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A reunion. An argument. A TED Talk. Emotional mutiny. And a bond that connects four women who meet once a year for a photo shoot, chronicling their changing (and aging) selves as they navigate love, careers, children, and world events. But when these private photographs gain the potential to go public, their relationships are tested, forcing the women to confront who they are, what they've become, and how they'll deal with whatever lies ahead. Funny and evocative, 20th Century Blues questions our place in the world and in relation to one another. Multi-Obie Award winner and Tony Award nominee Emily Mann (Anna in the Tropics) directs the New York premiere of this play by Susan Miller (My Left Breast), another multi-Obie winner and winner of the Susan Smith Blackburn Prize.
Jerry takes a toke on Christmas Eve and wakes up in the Land of 420, where the only way to get home is to find the elusive Mighty High.
The season will feature 11 theatrical productions. The fall lineup includes an adaptation of Roberto Bolaño's novel Distant Star presented by the theater company Caborca (September 14-October 1); Blackouts by "Drag fabulist" Dickie Beau (October 5-8); Katherine Brook, Toni Enelow, and Taylor Brook's The Power of Emotion: The Apartment (October 11-21); Shaun Irons and Lauren Petty's Why Why Always, featuring Jim Fletcher (October 12-29). Wintertime will see Jack and the Beanstalk, created by disabled actor and writer Mat Fraser and feminist art star Julie Atlas Muz (December 6-23).
In 2018, the venue will present Fabrice Melquiot and Paul Desveaux's Pollock, featuring Jim Fletcher and Birgit Huppuch (February 15-25); Modesto Flako Jimene's Listen for My Dear Brooklyn (March 14-31); Deborah Stein and Suli Holum's The Wholehearted (March 15-April 1); Eliza Bent's Aloha, Aloha or When I Was Queen (April 4-21); Elevator Repair Service's Everyone's Fine With Virginia Woolf, written by Kate Scelsa and directed by John Collins (late May-June 17); and the Royal Osiris Karaoke Ensemble's Month of a Million Likes (June 7-30).
Amber and Tom are freshmen at Princeton University, where their experiences so far have only two things in common: drunken parties and a desire to fit in. But when they meet, their common experience becomes anything but, and their moral mettle is put to the test. Lileana Blain-Cruz directs Anna Ziegler's deeply felt and relevant play about intimacy and responsibility, power and provocation, privilege, and protocol.
Uno has plenty of mathematical ability, but he also has a disability: autism. In this new musical, which features a cast of puppets as well as people, Uno gains the courage to enter his school's math competition with help from friends who face challenges of their own: Addy has attention deficit hyperactivity disorder; Melody is visually impaired; Seemore has hearing loss; and RJ uses a wheelchair. Addy and Uno is a heartfelt and hilarious journey celebrating hope, big dreams, and the beauty of differences.
Sherri Rosen-Mason is head of the admissions department at the Hillcrest School, fighting to diversify the student body. And alongside her husband, the school's headmaster, they've largely succeeded in bringing a stodgy institution into the 21st century. But when their only son sets his sights on an Ivy League university, personal ambition collides with progressive values — with convulsive results. Admissions is a new play that explodes the ideals and contradictions of liberal white America.
Afterglow is a raw one-act play exploring the emotional, intellectual, and physical connections among three men and the broader implications within their relationships. Josh and Alex, a married couple in an open relationship, invite Darius to share their bed one night. When a new intimate connection begins to form, all three men must come to terms with their individual definitions of love, loyalty, and trust as futures are questioned, relationships are shaken, and commitments are challenged.
Note: This show is recommended for ages 18 and up because of its language and nudity. Children under the age of four are not permitted in the theater.
AlieNation comprises three vital stage works that explore themes of perception, alienation, and integration and their consequences in different social and geographical contexts.
Enrico IV, the Pirandello classic, translated by Gloria Pastorino, examines madness versus the mask that society forces people to wear. King Henry speaks directly to his audience — who may just be crazier than he is.
A Story of Love and Soccer, translated by Peter Speedwell, is set in a Southern Italy village where a group of immigrants compete in the first-ever clandestine soccer world championship to determine who will seize control of the city.
The Journey I Never Made, translated by Carlotta Brentan, focuses on two women from very different cultures and times who meet in a mysterious station where all trains have been cancelled. Despite their suspicions, they mirror one another and slowly begin a dialogue.
In The Amateurs, a scrappy troupe of pageant players races across 14th-century Europe, struggling to outrun the Black Death — and medieval subscribers. The arrival of a mysterious new actor sends Hollis, the leading lady, in search of answers that can only be found off-script…and soon one century's plague begins to look a lot like another, more recent one. Wildly inventive, funny, and deeply moving, The Amateurs examines the origins of creativity: When does a crisis destroy art, and when does it set creativity spinning? The Obie Award-winning Oliver Butler (The Open House) directs this new work by Pulitzer Prize finalist Jordan Harrison (Orange Is the New Black).
After their father's death, two unhinged siblings reunite with Amy, their movie-loving sister who has Down syndrome. Together they careen down the Long Island Expressway, navigating strip malls, traffic jams, and some serious (and not-so-serious) family drama. An unexpected turn reveals the moment that changed their lives...and the fact that Amy may be the only one who knows her own mind. Written by Lindsey Ferrentino, who made her New York debut at Roundabout Theatre with Ugly Lies the Bone, and directed by Scott Ellis (The Elephant Man), Amy and the Orphans is a rollicking ride that proves it's never too late to follow a new road.
Angels Among Us is returning for a holiday encore performance! This previously sold-out hit play, first performed in May 2017, highlights the journey of nine characters living through the worst days of their lives, but little do they know that everything happens for a reason — even if they don't know what it is yet.
Presented in a series of four connected vignettes, these characters learn that sometimes they have to get through absolute devastation in order to experience the divinity and joy in their lives. As they learn to overcome their fears and let go of what they can't control, they might just be able to connect with a higher part of themselves and find understanding, peace, and happiness. This play explores the complicated nature of the human experience and the struggles we all face through having to feel our pain, joy, growth, fear, and surrender, while having to evolve and face our mortality.
This new production of Edward Albee's At Home at the Zoo, directed by Lila Neugebauer (Everybody), honors Albee, who passed away in 2016. In Act 1, "Homelife," we meet Peter and his wife, who live a comfortable but vaguely unhappy bourgeois existence; in the second act, the classic "The Zoo Story," Peter is forever altered by an oddly persistent stranger in Central Park. With jolts of brutality and Albee's signature dark humor, this seminal play explores both the love and the cruelty that we inflict on each other every day.
Part flesh, part felt, and packed with heart, Avenue Q is still the funniest and freshest show in New York City! This laugh-out-loud musical tells the timeless story of a bright-eyed college grad named Princeton. When he arrives in the city with big dreams and a tiny bank account, he has to move into a shabby apartment all the way out on Avenue Q. Still, the neighbors seem nice. He meets Kate (the girl next door), Lucy (the slut), Rod (the Republican), Trekkie (the pervert), superintendent Gary Coleman (yes, that Gary Coleman), and other new friends! Together they struggle to find jobs, dates, and their ever-elusive purpose in life.
Harlem Blues Project specializes in soulful New York blues with a twist! The band features blues masters Jerry Dugger, Junior Mack, and Barry Harrison, plus a revolving cast of NYC's finest blues musicians, including Bill Sims Jr., Michael Hill, Irving Louis Lattin, and Solomon Hicks.
Based on true stories, The Bench, set in urban decay and rubble, explores the emotional heartbreak of five homeless characters and the catastrophic hysteria surrounding AIDs in the 1980s. The sparse set is accented with hand-drawn imagery from Daphne Arthur's graphic novel adaptation of the play, and audio design is by world-renowned composer and multi-instrumentalist Deep Singh. It's a unique and fresh solo theater piece wherein one actor plays five characters, written in dialogue form, not traditional "monologue black out, monologue black out" traditional solo theater form.
Funerals are for the living. What happened and why and who did it and how — none of that matters in the moments before. And The Big and the Small is a play about the moments before. This work is a series of two-handers, each set in identical hotel rooms in a grand hotel in Zürich as guests enjoy the last moments of their private, awkward, funny, and not-so-funny lives. Themes of nationalism, tourism, social responsibility, isolation, class, and gender roles are all explored. So too is the tension between public and private life as well as between assimilation and diversity.
Black Angels Over Tuskegee is the story of the Tuskegee Airmen told in narrative of six men embarking upon a journey to become pilots in the United States Army Air Forces. The play explores their collective struggle with Jim Crow, their intelligence, patriotism, dreams of an inclusive fair society, and brotherhood. The play goes beyond the headlines of the popular stories of the Tuskegee Airmen and exposes the men who exhibited the courage to excel, in spite of all the overwhelming odds against them.
Winner 2009 Artistic Achievement Award "Best Play"
"Uplifting! Inspirational! This show is also tough to resist. By the end, when the pilots overcame their obstacles and finally got up into the air to the swelling of music, tears welled up in my eyes." - New York Times
Blue Man Group is comedy, theater, rock concert, and dance party all rolled into one. This wildly popular phenomenon delivers an unforgettable multisensory experience that has captivated 35 million people worldwide. Don't miss Blue Man Group — enemy of monotony, remedy for boredom, promoter of overjoy and elation. Dare to live in full color!
