles of Regina Hubbard Giddens, and Birdie Hubbard, both members of a strong-willed aristocratic Southern family. The actresses will play the roles in repertory, appearing opposite each other at each performance.
It's the late 1960s in a north London flat, and Henry is excitedly anticipating the arrival of his date, Sandra. The night changes course when Sandra and Henry's brother Kenneth quickly realize how much they have in common—their love of Rock and Roll and their love of marijuana, for starters. A fiery relationship is sparked in the haze of the 60s, and charred by today's brutal realities. Fast forward twenty-three years, and the economy and politics of an ever-changing world are wearing on the marriage of this baby boomer couple. Can they remain faithful to each other while trying to provide a loving and supportive home for their children—children who are growing up in a time when the next generation is not always provided for? Spanning more than four decades, this dark comedy is the story of what happens when the free-loving teens of the 60s face the harsh realities of today's world. From passion to paranoia, Love, Love, Love takes on the baby boomer generation as it retires, and finds it full of trouble.
Aristophanes' play adapted and directed by Susane Lee.
Leonard Bernstein, one of America's greatest musicians, broke through every artistic ceiling possible to become the world's musical ambassador. Conductor, composer, pianist, author, teacher, librettist, television star…for Leonard Bernstein, boundaries simply did not exist. In Maestro, Hershey Felder combines narrative with Leonard Bernstein's music and the music of Beethoven, Wagner, Mahler, Copeland and others to bring to life the man the entire world knew as "Lenny."
Inspired by a real Somali terrorist event, A Man Like You is a conversation between a British hostage, Patrick North, and his Somali captor Abdi, set in a windowless concrete room in Somalia. Elizabeth, North's wife provides a counter-point to the story, from the Norths' house in Nairobi. A Man Like You illustrates the world views of two men who come from different circumstances and hold completely different philosophies, which they discuss over the course of North's captivity of 102 days. They debate good and evil, power and control, who is a terrorist and who is not, and what is God, and in so doing they challenge our own deeply-held views. In a heroic struggle, Abdi and North rarely agree their basic humanity connects them. Can they come to realize they are more alike than they initially believe?
A Man Like You is inspired by the events of 21st September 2013, when Somali men from the terrorist group Al Shabaab opened fire on shoppers at the Westgate Mall in Nairobi....
In a small tea shop in South Africa, two black men and a young white boy joke and dance together, defying the brutalities of apartheid through their joyous love. But festering issues of family, race, and power are not so easy to ignore, and a single phone call can trigger catastrophe. Winner of the Drama Desk and London Evening Standard Awards for Best Play, "Master Harold" ... and the boys reveals the profound personal consequences of oppression.
Ten explorers. Four boats. One Grand Canyon. Men on Boats is the joyfully anachronistic retelling of the 1869 Powell expedition, when a one-armed captain and a crew of insane yet loyal volunteers set out to chart the course of the Colorado River.
The Drilling Company performs free outdoor Shakespeare in the Parking Lot behind The Clemente (Clemente Soto Velez Cultural and Educational Center), located at 114 Norfolk Street (east side of Norfolk Street between Delancey and Rivington Streets), just three blocks from the municipal parking lot where the plucky New York cultural attraction started 21 years ago.
Continuing this season's theme of spotlighting powerful women in Shakespeare's plays, watch what we do with the characters of Portia and Jessica in The Merchant of Venice.
Set in a modern day playground, A Midsummer Night's Dream, directed by Tamilla Woodard, riffs on the culture of uber celebrity, where Oberon and Tatiana are the Kanye and Kim of the fairy world. As they argue, their immense celebrity and power creates a hysterical ripple effect in the mortal world.
The mob just made a hit but everyone is going to live to talk about it, and talking they are because, when the "boys" get together it's murder! Join us for a private audience with the Don, maybe he'll make you an offer you can't refuse. Mingle with mobsters and molls, meet the new "Boss of Bosses", break bread and heads with wiseguys and Mafia princesses. Sure you'll be rubbing elbows with goodfellas and ducking bullets over Broadway but it won't stop the fun! Eat, Drink, Dance, and be Merry, for tonight you could die...laughing!
The two and a half hour interactive comedy mystery features a three course sit down dinner and dancing . "Fuhgeddaboudit" !! You even have the chance to solve the case and win some prizes. Seven prizes in every performance including "Academy Awards" for the best actor & actress chosen from the audience.
