Interview: John Cardoza on Love, Loss, and The Notebook
Review: The Heart of Rock and Roll Beats Us Into Submission With High Spirits
Review: Patriots on Broadway Unpacks the Power Struggle for Russia
Tony Awards Administration Determines Additional Eligibility for Shows
Take a Look at Cabaret Opening Night Pics
Review: Contemplating the Meaning of Home and Moving On in Stargazers
2024 Drama League Award Nominations Announced
Interview: Taking a Page From Bekah Brunstetter’s Notebook
Review: Cabaret Returns to Broadway in an Incoherent Revival
Review: Taylor Mac Journeys Through Genders and Centuries in an Exuberant Orlando
Review: In Alicia Keys’s Hell’s Kitchen, the Concrete Jungle Teems with Life
Review: The Art of Making Art in Stereophonic, a True Broadway Masterpiece
Review: Hester Street Offers Humor, Heartache, and Hope on the Way to the American Dream
Follies Concert, With Norbert Leo Butz, Donna Murphy, Christine Ebersole, and More, to Play Carnegie Hall
Review: Gun & Powder Takes Aim and Hits Its Target
Interview: Juggling The Who and Huey Lewis, Lorin Latarro Choreographs Two Broadway Shows at Once
Review: Shaina Taub’s Suffs on Broadway Sacrifices the Personal for the Political
Review: Still, When She Accidentally Sleeps With a Republican
Interview: Camille A. Brown’s Road From Queens to Hell’s Kitchen
Review: A Big, Empty Revival of The Wiz Lacks the Magic of Broadway
Center Repertory Company Announces 2024-25 Season
Axis Theatre Company To Present New Staging of Twelfth Night
& Juliet Announces New Juliet
Full Casting Set for Jason Robert Brown and Taylor Mac’s Midnight in the Garden of Good and Evil