Bobbie killed Casey in the middle of a cornfield in Milton, Nebraska. Two years later, Milton's residents are ready to tell you their side(s) of the story. This comedy-about-a-tragedy pushes the boundaries of Roundabout's Black Box Theatre with a sprawling cast of eccentric characters and an ambitious narrative that pulls back the husk of rural life. Bobbie Clearly is written by Nebraskan Alex Lubischer, a Yale School of Drama student discovered by Roundabout Underground.
Inspired by encounters with refugees, Borders is an urgent, moving, and occasionally hilarious commentary on one of the great crises of our time. Through two alternating monologues, Borders tells the stories of a British press photographer and a Syrian graffiti artist whose paths cross in tragic circumstances. Written by the multi-award-winning Henry Naylor, the show was one of the biggest hits of the Edinburgh Festival Fringe, selling out its entire run. Boldly directly by Michael Cabot, Borders is fast-paced, stripped-down theater that conveys an epic story using just two actors, simple lighting, and a couple stools.
Good news: You actually can bring the love of your life back from the dead! Bad news: Breakfast the next morning is really awkward. When it comes to the unexpected resurrection of his beloved wife Alcestis, King Admetos learns the hard way that the aftermath of a miracle ain't as peachy as we might assume. A Doll's House, Part 2 for the ancient Greek theater, The Briefly Dead reinvents a classic play with a sharply contemporary celebration of its powerful heroine returning home to settle the score.
Josh and Brennan are about to get married in Palm Springs on a lovely Saturday afternoon. However, the night before becomes a drunken, drug-fueled riot because their friend Gerry has arrived, furious that their invitation says, "Please refrain from wearing bright colors or bold patterns." In the struggle for equality, what do we really want? What do we lose? And is there any cocaine left?
Karen Carpenter directs Tony Award nominee Constantine Maroulis (Rock of Ages) in Bulldozer: The Ballad of Robert Moses, a new rock musical about public official Robert Moses as he pushes his way through the city of New York, building parkways and bridges to make the city move. Seemingly impervious, Moses bulldozes without consequence on the road to complete his vision for the city.
Carolines on Broadway, the premiere comedy nightclub of New York City, presents the biggest stars of television, movies, and the national standup circuit seven nights a week. The television studio-like showroom, which can accommodate over 250 people, has won numerous architectural awards for its lush wood and brushed metal design. A wide assortment of food and drink is available during the show, and fine dining is available before or after the show in the intimate supper lounge.
Note: There is a two-drink minimum for all shows.
Celebrity Autobiography: The Next Chapter, created by Eugene Pack and developed by him and Dayle Reyfel, features a lineup of rotating performers who read — in both solo and ensemble pieces — the actual words and stories written by the famous and the infamous in their autobiographies.
The show features selections from books by Justin Bieber, "The Situation," Madonna, Tiger Woods, Susan Lucci, David Hasselhoff, Geraldo Rivera, Melissa Gilbert, Patti LuPone, Kenny Loggins, Destiny's Child, the Jonas Brothers, Zsa Zsa Gabor, Diana Ross, David Cassidy, Britney Spears, Arnold Schwarzenegger, Eminem, and Vanna White. It also includes special "celebrity mash-ups" — Cher, Barbra Streisand, Neil Sedaka, Dolly Parton, and Celine Dion all expressing their passion for food; Sylvester Stallone and Tommy Lee on working out and working "it" out; LL Cool J, Miley Cyrus, and Ricky Martin addressing who they "really are"; Tallulah Bankhead, Kathleen Turner, and Ethel Merman sharing the secrets of "diva-dom"; and Lauren Bacall and Carol Channing recreating the suspense of Tony night.
John Kevin Jones reprises his solo performance of Charles Dickens's A Christmas Carol for the fifth smash season, directed by Dr. Rhonda Dodd, in the intimate Greek revival double parlor of the landmark 1832 Merchant's House Museum.
December 1867: Charles Dickens (Jones) arrives in New York City for a month of sold-out performances of his beloved holiday classic A Christmas Carol. Join Mr. Dickens as he tells his timeless Christmas tale in the elegant and intimate parlors of a 19th century family home.
Toast the holiday season with Mr. Dickens in the original 19th century kitchen of the Merchant's House Museum at selected performances. Mulled wine, cider, and light fare will be served.
Charles Dickens's classic holiday tale about the joy of community triumphing over selfishness is presented as a fresh musical adaptation by Michael Sgouros and Brenda Bell. Follow Ebenezer Scrooge on his emotional journey as he's visited by four forewarning ghosts. Will he catch the holiday spirit and save himself in the process? Find out at this special holiday show with a story so warm it will melt the cold heart of even the grumpiest Scrooge! Now in its ninth smash year, A Christmas Carol — The Musical features updated scenic design inspired by British pantomime.
Astrological disturbances split asteroids apart, and new smaller worlds hurtle into one another's orbits. Loved ones are wrenched from each other, old animosities arise, and these asteroidal inhabitants soon forget they once lived as one world. Mass amnesia buries their shared history, and it seems impossible that these estranged neighbors ever coexisted peacefully. Will they now be able to reach across borders and share a world of difference? How can you deal with aliens when you feel alienated yourself?
A Chronicle of the Madness of Small Worlds pairs short stories by eminent multi-Obie Award-winning playwright Mac Wellman that have been adapted for the stage by director Elena Araoz. Each story tells a fantastic and emotional tale of the imagined inhabitants of real asteroids in the asteroid belt. Wellman's verbal acrobatics lay bare the madness of our own small world. Live music composed by Drama Desk Award-nominated touring artists, alongside Tony Award nominee Justin Townsend's installation-style production design, coalesce into a vibrant and deliriously theatrical event.
This award-winning, electrifying production of Anthony Burgess's controversial masterpiece has New York audiences talking. A Clockwork Orange lures them into a glass-edged, testosterone-filled underworld of a dystopian future. The explosive story of little Alex and his band of droogs is a groundbreaking classic teeming with sexuality and "a bit of the old ultra-violence." The story feels as hauntingly relevant today as when the book was published in 1962 and when Stanley Kubrick's Oscar-nominated film caused a stir in 1971. A Clockwork Orange remains an unapologetic celebration of the human condition and individual freedoms.
Counting Sheep is a deeply personal retelling of the Maidan revolution in Ukraine — an immersive Ukrainian folk opera set to the sounds of Canada's beloved guerrilla folk party-punk band, The Lemon Bucket Orkestra.
Beloved annual holiday family show "love letter" to Italy featuring the great songs of Italy and Christmas, starring award-winning singer and PBS-TV host for Andrea Bocelli and Il Volo, Cristina Fontanelli, and featuring the children of the Little Language Studio and the Jersey City Ballet, guest tenor and adult choir accompanied by mandolins, guitar, accordion, piano, and orchestral arrangements.
Songs include "Torna a Surriento," "Tu scendi dalle stelle," "Silent Night," "Dominick the Donkey," "White Christmas," "Mamma," "Ave Maria," and "O Sole Mio." Cristina's "Christmas in Italy®" concert consists of songs in Italian & English and much more. For many of her fans, Cristina's "Christmas in Italy®" and the tree at Rockefeller Center have become a tradition.
The unsettled American West of the 1860s provides a new life and new dreams for Blue, a runaway slave who escapes to Texas to become one of America's first black cowboys. This musical tale of freedom integrates fiction with historical fact, and each song presents a different page in a complicated chapter of American history. The story of Blue begins in Louisiana, and with every song of Cross That River's infectious score, the audience is moved further along Blue's harrowing journey across the Sabine River to freedom in the Wild West. Each song tells a unique story — sometimes joyful and sometimes tragic, but always poignantly chronicling perseverance.
Cruel Intentions: The Musical pulls you into the manipulative world of Manhattan's most dangerous liaisons: Sebastian Valmont and Kathryn Merteuil. Seduced by revenge and fueled by passion, the two diabolically charming step-siblings place a bet on whether or not Sebastian can deflower their incoming headmaster's daughter. As the two set out to destroy the innocent girl — and anyone who gets in their way — they find themselves entangled in a web of secrets, temptation, and the cruelest game of all: love.
Based on the classic French novel Les Liaisons Dangereuses and perhaps the sexiest teen drama of all time, this new musical is a full-on 1990s throwback to when email was for "geeks and pedophiles" and rosaries were more than a fashion statement. Cruel Intentions: The Musical features favorite nostalgia-inducing hits like "Lovefool," "Just a Girl," "Only Happy When It Rains," and of course, "Bittersweet Symphony."
In a small Boston suburb, a single schoolteacher is struggling to get by when the wealthy father of one of her students surprises her with a financial proposal that could change her daughter's life. Suddenly, their worlds collide in ways that open up questions: What truly separates the haves and the have nots? Is it wrong to seize an incredible chance, even if the circumstances seem questionable? Loosely inspired by a passage from The Great Gatsby, this timely new play by the author of The City of Conversation probes the troubling relationship of finance and educational opportunity in American life today. Directing is Tony Award winner Doug Hughes (Doubt).