In the third chapter of the Big Gay Italian trilogy. Wilkinson's character is approaching his 40's and is faced with the challenges of balancing his now very successful weight loss company with past and present gay relationships. Fun familiar characters and some new ones come together to join him on his journey in another outrageous comedy of errors.
The women of the Muscolino family have lived for years under the frightening temper of their husband and father. All are desperate for a life beyond their four walls, hiding dreams, loves, and longings. But when an accidental tragedy rocks the neighborhood, the family's plans are put on hold. The women fight to find their voices and struggle to hold on to them and to each other. Napoli, Brooklyn is a play about sisterhood, freedom, and forgiveness in 1960s Brooklyn.
Any idea what happens when two people pretending to be wealthy get together and exchange vows only to find out they are both broke? Well The Newlyweds is a romantic comedy about a couple that meet thinking the other is rich and decide to quickly get married before their covers are blown!
You are cordially invited to witness the nuptials in this hip & hilarious comedy!! When Shaun Wilson hits rock bottom he decides the only way for him to reach his goals is to find a Sugar Momma -- that's when he meets Mallory Calderone, a live-in housekeeper for a billionaire, dressed up in her bosses clothes she finally meets the man of her dreams who happens to be a fast talking hustler pretending to be rich!
Will The Newlyweds be able to honor their vows through sickness and no wealth? Watch as these two imposters take you on a roller coaster of love and marriage.
No End of Blame: Scenes of Overcoming by Howard Barker
A vivid, epic portrayal of the combustible relationship between the artist and the state, and the irrevocable nature of passion, horror, loss and love. No End of Blame is Shakespearean in scope, visceral, humorous, and raw.
Good by C.P. Taylor
How did it happen? How did a nation go mad? How were normal people transformed into brutes, devoid of ordinary humanity? Set in Germany at the height of Hitler's rise to power, Good takes place partly inside the mind of a "good" man, Professor John Halder. Unconsciously, this well-meaning scholar is led into participation in the hell that was Hitler's Germany.
Oh, Hello on Broadway is the Broadway premiere of two of the two hottest voices in comedy today, Nick Kroll (Comedy Central's Kroll Show) and John Mulaney (Netflix's The Comeback Kid). The Hollywood Reporter calls Kroll and Mulaney "the funniest comic duo of their generation!"
Respectively, the duo star as Gil Faizon and George St. Geegland - outrageously opinionated, 70-something, native New Yorkers that Kroll and Mulaney first began performing on the alternative comedy stages in NYC. Honed for over a decade, the fictional duo garnered a cult following and found their way onto a Comedy Central special, viral videos and late night couches everywhere. Oh, Hello on Broadway is Gil and George's "memoir for the stage" - a laugh-a-minute two-man tour-de-force that's part scripted, part spontaneous comedy, and totally unprecedented.
It's 1993. The world watches the impossible: Israeli Prime Minister Yitzhak Rabin and PLO Chairman Yasser Arafat, standing together in the White House Rose Garden, signing the first ever peace agreement between Israel and the PLO. How were the negotiations kept secret? Why were they held in a castle in the middle of Norway? And who are these mysterious negotiators?
A darkly comic epic, Oslo tells the true but until now untold story of how one young couple, Norwegian diplomat Mona Juul and her husband social scientist Terje Rød-Larsen, planned and orchestrated top-secret, high-level meetings between the State of Israel and the Palestine Liberation Organization, which culminated in the signing of the historic 1993 Oslo Accords. Featuring dozens of characters and set in locations across the globe, Oslo is both a political thriller and the personal story of a small band of women and men struggling together—and fighting each other—as they seek to change the world.
The tragedy of the Moor of Venice.
Out of the Mouths of Babes depicts what happens when four women arrive in Paris for the funeral of a 100-year-old man who loved each of them – at times variously, at time simultaneously. For 24 hours, they share his apartment, delicious secrets, and a dead cat.
Universes, the award-winning ensemble known for their fusion of theater, poetry, jazz, hip-hop, politics, down home blues and Spanish boleros, makes their Public Theater premiere with an explosive new work about the complicated legacies of the Black Panther Party and the Young Lords Org/Party. Directed and developed by Tony Award nominee Liesl Tommy, Universes created Party People based on dozens of interviews with members of these groundbreaking, society-changing groups. Party People imagines a present-day reunion at an art opening curated by two young counter culturalists; but the curators themselves have complex relationships with the Party members, who fought injustice and provided free food and medical care for their communities—often at the expense of the people who loved them most. Old wounds and generational divides collide in this astonishing, multi-media theatrical event about the price of being a revolutionary, and what it means for those who come after. Breaking the bounds of the expected, the members of Universes (Steven Sapp, Mildred Ruiz-Sapp and William Ruiz aka Ninja) and Liesl Tommy —invite audiences of every age, color and creed to join them as they continue to revolutionize American theater and explore the fight to bring power to the people, and the people to power.
