Commentary

First Person: Alessandro Camon on the Trauma of Isolation in Time Alone
The author's new play deals with incarceration and the "walls that divide us."
First Person: Brendan Conroy on Taking a Solo Leap in Synge's The Aran Islands
By Brendan Conroy
Through research and collaboration with director Joe O'Byrne, Conroy finds the living breath in Synge's prose.
Broadway's Eric Ulloa Talks Newtown, Our Town, and His New Play
26 Pebbles weaves a story of hope and community from a national tragedy.
Max McLean Talks About Putting Martin Luther on Trial
A new play tackles the controversy surrounding the iconoclastic reformer five centuries after the publication of his 95 Theses.
Stephen Karam on Giving Chekhov the Last Word in The Cherry Orchard
The Tony-winning author of The Humans reflects on adapting the timeless classic for Broadway.
Michael Hayden Confronts Tough Issues of Race and Parenting in American Son
The Tony-nominated actor talks about his challenging role in Christopher Demos-Brown's new play at Barrington Stage Company.
Dana Leslie Goldstein on the Creation of Liberty
The new musical's author talks about her hopes for lively conversations between young and old.
Irish Rep Comes Home
Cofounder and producing director Ciarán O'Reilly reflects on the off-Broadway company's journey to a new theater.
First Person: Jake Epstein Gives It to You Straight
The star of Scott Elmegreen and Drew Fornarola's play talks about portraying a gay man struggling to be honest with others — and himself.
For Colored Girls Tony Winner Trezana Beverley on Playing Mabel Mercer in Her New Solo Play
Beverley discusses how she discovered Mercer and how she came to portray the legendary songstress onstage.