Daybreak, written by Joyce Van Dyke and directed by Lucie Tiberghien, is a world premiere play highlighting Armenian-American history. Set in three time periods, Van Dyke's drama is inspired by the true stories of two female friends who survived the Armenian genocide. Using memory, dreams, and music, Daybreak carries the story of these women into the 21st century in a celebration of the human spirit's endurance.
De Novo tells the true story of a teenage boy from Guatemala who faced deportation after fleeing to the United States to escape gang life. The gang MS13 was the only family Edgar Chocoy had ever known, but he dreamed of a better life. At 14, he fled Guatemala City and traveled over 3,000 miles across the borders of three countries in search of his mother, who left him when he was a baby to find work in the United States. Detained by the Department of Homeland Security, he pleaded with a Colorado judge not to deport him to Guatemala, where the gang he left had sentenced him to death.
This documentary play is crafted entirely from immigration court transcripts, letters, and extensive interviews conducted by Houses on the Moon company members in Los Angeles, Colorado, and Arizona at Southwest Key, the largest facility for detained immigrant minors in the United States. De Novo is augmented with projected images from Donna DeCesare, an award-winning photojournalist who is widely known for her groundbreaking coverage of the spread of Los Angeles gangs in Central America.
De Novo provides a rare glimpse into the life of an "unaccompanied alien minor," thousands of whom make the dangerous journey across the border and through the U.S. justice system each year. Though there are thousands of foreign-born minors in U.S. custody, barriers of language, age, class, culture, and law conspire to make this population invisible to many. Their stories of migration are poignant, heroic, and painful.
The Dead, 1904 was adapted from the final novella in James Joyce's 1914 short story collection Dubliners and tells of a disillusioned man named Gabriel Conroy, who, along with his wife Gretta, attends a holiday party in 1904 Dublin, thrown at the home of his two elderly aunts. Throughout the evening, guests sing, dance, eat, and drink while outside, snow gently falls, and Gabriel and his wife contemplate their pasts, futures, happiness, life, and, ultimately, death.
Like many new upper-middle-class Chinese parents, Mr. and Mrs. Li are proud to give their only daughter a life they could only dream of (an Ivy League degree in art and an apartment in Manhattan) until they realize she's turning into a dangerous stranger. A Deal is a dark comedy that features a Chinese family's home-buying journey in New York in winter 2015, a time of increased real-estate ownership by Chinese people overseas and a sharp decline in the value of the RMB against the U.S. dollar. The play reveals the ideological conflicts between the East and West in contemporary society by tracking a little stream of the global cash flow.
In 1920, the Russian writer Isaac Babel wandered the countryside with the Red Cavalry. Seventy years later, a mysterious KGB agent spied on a woman in Dresden and falls in love. In 2010, an aircraft carrying most of the Polish government crashed in the Russian city of Smolensk.
Set in Russia over the course of 90 years, this thrilling new play by Rajiv Joseph (Guards at the Taj) traces the stories of seven men and women connected by history, myth, and conspiracy theories.
The York Theatre Company opens its 2017-18 season with Desperate Measures, a foot-stompin', knee-slappin' new musical that nods to Shakespeare's Measure for Measure. It's funny! It's sexy! It's country! It's a New York premiere with music by award-winning composer David Friedman and book and lyrics by multi-Tony Award nominee Peter Kellogg.
In 1890, in a territory out West, Johnny Blood, a hot-tempered young cowboy, is sentenced to hang for killing a man in a bar fight. His sister, a novice nun in a nearby mission, is persuaded to plead with a corrupt governor to spare her brother's life. The governor promises to pardon Johnny if his sister, the Sister, will "do his bidding" for the night. Adding to the humorous complications are a hard-bitten sheriff, a voluptuous saloon girl, and a priest who reads Nietzsche.
Diaspora tells the story of a contemporary Birthright trip visiting Masada, a Roman-era fortress and tourist attraction in the desert of Israel. While examining their identities and relationships to Israel and Jewishness, the people on the trip share the stage with a retelling of the infamous events that took place on Masada almost 2,000 years ago. As the two dramas mix and interact, staying on Masada grows more and more contentious and dangerous. Diaspora is a no-holds-barred, fresh, contemporary look at American Jewish youth; how they see themselves; and their relationship to an ever-changing world.
Balti and Jaker begin the play as two gay 20-year-olds enjoying the romantic and sexual possibilities on their college campus. But when Jaker asks Balti to pretend to be straight for the duration of Jaker's grandmother's visit to the campus, a chasm opens in the friends' consciousness, and Balti finds himself traveling back in time with the help of a cherub from the wrong side of the tracks.
As Balti sorts through the national history that binds him to his grandmother's homophobia, he meets a yarn-spinning rattlesnake, a Korean-American war child, and the founders of the first gay bar in Las Vegas, Nevada. When he attempts to return to the comforts of modern-day gay life, he finds that time works differently inside the closet than outside, and his old love with Jaker may be irretrievable. Worse, his new friend the cherub may be on the brink of death due to human pollution of the time-stream.
Born at the same time on the same day in the same hospital, Pig and Runt have been inseparable ever since. They speak in their own language, play by their own rules, and create a world for themselves in which boundaries blur between truth and illusion. Then, on their 17th birthday, they discover something more. As night falls and the disco and drink take hold, they spiral violently out of control.
Disco Pigs, Enda Walsh's breakout play, received both the George Devine Award and the Stewart Parker Award. Walsh's other accolades include the Caméra d'Or for the screenplay of Hunger and the Tony Award for Best Book of a Musical for Once.
On a hot late summer day in 1976, a mob of young men — all white except one — descended on Washington Square Park with pipes and bats, and attacked any people of color they could find. Seth Zvi Rosenfeld takes us back to that day, to the cramped Greenwich Village apartment of Mary Shannon, a strung-out, freewheeling single mom, as her son Pnut and his Haitian best friend Massive wrestle with their obligation to join the riot. The boys, torn between loyalty to each other and to the neighborhood, grasp for ways to keep the violence from destroying their friendship forever. Downtown Race Riot is snapshot of a time not so different from today, when a new social freedom ran smack into the forces of reaction and when the stakes were truly life or death.
Twelve iconic divas wrapped into one! This versatile, rambunctious show features live vocals and onstage costume changes. New York's Dorothy Bishop pays hilarious, loving tribute to performers from Cher and Madonna to Stevie Nicks and opera star Renée Fleming.
Nominated for Best Tribute Show by the Manhattan Association of Cabaret in 2015!
One professional New York actor has at least five shots of whiskey and then attempts to perform in a Shakespeare play.
There is a hidden library on the second floor of a building on 43rd Street and Eighth Avenue. With over 15,000 books, the Drunk Shakespeare Society meets every night to drink...and perhaps do a little Shakespeare. A mysterious bartender serves cocktails through a 10-foot-high bookcase made entirely of black books. A hundred prized novels are forever buried in an amber fluid in front of a royal throne. Other easter eggs are hidden throughout the room...
Note: Audience members must be at least 21 years old.
Early Shaker Spirituals is based on a 1976 album of Shaker songs recorded by the sisters of the Shaker community in Sabbathday Lake, Maine. The album Early Shaker Spirituals has been in the Wooster Group's collection since the early 1980s, when Elizabeth LeCompte, Kate Valk, and other members of the company visited the Sabbathday Lake Shaker community and met with Sister R. Mildred Barker, who sings on the album. The piece features LeCompte, Cynthia Hedstrom, Frances McDormand, Bebe Miller, and Suzzy Roche, who channel the voices of the Shaker singers from the album via in-ear receivers to give a new live rendering to the songs. Complementing the songs are dances in which the singers are joined by Matthew Brown, Modesto Jimenez, Bobby McElver, and Andrew Schneider. Jamie Poskin serves as interlocutor, reading from the album's liner notes.
The Elephant in Every Room I Enter is an intimate solo piece about Gardiner Comfort's experience as an actor living with Tourette's syndrome. The play explores the week he spent at the Tourette Association of America National Conference in Washington, D.C., in April 2014. He'd never been around so many other people with Tourette's; it was the first time he could feel "normal." With mind-bending projections and sound design, which blend with Comfort's athletic, physical performance, this is a show unlike any other. The Elephant in Every Room I Enter is written by Gardiner Comfort and directed by Kel Haney.
Elf the Musical is the hilarious tale of Buddy, a young orphan who mistakenly crawls into Santa's bag of gifts and is transported back to the North Pole. Unaware that he's actually human, Buddy's enormous size and toy-making ineptitude cause him to face the truth. With Santa's permission, Buddy embarks on a journey to New York City to find his birth father, discover his true identity, and help New Yorkers connect with their inner elf.
This cutting-edge, critically acclaimed "docu-musical" highlights Oscar Hammerstein's evolution to become one of the most important lyricists of all time. Working closely with William Hammerstein (Oscar Hammerstein's grandson) to obtain private, personal stories, rarely before seen images & videos, and an in-depth glimpse into the life of Oscar Hammerstein, An Enchanted Evening is a one-of-a kind, intimate show highlighting Oscar's life and music through documentary storytelling and imaginative performances.