Warren Manzi's long-running mystery, Perfect Crime, is about a small-town detective determined to prove that an affluent psychiatrist murdered her husband.
One of the most celebrated plays in The Public's history, David Hare's Plenty returns this fall in a riveting new production. This groundbreaking play, which first premiered at The Public in 1982, is the story of Susan Traherne, a fiercely intelligent British secret agent flown into France during the Second World War. Susan's experiences among her war-time colleagues and over the two decades that follow are distilled in powerful scenes in this endlessly layered work about a woman of remarkable bravery, who cannot find in peacetime the values and relationships she cherished in war.
Jenny, Fran, and Angie are best friends. They love each other. They have their own rules...their own language...their own way of surviving. A large white board dominates their living room. A huge clock dictates their every move. Their system is strict and serious. It's 4 am. If the rules are broken, does the love remain?
When the Great Depression cost his family their fortune, Victor Franz gave up his dream of an education to support his father. Three decades later, Victor has returned to his childhood home to sell the remainder of his parents' estate. His wife, his estranged brother, and the wily furniture dealer hired to appraise their possessions all arrive with their own agendas, forcing Victor to confront a question, long‐stifled, about the value of his sacrifice. One of the most personal plays by the consummate voice of the American everyman, Arthur Miller's The Price is a riveting story about the struggle to make peace with the past and create hope for the future.
Olivier-nominated playwright James Graham and award-winning director Josie Rourke, whose most recent collaboration The Vote was nominated for a BAFTA, reunite to bring this wildly inventive exploration of the digital age to the Public Theater in a co-production with London's acclaimed Donmar Warehouse. Inspired by the revelations of Edward Snowden, and drawing on dozens of exclusive interviews with the country's top journalists, politicians and academics, Privacy explores our complicated relationship with technology and data through the funny and heartbreaking travails of one lonely guy arriving in the city to figure out how to like, tag and share his life without giving it all away.
ONE MONDAY A MONTH! Tickets on sale the first of every month.
For the first time ever, every play George Bernard Shaw ever wrote for the stage will be presented to New York audiences. Every sketch, full-length and one-act play will be performed as a concert reading. Eager Shavians will be gathering for this unique event, one Monday a month, at New York's legendary Players Club. Each month, a specially assembled, star-studded cast will present a different play, many of which have never before been performed in New York City. This series is being produced and directed by David Staller.
Ibsen's parable of the collision of truth and politics in the public sphere takes on new immediacy in the punchy and raw adaptation from the playwright behind Broadway's Blackbird. When Dr. Stockmann finds that the town's tourist-friendly baths contain lethal levels of toxins, he sets out to clear the air and quickly finds his friends and neighbors poisoned against him.
Belfast is a place where things need to be said. Following the 1999 Easter Peace Accord, guns were silenced but the chasm between the Republican and Unionist sides remains wide and bitter. Tonight, in a small back-street bar, Jimmy and Ian will meet for the first time. Forty years before a violent incident irrevocably changed the lives of both men and now they need to talk. Quietly is a powerful play about violence and forgiveness, about the limits of healing, the lottery of bearing witness, and the profit of truth. After enjoying huge international success, the Abbey Theatre brings this important new work to Irish Rep.
Ollie and Jill want to tell you about their dream home. Some of the things they did to get it, you might find... shocking. But they want you to know they did it all for their baby.
Radiant Vermin is a wickedly comic satire about a young couple offered a way out of the housing crisis, and just how far they go to achieve it.
Written by Philip Ridley - one of the UK's most acclaimed and innovative playwrights - this fast-paced, provocative, and viciously sharp comedy is smartly directed by David Mercatali.
Repertorio Español presents a rotating repertory of plays in Spanish from the most recognized contemporary and classic playwrights. In addition, Repertorio presents the best in Spanish and Flamenco dance. All plays are presented in Spanish with live simultaneous translation to English via wireless headsets.
What better way to expose the dangers of social stagnation, unexamined group thought, and burgeoning totalitarianism, than through spontaneous animal transformation? Ionesco's blunt satire rampages through a world of everyday people at first perplexed and then swept up in the most outlandish cultural makeover ever devised. After all, "rhnocifcation" can happen to anyone—so keep your eyes open.