Starring Billboard Top 100 recording artist Doreen Taylor in her off-Broadway debut and renowned award-winning Broadway performer David Gaines (The Phantom of the Opera, Sweeney Todd, Man of La Mancha).
Proceeds will be donated to help save Highland Farm in Doylestown, Pennsylvania (Oscar Hammerstein II's home and birthplace for timeless Rodgers and Hammerstein classics including Oklahoma!, South Pacific, Carousel, and The King and I).
Extraordinary Measures premiered off-Broadway in 1995, starring James Lecesne. The New York Times declared that "it is impossible not to be stirred by the emotional urgency behind Extraordinary Measures...Inspired by the final days of Paul Walker, a theater director, performer, and instructor who died of AIDS in 1993, the work presents death as the ultimate class in life study. The hospital room in which Mr. Walker lies unconscious, kept alive by medical support systems (the 'extraordinary measures' of the title), becomes a forum in which his brother, friends, and former students individually address the man, struggling to find emotional truth before a mentor who can no longer confirm or question their feelings. All of these people, as well as Mr. Walker himself, are portrayed by the magnetically vital James Lecesne, who [embodies] enough characters on New York stages to populate a small village."
Ross, Rachel, Chandler, Monica, Joey, Phoebe, and Gunther are back. Friends! The Musical follows the misadventures of these six twentysomething pals as they navigate the pitfalls of work, life, and love in Manhattan. Friends! The Musical was created by Bob and Tobly McSmith, the duo behind Bayside! The Saved by the Bell Musical, 90210! The Musical, Full House! The Musical, and...you get the idea.
Captain Jam and the Agents of Jam invite Junior Agents and New Recruits to sing, dance, and play along with their globe-spanning musical adventure to celebrate holidays around the world. Will they complete "Special Mission: Holiday Party" in time to throw the ultimate celebration?
Part live concert and part stage show, FunikiJam's Holiday Beat: Family Musical is New York City's only holiday show to celebrate Christmas, Hanukkah, Kwanzaa, Diwali, Chinese New Year, and Shichigosan — for kids!
Each performance will be followed by a holiday party with dancing, singing, snacks, activities, and special guest performances.
The international Galli Group, founded by philosopher and playwright Johannes Galli, stages modern adaptations of fairy tales. Written by Galli, these adaptations make children laugh and also communicate social issues relevant to today's world. Audience participation is part of the experience: Children may go onstage and interact with the actors. By awakening a sense of liveliness in audiences and actors alike, the Galli Group's shows celebrate childhood.
Take the journey of a lifetime and step into the "unbubblelievable" magical kingdom of Fan Yang's Gazillion Bubble Show! The first and only interactive stage production of its kind, complete with fantastic light effects, lasers, and jaw-dropping masterpieces of bubble artistry, this unforgettable extravaganza is not to be missed.
Fan Yang's gorgeous and unique creations defy gravity and logic as we know it. He holds (and has broken his own) Guinness World Records for the biggest bubble ever blown, the largest bubble wall ever created (a staggering 156 feet!), most bubbles within a bubble, and in May 2006 he was able to encapsulate 22 people inside a single soap bubble on live television in Madrid. His performances, including an appearance on The David Letterman Show, have been broadcast worldwide.
Over the past two decades, Fan Yang has explored the fragile and mysterious world of soap bubbles and emerged with a completely new medium, blending art and science to dazzle audiences around the globe. Children and adults of all ages are sure to be amazed, mystified, and enchanted!
Through the microcosm of a rural Connecticut mental health center, Tony Award-winning playwright David Rabe conjures an entire American community on the edge. Like their patients, Dr. Michaels, his colleague Evangeline, and the clinic itself teeter between breakdown and survival, wielding dedication and humanity against the cunning, inventive adversary of mental illness. They hold on to the need to fight – and to live. Inspired by a real clinic, Rabe finds humor and compassion in a raft of richly drawn characters adrift in a society and a system stretched beyond capacity. This New York premiere of Good for Otto features F. Murray Abraham as Barnard, Ed Harris as Dr. Michaels, Amy Madigan as Evangeline, Rileigh McDonald as Frannie, Rosie O'Donnell as Nora, and Michael Rabe as Jimmy. Scott Elliott directs.
Inspired by Vicki Baum's 1929 novel, Grand Hotel follows the postwar comings and goings of the artists, businessmen, jewel thieves, and ambitious young secretaries whose lives intersect in the opulent lobby of Berlin's most prestigious hotel. First produced under the title At the Grand (1958), the original production was revitalized in 1989 by director-choreographer Tommy Tune and enjoyed a Tony Award-winning run on Broadway.
San Francisco, spring 1989. Manford Lum, locally renowned on the sidewalk basketball courts of Chinatown, talks his way onto a college team, just before they travel to Beijing for a "friendship" game. When they arrive, China is in the throes of the Cultural Revolution aftermath, and Manford must juggle international politics and his own personal history. Inspired by events from her father's life and (short-lived) basketball career, playwright Lauren Yee makes her Atlantic Theater Company debut with this tender but fast-paced play.
This play is a bittersweet comedy about two brothers growing up in the Bronx, their coming of age marked by the untimely death of their father. One actor plays both parts. The play is filled with the hearty characters, flavors, and textures of the Bronx in the 1970s and displays a witty understanding of life.
Johnny and Cisco are two brothers six years apart in age and miles apart in sensibility. Johnny, the rough and rugged older brother who spent most of his life trying to toughen Cisco up, finds himself drowning in a pool of guilt, emotionally claiming responsibility for Cisco's death. Cisco, the needy, innocent free spirit with a flair for the outrageous, shares his unusual wit and wisdom with Johnny about days past through a set of diaries he leaves behind. The result is a warm, affectionate, and hilarious love letter from one brother to another.
In his small pub in the northern English town of Oldham, Harry is something of a local celebrity. But what's the second-best hangman in England to do on the day they've abolished hanging? Among the cub reporters and pub regulars dying to hear Harry's reaction to the news, his old assistant Syd and the peculiar Mooney lurk with very different motives for their visit.
Following a sold-out run at London's Royal Court Theatre and subsequent transfer to the West End, Olivier and Academy Award winner Martin McDonagh (The Cripple of Inishmaan) returns to Atlantic Theater Company with his first United States premiere in eight years.
SITI Company, the internationally acclaimed ensemble theater cofounded by famed American director Anne Bogart, showcases Yukio Mishima's mysterious and poetic play Hanjo, directed by SITI co-artistic director Leon Ingulsrud. Hanjo is a timeless tale of love, loneliness, and betrayal in which a young woman's endless waiting for her lover transports her into a state of insanity. Ingulsrud's direction unveils Mishima's story as a bilingual triptych in which the actors rotate through each character role. This brings Noh theater's elegance, expressiveness, and economy together with techniques of contemporary theater, shedding light on identity, gender, language, and ultimately the art of acting.
A sexually charged and wickedly funny one-man thriller, Harry Clarke is the story of a shy Midwestern man who leads an outrageous double life as the cocky Londoner Harry Clarke. Moving to New York City and presenting himself as an Englishman, he charms his way into a wealthy family's life as the seductive and precocious Harry, whose increasingly risky behavior threatens to undo more than his persona.
Set in Montezuma, Georgia, and New York City in 1941, this new work by Adrienne Kennedy — a multi-Obie Award winner and one of America's greatest living dramatists — is a heartbreaking and nail-biting memory tale of segregation, theatrical yearning, and doomed love. The action, driven by lyrical parallel monologues and a chilling tour through a storeroom of charged images, braids together the indignities of Jim Crow, rising Nazism, sexual hypocrisy, Christopher Marlowe, and the lingering shadow of a terrible crime.
For 25 years, City Center's Encores! series has been bringing classic American musicals back to life. City Center is where Chicago, Wonderful Town, and Finian's Rainbow were reborn — but they were just the beginning. Catch a glimpse at the future of Encores! in this original production, a cavalcade of overtures, opening numbers, grand finales, and other excerpts from beloved shows that Encores! hasn't gotten to...yet. Look for Mack & Mabel, Greenwillow, Wildcat, and others of their ilk. The many musical numbers in Hey, Look Me Over! add up to one exciting celebration: Encores! at 25.
It's "Wakes Week" in Hindle; the mill is closed and the workers are idle. Fanny Hawthorn is relaxing at the seashore with a girlfriend when she runs into Alan Jeffcote, the mill owner's son. Alan takes Fanny to a hotel in Wales for a few days of fun, but the fun stops when their parents find out. Should Alan, already engaged to another woman, do the right thing and make an honest woman of Fanny? Or should he do the right thing and stand by his fiancée?
A New York premiere written by Tony- and Olivier Award-winning playwright Brian Friel!
In the hot Donegal August of 1878, the fruits of colonialism and the ambiguities of loyalty are tested within the background of impossible love. Christopher Gore, the liberal-minded Anglo-Irish landlord and his son, David, reside at the Lodge with their "chatelaine" Margaret, with whom they are both in love. Christopher's cousin, Dr. Richard Gore, arrives with the intention of pursuing a Darwin-inspired scientific theory: By measuring the craniums of the indigenous Irish, he hopes to crack the genetic code of the indigenes…demonstrating their inferior place in the natural order. Set in the era of the rumblings of violence and uncertainty at the dawn of the Home Rule movement, Brian Friel explores the aftermath of Dr. Gore's experiment as deep animosity is dangerously ignited among the suspicious villagers of Ballybeg.
A best-selling novelist returns to Nigeria to care for her ailing father, but before she can bury him, she must relearn the traditions she's long forgotten. Having been absent for over a decade, she must collide with her culture, traumatic past, painful regrets, and the deep, deep love she thought she could never have.
Angst-ridden Max and mildly unstable Elanor are soul mates. They have revealed every crazy and embarrassing quirk to each other, which has only brought them closer. However, there is one issue that Max is holding on to. Elanor has discussed her ex-boyfriends with Max. Max hasn't quite mentioned his. Hot Mess proves that sometimes in order to find yourself, you have to get lost.
New York Theatre Workshop brings audiences a folk-punk dream unlike anything they've experienced. Shaun and Abigail Bengson's Hundred Days unleashes an exhilarating and raw story about embracing uncertainty, taking a leap, and loving as if you only had 100 days to live. Written by the Bengsons and Sarah Gancher, Hundred Days is directed by Anne Kauffman, with movement direction by Sonya Tayeh.
I Like It Like That – A Musical is the story of the Rodríguez family living in New York City in the early 1970s. At that time music was the proudest expression of "El Barrio," their East Harlem neighborhood. I Like It Like That takes the audience on a historical musical journey amid neighborhood volatility and social activism. As neighborhood residents deal with the ever-present pull between escape and social conscience, so too members of the Rodríguez family navigate the challenges they face living in the heart of a volatile environment. Instilled in them is the importance of family and the desire to succeed. Starring as the patriarch is Tito Nieves, Grammy nominee and Latin music superstar.
The year is 1958, and New York City is in the midst of a major building boom. A four-lane highway is planned for the heart of Washington Square, Carnegie Hall is slated for demolition, and entire neighborhoods on Manhattan's West Side are leveled to make room for a new "palace of art." Also, a young Joe Papp and his colleagues face betrayals, self-inflicted wounds, and anger from the city's elite as they continue their free Shakespeare productions in Central Park.
From Richard Nelson, the creator of the most celebrated family plays of the last decade, comes a drama about a different kind of family — one held together by the belief that the theater and N.Y.C. belong to everyone.
Join world-renowned mixologist and raconteur Anthony Caporale for a boozy romp through the history of spirits and cocktails in this smash — make that smashed — hit! Playing in an authentic New York speakeasy once used as a meeting place by the notorious Tammany Society, The Imbible chaperones audiences on a trip through 10,000 years of world history. The journey is accompanied by music — the a capella stylings of The Backwaiters — and craft cocktails. You can sit back, drink up, and enjoy as Anthony holds forth on the history and science behind alcoholic beverages, traces their economic and political impact on our cultural development, conducts live demonstrations of brewing beer and distilling spirits, and, like any good bartender, keeps his guests laughing throughout the night. Tickets to this critically acclaimed comedy sell out weekly, so get yours early.
Note: Each ticket includes three cocktails.
It's the morning after Scrooge's spectral visits, and our hero is determined to celebrate Christmas by throwing a party "just like old Fezziwig!" However, he realizes that he has no idea how to go about the thing, and the libations prove particularly puzzling. Summoning Marley back for some additional help, they depart on another trip through time and space — this time with a capella accompaniment — to mix cocktails past, present, and future under the expert tutelage of three Christmas spirits.
Discover the stories behind our most cherished holiday beverages of days gone by, sample cutting-edge cocktails of holidays yet to come — including frozen rosé and red wine made using liquid nitrogen — and learn how to create today's hottest drinks for your very own seasonal celebrations.
Looking for the quintessential New York City brunch experience? You'll find it at New World Stages in The Imbible: Day Drinking, the latest edition of the hit musical comedy series about cocktails and spirits! After all, what could be more N.Y.C. than combining brunch with a show in the heart of Manhattan's world-famous theater district? Join four friends as they battle today's always-connected, over-scheduled world to carve out time to enjoy brunch together. While struggling to prioritize and prepare for their gathering, they learn the stories behind not only well-known brunch drinks but also brunch itself, and come to appreciate the value of making time to break bread and sip drinks with good friends.
Note: A complimentary continental bunch and three craft cocktails are included as part of the show. Please arrive 30 minutes early to enjoy brunch and your first drink. Attendees must be 21 or older.
A story reveals the illusion of one's identity in Derek DelGaudio's modern allegory, In & Of Itself. New ways of seeing the unseeable are explored, as memories from yesterday, inexplicable events witnessed today, and secrets imagined for tomorrow all blend together, creating a perpetual paradox of a show. The writer and producers of Nothing to Hide reunite with executive producer Neil Patrick Harris to present this theatrical experience directed by Frank Oz.
The Tony Award-winning author, performer, and activist Eve Ensler, whose Vagina Monologues is an international sensation, comes to Manhattan Theatre Club with a powerful new play based on her critically acclaimed memoir. While working with women suffering from the ravages of war in the Democratic Republic of Congo, Ensler was stunned by a life-threatening diagnosis. Told with her signature brand of humor, Ensler's personal journey uncovers surprising connections between her body and the earth and how illness can be both transformative and transcendent. Directing this bold, unflinching, and inspiring piece is Tony winner Diane Paulus (Waitress).
A politico's daughter is murdered in a drug-infested squat in Manhattan's Lower East Side. The newspapers go wild over the sensational crime. In this interactive live murder mystery game, you become a rookie cop and canvas the neighborhood in the atmosphere of a fun interactive outdoor NYC theater. Your task is to interrogate key players and gather clues to crack the case before the commissioner replaces the chief and shuts down the precinct. Watch each other's backs as you encounter the neighborhood's junkies, hookers, pimps, corrupt cops, and mobsters.
The content in the Lombardi Case 1975 is a very realistic look at the underworld on NYC in the mid-1970s. We pride ourselves in being authentic to the reality of the characters we are portraying. With this in mind, we must inform the audience of the experience's "R" rating. If you are uncomfortable with some harsh language and racy content, please try one of our other shows.
In the wee hours of the night, siblings are found dead in their tenement. With the air rife with foul play, you enter an interactive murder mystery where you help crack a case based on a real unsolved crime from the 1870s. Your investigation takes you on an NYC scavenger hunt through the underbelly of the 5 points where you encounter unsavory characters, discover clues, confront suspects, and mete out the justice that the slain victims deserve.
Christmas Eve, 1946. George Bailey, the nicest guy in town, may not be around much longer. He's perched suicidally on a bridge. Enter Clarence, George's guardian angel. Clarence shows George what the town would be like if George had never been born.
The beloved Frank Capra movie about sacrifice and redemption in small-town America comes to life in this stage adaptation. Set in a radio station in the 1940s, the poignant drama features six actors portraying 25 characters.
Jersey Boys is the behind-the-music story of Frankie Valli and the Four Seasons. They were just four guys from Jersey, until they sang their very first note. They had a sound nobody had ever heard… and the radio just couldn't get enough of. But while their harmonies were perfect onstage, offstage it was a very different story — a story that has made them an international sensation all over again. The show features all their hits including "Sherry," "Big Girls Don't Cry," "Oh What a Night," "Walk Like a Man," "Can't Take My Eyes Off of You," and "Working My Way Back to You."
Pulitzer Prize winner Stephen Adly Guirgis (Between Riverside and Crazy) begins his residency at Signature with a revival of his darkly comic meditation on redemption and faith, Jesus Hopped the 'A' Train, directed by Drama Desk Award winner Ruben Santiago-Hudson (The Piano Lesson). Angel Cruz is a 30-year-old bicycle messenger awaiting trial for the death of the leader of a religious cult. Inside Rikers Island, a terrified Angel is befriended by a charismatic serial killer named Lucius Jenkins. Lucius has found God and been born again, and now Angel's life and the course of his trial will be changed forever.
The classic play The Jew of Malta by Christopher Marlowe will be performed in a stage-reading version starring actor and opera star David Serero as Barabas. This one-night-only performance will feature Sephardic songs sung by Serero.
The evening is presented by the American Sephardi Federation.
This fundraiser is an evening of songs from the World War Two era. Singing them are well-known and not so well-known theater artists, including Cara Akselrad, John Carlin, and Adam Cohen. Portia hosts, and the Dysfunctional Swingers dance. The event is directed by Jill DeArmon; Robert Cowie provides piano accompaniment. All money raised will go toward production costs for the new play Victory Girls, which is part of the Planet Connections Theatre Festivity next month.
Narrated by Cathy Rigby, Kris Kringle the Musical weaves an original tale for audiences of all ages. Based on one of the most familiar names of holiday folklore, the musical features a young, starry-eyed toymaker, Kris Kringle, who crosses paths with an evil New York City toy company CEO and finds himself wrapped up in a magical curse with the power to destroy Christmas. From the top of the world in the North Pole, Kris Kringle teams up with Santa and Mrs. Claus, the beautiful Evelyn Noel, a band of hilarious apprentices and elves, and magical toys to remind people what Christmas is really about.