The return engagement of Bedlam's sold-out, critically acclaimed production of Jane Austen's Sense & Sensibility, adapted for the stage by Kate Hamill.
You've never seen Austen like this! Called the "greatest stage adaptation of this novel in history", this rollicking, ingeniously-staged new adaptation follows the adventures (and misadventures) of the Dashwood sisters - sensible Elinor and hypersensitive Marianne - after their sudden loss of fortune. Bursting with humor, emotion, and bold theatricality, Sense & Sensibility asks: when reputation is everything, how do you follow your heart?
Entertainment with benefits! In this new three-character comedy featuring a straight woman, a seductive model, and you-know-who, audiences are welcomed into a fun-filled world of foolproof moves and insider advice that could only be culled from that most insightful of individuals: the gay man. Sex Tips for Straight Women from a Gay Man is based on the international best-selling book of the same title.
A limited number of $35.00 rush tickets will be available on a first come, first serve basis and subject to availability when the box office opens one hour prior to the performance.
Tony and Olivier Award―winning actor Jonathan Pryce, the slyly sinister High Sparrow of Game of Thrones, returns to the New York stage after an absence of ten years as Shylock in the Globe Theater of London's acclaimed production of Shakespeare's The Merchant of Venice, directed by Jonathan Munby. Joining the star onstage in the esteemed Globe troupe is Phoebe Pryce, Jonathan's daughter, in the role of Jessica, the anguished moneylender's daughter. The Merchant of Venice will run for seven performances only at the Rose Theater, on a set that recreates the Globe stage.
Join Harlem Summer Shakespeare's 11th season with Shakespeare's Presidential Primary. It's The League of Women Voters meets The X-Factor!
A fresh new take to a classic 18th century comedy, the hilarious She Stoops to Conquer.
Shining City is a haunting play, dense with urban lives that brush against one another while never making contact. When the character John is first introduced, he is seeking help from Ian, a counselor, after the unexpected death of his wife. Though shaken by the loss, John is troubled by more than just grief; he has begun to see his wife's ghost in their home.
As their sessions unfold, secrets and lies are exposed in this thriller where a simple tale turns out to be anything but. Shining City reflects on the guilt, anxiety and restlessness of two lonely men creating a tale that the New York Times calls "as close to perfection as contemporary playwriting gets."
Simon Says tells the story of a young psychic who has been the subject of a retired professor, set out to scientifically prove the existence of the soul. In this thriller, the young man whose rare gift allows him to channel a mysterious entity named Simon, is ready to abandon the work until a young widow convinces him to do one last reading. Through their unexpected connection, will a 2,000-year- old murder be solved?
In the overwhelming quiet of the woods, six runaways from city life embark on a silent retreat. As these strangers confront internal demons both profound and absurd, their vows of silence collide with the achingly human need to connect. Filled with awkward humor, this strange and compassionate new play asks how we address life's biggest questions when words fail us.
A young reporter is assigned to write about sexual assault on college campuses and must find a unique angle for the story that will sell. During her investigation, an encounter with a student alerts her to what looks like the cover-up of a terrible crime — and a perfect cover story for her magazine. Struggling to bring the story to light, this ambitious reporter won't let anything get in her way — not even the truth.
Does Gina finally get the "happily ever after" she wants from Charles, or is there more to the story...?
What happens when the world as you know it comes crashing down around you and the people you thought you knew show you another side to them.....? Who are you going to turn to when you "Still Can't Trust No One?"
The Public presents the New York premiere of Sweat, the "extraordinarily moving drama" (The New York Times) by the Pulitzer Prize-winning playwright of Ruined, Lynn Nottage. With warm humor and tremendous heart, Sweat tells the story of a group of friends who have spent their lives sharing drinks, secrets and laughs while working together on the line of a factory floor. But when layoffs and picket lines begin to chip away at their trust, the friends find themselves pitted against each other in the hard fight to stay afloat. Kate Whoriskey (Ruined) directs this stunning new play about the collision of race, class, family and friendship, and the tragic, unintended costs of community without opportunity.
Playwright Shelagh Delaney rocked the theatre world when, at 18, she wrote a play that both defined and defied her generation. A Taste of Honey is the clever, passionate, and poignant story of a young woman facing an uncertain future in a hostile world—and learning to trust that love, in its every heartbreaking and messy form, will see her through. A Taste of Honey was last staged Off-Broadway in 1981.