It's the semifinals of the U.S. Open, and two tennis greats are facing off in the match of their lives. Tim Porter, the aging all-American favorite, wants to prove to the world, his wife, and himself that he's still a champion. Hot-headed rising star Sergei Sergeyev struggles to believe he truly deserves to beat his lifelong hero. Set against the high-stakes backdrop of professional sports, this New York premiere, directed by Gaye Taylor Upchurch, serves up a richly theatrical look at what keeps us striving and why.
Renowned Playwright A.R. Gurney graces the Keen stage for a third time! In Later Life, a middle-aged man and woman meet at a cocktail party and ponder beginning the relationship that eluded them 30 years ago. While the pair rediscover each other and themselves, a bevy of delightful guests rally behind them. With poignancy and laughs, this classic Gurney play reminds us of the infinite possibilities in life just waiting to be pursued. A romantic tale of missed connections and hope for new beginnings.
San Francisco. 1986. What could Harry, an amiable but lonely retired kosher butcher have in common with Barbara, his young lesbian writing teacher at the senior center? Is it enough to bridge the divide?
In this inventive and highly theatrical adaptation of C.S. Lewis' classic, two actors give a tour-de-force performance that's sure to delight children and adults alike. Through the magic of theater, Peter and Lucy take viewers to Narnia, where the White Witch has cast a spell that makes it always winter and never Christmas. See them meet Mr. Tumnus the faun and conspire with talking animals to save Narnia. Come face-to-face with Aslan the Great Lion and cheer as Peter, Susan, Lucy, and Edmund courageously battle the forces of evil and discover that love is the deepest magic of all.
Note: This show is open to everyone but most suitable for ages five and up.
Created by the New York City-based comedy troupe Eight Is Never Enough, LMAO is an interactive show combining improv, sketch, music, and (why not?) magic. Every Saturday night, special guest artists enrich the mix.
Jeremy Irons and Lesley Manville (Ghosts) reprise their roles in Sir Richard Eyre's acclaimed production of this Eugene O'Neill classic.
Drag queens serve up dinner, outrageousness, and a show at Lucky Cheng's Restaurant. The show features comedy, karaoke, and — embrace yourself — interactive cabaret. The cross-dressed staff are anything but a drag; they enhance the fun as your bartenders, waitresses, and performers. After 19 years in downtown Manhattan, this dinner show transferred in 2012 to the Times Square area, where the shenanigans continue today.
In The Lucky Ones, indie-music duo the Bengsons spin a memory-tale of teenage passion, ideals lived to the limits, family shattered, and faith lost — all in hope of finding a way home again. Through soulful electro-folk songs, this driving, semi-autobiographical story grabs joy and grief with the same hand and holds them tightly, in a radical affirmation of being alive.
Featuring breakout hits such as "Run Away With Me" and "Say the Word," the musical The Mad Ones immerses audiences in the complex inner life of Samantha Brown — a young woman on the brink of change. Sitting in her parent's driveway, Samantha faces a choice: Will she follow in her mother's footsteps or take the dare of her impetuous best friend and chart a new path?
Mark and Jason were keeping things casual until Jason got pregnant. But however unplanned the pregnancy was, nothing could be less expected than the chain of events it would set in motion. Robert O'Hara's audacious, hilarious allegory envisions an uncannily familiar future — one long after women have gone extinct from centuries of mistreatment — in which man's capacity to f**k everything up soars to new heights.
The joys and perils of motherhood, the hovering shadow of infant mortality, and the sting of loneliness and rejection merge as Mary Shelley creates her masterwork, Frankenstein. The creature that Dr. Frankenstein produces, an assemblage of disparate elements, coalesces into a monster with a human soul. His horrific appearance conceals the gentlest heart. Through no fault of his own, he descends into evil. Excerpts from the 1818 edition of Frankenstein, music, and dance are interwoven with Mary Shelley's letters and diaries, creating parallel narratives as both dramas unfold. This production features music by Bach, Liszt, and Schubert.
The toast of 1930s London, Me and My Girl is a delightfully old-fashioned musical about a cockney everyman who wreaks havoc on high society after being unexpectedly elevated to the lofty position of Earl of Hereford. Part music hall frolic, part class-warfare comedy, Noel Gay's infectious score includes "The Lambeth Walk," a dance routine that swept the continent in 1937. In the 1980s, Me and My Girl was revived on both sides of the Atlantic and became a completely unexpected smash all over again. Now, for the first time in nearly 30 years, it's back in New York.
It's 1988, and the planning committee for Garrison High School's ninth annual Miles for Mary Telethon is fired up and ready to go. Across subcommittee sessions in the phys-ed teachers' lounge, The Mad Ones assemble an analog elegy to the camcorder 1980s, girls' track and field, and the consecrated American high school. Wunderkind Lila Neugebauer directs this play, which ran to critical acclaim at the Bushwick Starr in 2016.
Miss You Like Hell is a new musical by Pulitzer Prize and Tony Award-winning playwright Quiara Alegría Hudes and genre-bending singer-songwriter Erin McKeown. Multi-Tony nominee Daphne Rubin-Vega plays Beatriz, a flawed mom to 16-year-old Olivia and an undocumented immigrant on the verge of deportation. After living estranged from each other for years, the pair embark on a road trip that crosses state lines. Together they meet Americans of different backgrounds, shared dreams, and complicated truths in this show with vast heart and fierce humor. Obie Award-winning director Lear deBessonet and choreographer Danny Mefford stage this transcendent work with music that may just find your soul and never leave.
The mob just made a hit, but everyone will live to talk about it. And talking they are because when the "boys" get together, it's a scream! Join this interactive show for a private audience with the Don; maybe he'll make you an offer you can't refuse. Mingle with mobsters and molls, meet the new "Boss of Bosses," break bread and heads with wiseguys and Mafia princesses. Sure, you'll be ducking bullets over Broadway, but that won't stop the fun! Eat, drink, dance, and be merry. You might just die laughing!
This two and a half hour comedy mystery includes a three-course sit-down dinner and dancing. Audience members even have the chance to solve the case and win prizes. Seven prizes are awarded at every performance and include "Academy Awards" for the best actor and actress in the audience.
Following their sold-out run of Abigail's Party last fall, the Barrow Group Theatre Company and the Pond Theatre Company present the New York premiere of Muswell Hill by Torben Betts. Set in a leafy north London suburb, this black comedy chronicles an evening in which friends gather over dinner, discussing their day-to-day worries while halfway around the world a natural disaster is occurring. Betts is a multi-award-winning British playwright, described by Alan Ayckbourn as "one of the most exciting theater writing talents I have come across in many a year."
Naked Boys Singing! consists of six adult males doing what the title declares. Whether exposing the anxiety of a high school locker room or revealing the joys of performing nude, the uninhibited singing of these "boys" celebrates the male anatomy with wit and explicitness. And not only do they perform in the buff; many are buff themselves. Each member of the cast performs a solo tune as well as in ensemble pieces. Get excited: Every penile synonym known to man is referenced in this show.
NEWSical the Musical lampoons current events, newsmakers, celebrities, and politicians. No one in the news is safe! With songs and material updated regularly, this topical musical revue is an ever-evolving mockery of all the news that's fit to spoof!
In 2010 NEWSical received two Drama Desk Award nominations: one for for Outstanding Musical Revue and one for Outstanding Lyrics. The lyrics were written by Rick Crom, who also composed the music.
Following a critically acclaimed engagement in 2016, No-No Boy returns for a limited run that aligns with the Day of Remembrance. Set after World War Two as Japanese-Americans return to the West Coast, the play tracks draft-resister Ichiro Yamada following his release from prison. He struggles to come to terms with the consequences of his choices while other members of his community try to get back on their feet after a war that has uprooted them all. Ron Nakahara directs this drama adapted by Ken Naraski from John Okada's groundbreaking novel.
"Ponselle, Milanov, Sutherland, Callas … after last night, Radvanovsky can add her name to the list," declared the Huffington Post when Sondra Radvanovsky made her Met role debut as Norma in 2013. The 2017–18 season opens with a new production of Bellini's masterpiece, starring Radvanovsky as the Druid priestess and Joyce DiDonato as her archrival, Adalgisa—a casting coup for bel canto fans. Tenor Joseph Calleja is Pollione, Norma's unfaithful lover, and Carlo Rizzi conducts. Sir David McVicar's evocative production sets the action deep in a Druid forest where nature and ancient ritual rule.
You want A-list laughs on a D-list budget? Then come to the Broadway Comedy Club! You can enjoy shows every night in an intimate setting with great food and drinks. The lineup of comedians includes the hottest TV headliners from Comedy Central and late-night television as well as New York City's rising stars — this is your chance to see them before they make it big! Plus, if you're from out of town, you'll have a real NYC story to tell your friends back home.
Past headliners include...
Josh Spear (Last Comic Standing; Late Night With Conan O'Brien)
Pat Dixon (Comedy Central Presents)
Aaron Haber (Comedy Central's The Watch List; Friars' Club)
Shannon Sutherland (Maxim Radio)
Rob O'Reilly (The Tonight Show; Live at Gotham)
Dean Obeidallah (Comedy Central's Axis of Evil)
Dave Konig (HBO)
Set in South Central Los Angeles, Luis Alfaro's Oedipus El Rey is an electrifying new take on Sophocles's classic tragedy. Oedipus is reimagined as a troubled Latino whose dreams of controlling his own destiny soar above the barbed wire of the prison where he's spent his life. But in a place where everyone is trapped — by desperation or fate, history or violence — no one man can change his story alone. Love, family, and belief collide in this chilling new play that asks, "What's fate, and what's just the system?"
Gina was warned that one of her students would be a problem. Eighteen years old and strikingly odd, Dennis writes violently obscene work clearly intended to unsettle those around him. Determined to know whether or not he's a real threat, Gina compels Dennis to meet her during her office hours. But as the clock ticks down, Gina realizes that "good" versus "bad" is nothing more than a convenient illusion and that the isolated young student in her office has learned one thing above all else: that for the powerless, the ability to terrify others is powerful indeed. Neel Keller directs this taut new drama by playwright Julia Cho.
What if Thomas Jefferson, Elizabeth Cady Stanton, and Martin Luther King Jr. shared the stage for the first time? What if Frederick Douglass attended a town hall meeting with Ronald Reagan and Julia Child? This theatrical journey celebrates the stories of the United States's diverse unsung heroines and heroes who built the country's foundation and created a better way of life, including social and financial freedoms that were unthinkable two centuries ago. One Nation, One Mission, One Promise incorporates historical stories and interweaves them with the stories of today. The past and the present magically meet and inspire everyone to better our future.
Multi-Helen Hayes Award winner Edward Gero is Supreme Court Justice Antonin Scalia in The Originalist. When a bright, liberal Harvard Law School graduate embarks on a nerve-wracking clerkship with Justice Scalia, she discovers him to be both an infuriating sparring partner and an unexpected mentor. How will their relationship affect one of the most incendiary cases ever to reach the nation's highest court?
After the death of the beloved Sister Rose, a group of her former students return to their Harlem neighborhood to pay respects. But at the funeral home, there's a problem — her dead body has been stolen. An irreverently brash and insightful dark comedy, directed by Obie Award winner Anne Kauffman (Detroit), Our Lady of 121st Street paints a vivid comic portrait of what happens when old friends meet old wounds and how old habits die hard.
Oy Vey in a Manger has been described as a ribald, ridiculous, raunchy, and decidedly R-rated romp through the best and worst of Christmas. Crisis arise, secrets are revealed, Jewish-Gentile tensions surface, and mayhem ensues — all in the Kinsey Sicks four-part harmony.
In 1949, Detroit's Blackbottom neighborhood is gentrifying. Blue, a troubled trumpeter and the owner of Paradise Club, is torn between remaining in Blackbottom with his loyal lover Pumpkin and leaving behind a traumatic past. But when the arrival of a mysterious woman stirs up tensions, the fate of Paradise Club hangs in the balance. The first production of Obie Award-winning playwright Dominique Morisseau's Signature residency, Paradise Blue, directed by Tony Award winner Ruben Santiago-Hudson (The Piano Lesson) is a thrilling and timely look at the changes a community endures to find its resilience.
You're invited to a party that's full of surprises. Watch careful plans get upended when a young woman's mother brings her own food to her daughter's party — and the "right" person to be her daughter's new best friend. They put on their "party faces" and hope for the best — but when facades crack, secrets spill. Laughter roars as their revelry leads to revelations in this new comedy starring Academy Award-winning actor Hayley Mills (The Parent Trap).
St. Ann's Warehouse, building on its history of partnerships with the United Kingdom's most exciting theaters and theater artists, is proud to join forces with the National Theatre and Headlong for the first time to present the American premiere of Duncan Macmillan's People, Places & Things. The production, directed by Jeremy Herrin, was one of last season's must-see shows on the West End. Denise Gough reprises her Olivier Award-winning role as an actress whose life has spun out of control because of her addiction to alcohol and drugs.
Perfect Crime is a thriller about three psychiatrists, a detective, a crazy patient, and at least one dead body. A man is murdered...or is he? Did his wife kill him? The detective investigating the case thinks so — until he starts to fall in love with her and the husband mysteriously reappears. The plot includes Gone Girlish and Agatha Christiesque twists and turns. Audiences member don't have to navigate them all by themselves, though. There's an "answer key" for people to review after the show if they're still trying to figure out what happened and how.
Bedlam's Eric Tucker reimagines J.M. Barrie's classic 1904 play about a boy who won't grow up. A cast of six inhabit over 20 of Barrie's characters including Pirates, the Lost Boys, Mermaids and the maniacal Captain Hook.
In Dominique Morisseau's Pipeline, Nya Joseph is a dedicated, inner-city public high school teacher who is committed to her students' achievement. At the same time, she sends her only son, Omari, to a private boarding school. When Omari gets involved in a controversial incident that threatens him with expulsion from his school, Nya is forced to reconcile Omari's rage with her own parental decisions as she rallies to save her son.
The Plurality of Privacy Project in Five-Minute Plays (P3M5) is a transatlantic theater project initiated to explore the value of privacy. In cooperation with the Goethe-Institut Washington, theaters across the United States and Europe have commissioned playwrights to write five-minute plays themed around the question, "What does privacy mean to you in the digital age?" The results are being presented in different formats by a network of theaters between January 2017 and June 2018. These performances, staged readings, and community forums create an artistic and cultural dialogue centered around varying American and European understandings of privacy.
Note: Performance dates and locations vary. For more information, visit the Goethe-Institut website (URL below).
Enter The Portal and follow Dante through epic deserts and alpine mountains as he seeks the beautiful and mysterious Beatrice while being pursued by his inner demons. Driven by epic rock music that pulses with tribal and electronic beats, The Portal is part concert, part movie, and part performance. It not only entertains but also immerses the audience in a journey of transcendence and empowerment.
A woman walks into a bar. Her name is Porto. She's a regular. She likes this bar: serious food, serious wine, serious bartender — a staple in a gentrifying Brooklyn neighborhood (perhaps Bushwick?). Her friends, her wine, and her artisanal snacks are there; her doubts about being a Modern Woman are put on snooze. A handsome stranger walks in and orders something special. Disruption ensues: An upside-down romantic comedy unfolds inside and outside her head. Desires of all kinds are awakened with a ferocious thump. A nice smile is a nice smile, but can we enjoy the sausage once we know how it's made?
Women's Project Theater teams up with the Bushwick Starr and New Georges to present the off-Broadway debut of the sold-out hit [Porto] written by Kate Benson and directed by Lee Sunday Evans, whose last collaboration, the Obie Award-winning A Beautiful Day in November on the Banks of the Greatest of the Great Lakes, was a smash success at WP Theater in 2015.
In Providence, Rhode Island, habitually widowed Atalanta pays a visit to her second-rate lawyer Barry Dragonetti. Intending to settle her latest husband's affairs, this larger-than-life Greek tightwad quickly becomes a nightmare for her cheesy, self-aggrandizing attorney. Add Barry's impossible Croatian mother, a dash of current politics, and a couple of opportunistic young lovers, and you have in hand a recipe for comic combustion.
This feisty romantic comedy could only come from John Patrick Shanley, the Tony Award and Pulitzer Prize-winning author of Doubt, and the Academy Award-winning screenwriter of Moonstruck. The production features Tony winner Jason Alexander, who starred in the iconic television series Seinfeld, for which he received six Emmy Award nominations. Alexander made his Broadway debut in Stephen Sondheim's Merrily We Roll Along and won a Tony for Jerome Robbins' Broadway. His film credits include Pretty Woman, Love! Valour! Compassion!, and The Hunchback of Notre Dame.
The outspoken Elizabeth Bennet faces mounting pressure from her status-conscious mother to secure a suitable marriage. But is marriage suitable for a woman of Elizabeth's intelligence and independence? Especially when the irritating, aloof, self-involved…tall, vaguely handsome, mildly amusing, and impossibly aristocratic Mr. Darcy keeps popping up at every turn?! This tale of latent love has never felt so theatrical or more full of life than it does in this effervescent new adaptation. The play, adapted from the novel by Jane Austen, is written by and features Kate Hamill.
Some people are born to do great things. Some people change the world. Some people rise from humble beginnings to beat back the forces of darkness in the face of insurmountable odds. This is the story of the people who sit next to those people in class. Puffs; or, Seven Increasingly Eventful Years at a Certain School of Magic & Magic gives viewers front row seats to the sidelines of the world's most famous magical journey. Puffs follows the story of a young wizard named Wayne Hopkins and the Puffs — a group of well-meaning, loyal rejects with a thing for badgers. Together, they do their best to learn spells, try not to get hurt, and discover what they're really made of…but, seriously, try not to get hurt.
The Quantum Eye is Sam Eaton's entertaining and fascinating exploration of mentalism, magic, perception, and deception. Extraordinary ability and gentle humor blend with the audience to make for a different performance every time. Join Sam on a journey past the limits of possibility in a show you'll never forget. He's been dazzling audiences with his magic and mentalism show since 2006, making it the longest-running one-man off-Broadway magic show in New York.