The Donmar Warehouse returns to St. Ann's with The Tempest, the third and final installment of Phyllida Lloyd's all-female Shakespeare trilogy. Set in a women's prison, The Tempest follows Lloyd's productions of Julius Caesar and Henry IV, and will once again be led by the great Harriet Walter, "one of the best Shakespeareans alive" (The Guardian).
St. Ann's has been the proud American home of the revelatory trilogy which has ignited a cultural and social conversation about gender, equality and aspiration on both sides of the Atlantic, as it empowers women to play the great Shakespearean roles normally reserved for men. The Tempest comes with a comprehensive education program for underserved youth in New York City public schools and young women touched by the juvenile justice system.
Academy Award-nominated writer and actress Nia Vardalos (My Big Fat Greek Wedding) makes her Public Theater debut with a richly funny, uniquely uplifting new play she has adapted from the bestselling book Tiny Beautiful Things by Cheryl Strayed, the internationally acclaimed author of Wild. Vardalos is Sugar, the online advice columnist who thousands of people have turned to for words of wisdom, honesty and hope. As anonymous readers come to her with their deepest and most personal problems, Sugar—who ultimately revealed herself to be Strayed—finds a way to weave her own life experiences together with theirs, creating a beloved column about the monstrous beauty, endless dark and glimmering light at the heart of being human. Tony Award nominee Thomas Kail (Dry Powder, Hamilton) directs this powerful new play about reaching when you're stuck, healing when you're broken, and finding the courage to take on the questions which don't have an answer.
Kyle Kalke, an astronomer since childhood and a high school "science nerd," falls in love with flamboyant, outspoken, openhearted Zoe, who—astonishingly—loves him back. When she is kidnapped and murdered, Kyle is left to wrestle with the puzzling realities surrounding her death. Touch follows the unexpected journey of one man questioning whether there is any point to rediscovering hope, moving past grief, and finding the human connection that will make him love again.
In the 7th year of the Trojan War, Troilus, a young prince, pines for the affections of Cressida, a bright young woman who knows how to play it cool. Meanwhile, the heroes of the Iliad – Ajax, Ulysses, Achilles and the kings they serve - debate whether to return the dangerously beautiful captive Helen or continue to fight without end. Nations and lovers alike do battle in this funny, piercing drama about romance and revenge in a world at war.
Tickets to Shakespeare in the Park are always free to the public. Up to two tickets per person can be acquired in-person on the day of a performance when the box office opens at noon, up until curtain time. Please note that people do line up for tickets early as there is a limited availability. Alternatively, online reservations can be made by lottery for every performance.
Once again, the citizens of a frontier outpost are looking for someone to rescue them from the terrors of the local villain. Have they met their salvation--or an even bigger tyrant--when a fiend from the past comes to town? Jonathan Richman meets Jon Stewart meets John Ford in this Western comedy with music.
John Legend and Get Lifted Film Co. present a new comedic drama about the extraordinary and explosive life of Dick Gregory--starring Scandal's Joe Morton--that shines a light on the first Black comedian to expose white audiences to racial comedy. Gregory confronted bigotry with shockingly disarming humor, marched alongside Martin Luther King, Jr., and deeply influenced comics from Richard Pryor to Chris Rock. He's been a prolific writer, muckraker, provocateur, candidate for mayor of Chicago and for president of the United States. He was singled out by President Obama as one of his all-time favorite comedians. Experience the comic genius of Dick Gregory and the poetic final words of his mentor, slain civil rights activist, Medgar Evers: "Turn Me Loose."
Twisted Olympus is an over the top, dark comedy that tells the story of four Olympic gods that have fallen from grace. Determined to regain their high profile status, they go on a mission to Earth to try and stop an evil soul from terrorizing Los Angeles in 1963.
Satirical, socio-political play about fighting cultural and identity crisis's, as encompassed with newlywed and interracial couple, Shawn and Margaux, living in gentrified Bed-Stuy, Brooklyn. The happy couple is unfortunately unable to conceive but agrees to adopt, but only, according to Shawn, if the child is white. He argues, "If I can relieve myself of the constant worry of my child being taken away from me at any moment, at the whim of those who don't care one bit about Black Lives Matter, then that's what I'll do!"
Presented by Anthony Anderson of ABC's hit black-ish, Uncle Tom vs. Uncle Sam is the profound and humorous examination of the greater Black community and its ongoing identity crisis concerning self-love, aesthetics, and their general accommodations for survival and acceptance in a...post-racial era.
In a society that cares more for good birth and good manners than for skill, Becky Sharp, poor, plain, and devilishly clever, is determined to defy the odds. Through risky romantic entanglements, shady business practices and social climbing at any cost, she won't stop until the world lies at her feet. Adapted by Kate Hamill (Sense and Sensibility) from William Makepeace Thackeray's masterpiece, Vanity Fair exposes a world where surfaces are everything, virtue is only skin deep, and every fifteen minutes of fame carries heart-pounding risk.
Leaving her home in southern Africa for a better life, Saartjie Baartman became a star on the 19th Century London freak show circuit for the size of her posterior. This Obie Award-winning play gives vibrant life to the story of Baartman's journey to London, her rise to fame as the "Hottentot Venus" and her eventual love affair with a French scientist. Inspired by the true story of Baartman, Venus is a wild carnival, bursting with humor and heart while examining the paradox of love.
A modern twist on the All-American love story, Qui Nguyen's (She Kills Monsters) new play Vietgone pulses with contemporary energy. It's the classic story of boy meets girl - except this boy and girl are refugees from the Vietnam War newly settled in a relocation camp inside Middle America. Borrowing elements from the world of up-to-the-minute popular culture to recreate the playwright's own parents' meeting, Vietgone ranges from hilarity to heart-wrenching drama. Nguyen and director May Adrales (Luce at LCT3) skip through time and around the globe to present a fresh theatrical take on a moving account of one real family's history.
Tensions escalate between Tate and Joanne after their mother has a stroke. As they attack each other in their mother's hospital room, they are ambushed by two strangers who make a shocking claim about their grandfather during WWII. With bold theatricality and disarming humor, War follows a fractured family as its members navigate the landmines of the past and try to broker peace with each other – and themselves – in the present.
From new playwright Rae Binstock comes Watch Me Burn: the story of Prometheus "Methe" Graham, a young black Harlem firefighter, who is determined to rely on herself and no one else. But as the heat rises, the stress of her mother's recent death, her teenage sister's rebellion, her captain's doubts, and her community's disapproval create a psychic holocaust that threatens to consume her from within. There are those—like Methe's next-door neighbor Sophia, who starts out friendly and ends up in bed, or her firehouse buddy Andre, who's not sure whether his loyalties lie with the job or with those he works beside—that try to penetrate her self-selected isolation. But when the time comes, it seems unlikely that they can spare her the revenge taken by the flames she has fought so hard to conquer.
A new play about Juliet explores Shakespeares most famous heroine for tinder generation.
Direct from its production at the Delaware Theatre Company, White Guy on a Bus — a play that unravels a complex web of moral ambiguity, revenge, and racial bias — arrives in New York. A wealthy white businessman and a struggling black single mom ride the same bus week after week. As they get to know each other, their relationship sparks a candid and surprising look at racial and economic divides.
NEW YORK TIMES CRITIC'S PICK! "PLAYFUL, ENIGMATIC AND HAUNTING." - Charles Isherwood, The New York Times
WHITE RABBIT RED RABBIT has been called a play. But it's a lively, global sensation that no-one is allowed to talk about. Its award-winning playwright, Nassim Soleimanpour, is Iranian. His words have escaped censorship and are awaiting your audience. Slyly humorous and audaciously pointed, this 'theater entertainment meets social experiment' is unlike anything, and will make you question everything. WE DARE YOU NOT TO GOOGLE FOR MORE. JOIN THE ACTORS AND LEAP.
March 28: Brian Dennehy
April 4: Wayne Brady
April 11: Mike Birbiglia
April 18: Cynthia Nixon
April 25: Alan Cumming
May 2: Martin Short
Our second offering is The Winter's Tale, in which family, duty and time itself help us better understand that for true love to come forth, "It is requir'd you do awake your faith." And, look out for the bear!
Love. Jealousy. Friendship. Betrayal. Sheep Shearing.
Dysfunctional Theatre is happy to announce their first ever Shakespeare production, this summer for three performances only!
The company will also be hosting open rehearsals on Governors Island as part of the Dysfunctional Collective's summer residency.
Bobbie and Hench are home alone. Days are filled by streaming porn, playing Call of Duty, watching the world go by. Their mom rarely visits these days, and it's chaos when she does. But when animal-loving neighbor Jenny takes an interest in their dog Taliban, the boys discover a world far beyond what they know. Yen explores a childhood lived without boundaries.