Note: The Quantum Eye is sophisticated and family-friendly but may not be visually entertaining for children under 7 years of age.
The lives of two generations of immigrant women collide in a basement apartment. When the choices they've made about their security, dignity, and desires come back to haunt them, they must ask: What cannot — and should not — be left behind?
After five years in New York, Greg and Steph return to their blue-collar hometown for their 20th high school reunion and to a dramatic encounter with Kent and Carly, the friends they left behind. Old secrets and new lies become increasingly difficult to hide as the evening (and the drinking) goes on. With Reasons to Be Pretty Happy, MCC Theater's Playwright-in-Residence Neil LaBute revisits the characters first introduced in Reasons to Be Pretty (2009 Tony Award-nominated Best Play) and Reasons to Be Happy as they grapple with that eternal question: Have I become the person I wanted to be?
Red Roses, Green Gold brings the music and lyrics of Jerry Garcia and Robert Hunter to the stage. This new musical, set in 1920s Cumberland tells the fantastical and comedic tale of Jackson Jones and his family of swindlers as they gamble their way to love and riches.
Edwardian Newport, South Wales: A dockworker's son, fascinated by Harry Houdini, dreams of a life of magic. After doggedly training himself with industrial detritus in an effort to emulate his hero, he finally comes face-to-face with the world's greatest showman — and one of the most terrifying events in British industrial history.
Theresa Hanneck is a celebrated author and veteran feminist warrior; Msemaji Ukweli is a promising young writer who is quickly becoming the leading cultural critic on race, class, and gender for a new generation. When a heated exchange between the two women goes viral, Theresa finds herself ill-equipped to manage her message in the era of 140-character tweets — especially against a rival whose time may have come. A collision of ideals within the feminist movement propels JC Lee's riveting drama from breathless start to surprising finish.
Part tour and part show, The Ride is a one-of-a-kind entertainment experience that turns the streets of New York City into a stage. With stadium seating, 40 monitors, 3,000 LED lights, and surround sound, The Ride is the world's only moving theater. Its ensemble cast of singers, dancers, musicians, actors, and comedians appear along a 75-minute journey through Times Square and midtown Manhattan. These performers interact with RIDErs, engaging them through quizzes, facts, and shout-outs. At the same time, the RIDErs, who face sideways out of floor-to-ceiling glass windows, see Manhattan's iconic landmarks emerge in panoramic and vertical views. Students, adults, and seniors share this unforgettable NYC experience.
Paulina, the reigning queen bee at Ghana's most exclusive boarding school, has her sights set on the Miss Universe pageant. But the midyear arrival of Ericka, a new student with undeniable talent and beauty, captures the attention of the pageant recruiter — and Paulina's hive-minded friends. Jocelyn Bioh's buoyant and biting comedy explores the universal similarities (and glaring differences) facing teenage girls across the globe.
Entertainment with benefits! In this three-character comedy featuring a straight woman, a seductive model, and you-know-who, audiences are welcomed into a fun-filled world of foolproof moves and insider advice that could only be culled from that most insightful of individuals: the gay man. Sex Tips for Straight Women from a Gay Man is based on the international best-selling book of the same title.
In its first New York revival since the 1990 premiere, William Nicholson's award-winning play Shadowlands follows the unlikely but true love story of renowned Oxford scholar and Christian apologist C.S. Lewis and the much younger Joy Davidman, a Jewish-American writer, ex-Communist, and Christian convert. The smart, brash Davidman upends Lewis's sedate middle-aged life. Lewis is as shocked as anyone else to discover that he and Davidman have fallen deeply in love — and almost immediately, he must contend with the equally deep pain of losing her when she's diagnosed with terminal cancer. Full of humor and insight, this play is a moving portrait of love and loss as well as faith and doubt, inspired by Lewis's own A Grief Observed.
An uproarious musical comedy parody of HBO's tentpole drama series, Shame of Thrones: The Rock Musical follows the saga of Eddard 'Ned' Stark as he battles tap-dancing direwolves, an evil inbred prince, and a smattering of other characters too hot and raunchy for network television. Will Ned climb his way to the Iron Throne? Or will he lose his head in the process? From the creators of Lost: The Musical and the acclaimed Once Upon a Time: The Rock Opera, Shame of Thrones: The Rock Musical features 13 original songs.
Multiple Tony Award winner Hinton Battle and JenKay present Sistas: The Musical, a hilarious and touching musical journey of a multigenerational family. Through that family, this musical play reveals the struggles, joys, and triumphs of being a woman and being black in America. Sistas includes the lyrics of music made famous by artists like Ma Rainey, Billie Holiday, Lena Horne, the Supremes, Aretha Franklin, Whitney Houston, Erykah Badu, Jill Scott, Beyoncé, and many others. Cast members power through such classics as "Oh, Happy Day," "Mama Said," "I Will Survive," "Ain't Nobody's Business," "God Bless the Child," "Respect," "My Man," "Baby, I'm Yours," "Say a Little Prayer," "Stop! In the Name of Love," "Single Ladies (Put a Ring on It)," and "We Are Family."
Writer Joshua Harmon (Bad Jews, Significant Other) and director Daniel Aukin (Bad Jews) reunite for Skintight, a scorching examination of beauty, youth, and sex. Reeling from her ex-husband's engagement to a much younger woman, Jodi Isaac turns to her famous fashion-designer dad for support. Instead, she finds him wrapped up in his West Village townhouse with Trey. Who's 20. And not necessarily gay. But probably an adult film star. At least, according to Jodi's son. Who's also 20. And definitely gay. Skintight assays the nature of love, the power of attraction, and the ways in which a superficial culture persists in teaching its children that all that matters is what's on the inside.
Punchdrunk's Sleep No More is an award-winning theatrical experience that retells Shakespeare's Macbeth through the lens of a film noir movie. Audience members move freely through the world of the story at their own pace, choosing where to go and what to see. Everyone's journey is different.
Note: No one under sixteen will be admitted.
Straight from the world of almost-Best Picture Oscar winner La La Land comes So Long Boulder City, Jimmy Fowlie and Jordan Black's take on Emma Stone's character's ill-fated, never-before-seen, one-woman show. What was it about this poorly produced, shoddily designed, and sparsely attended production that was supposed to launch a struggling actor into superstardom? So Long Boulder City is a life-affirming tale of determination, ambition, crushed hopes, and Hollywood triumph.
This 1879 operetta by the "father of Yiddish theater" was the first Yiddish theater piece produced in America by Boris Thomashevsky — at the age of 14. A fairy-tale-like story of an innocent young heroine, her wicked stepmother, dashing fiancé, an itinerant peddler, and a local witch is set to a musical score full of memorable tunes. This production of The Sorceress, an undertaking of the Yiddish Theatre Restoration Project, is presented as an enhanced reading. Audiences have the opportunity to see the work onstage with costumes, lights, and projections for the first time in over 80 years.
Note: This production is performed in Yiddish with English and Russian supertitles.
Don't miss Spamilton! From Gerard Alessandrini, the mastermind behind the legendary Forbidden Broadway, comes a sidesplitting new musical that roasts, eviscerates, and celebrates Lin-Manuel Miranda's Broadway hit Hamilton.
Returning for the first time since its sold-out debut at Joe's Pub in February 2016, Squirrel Heart is written by Sarah Stiles and Holly Gewandter, with direction by Darren Katz and musical direction by Brian Nash. Last seen in New York as part of Broadway's Hand to God cast — a performance for which she received a Tony Award nomination — Stiles has in the meantime been playing Gladys in Get Shorty on Epix. Her cabaret extravaganza Squirrel Heart is a marathon of musical genres and caffeinated emotions wrapped up in 20 or so costume changes and big hair.
Stomp is a fusion of dance, music, and theater. The performers "play" matchboxes, brooms, garbage cans, Zippo lighters, and other everyday objects. The resulting sounds and rhythms energize audience members, who have included Quincy Jones and Big Bird. Among Stomp's other claims to fame: two Emmy Awards (for the HBO special Stomp Out Loud), an Oscar nomination, and being an answer on Jeopardy!
On a plantation during the Civil War, a mystical tree stretches toward heaven. It protects James, a young slave, while he reads newspapers about the imminent possibility of freedom as the battle rages on. When a brooding stranger arrives, James and his makeshift family take the man in. Soon an unexpected bond leads to a striking romance, and everyone is in uncharted territory. But is love powerful enough to set your true self free? This lyrical and lushly realized play is part of poet, filmmaker, and playwright Donja R. Love's exploration of queer love at pivotal moments in black history. Saheem Ali (Nollywood Dreams) directs.
Sweeney Todd, an unjustly exiled and imprisoned barber, returns home to Victorian London hungry for revenge. He takes up the tools of his trade again, this time using them to cut throats as well as hair. A neighborhood pie shop proprietress quickly becomes his partner in crime and business. She suggests making meat pies out of Sweeney's victims, and together the two of them carve out a niche for themselves in the market.
Now the Tooting Arts Club is serving up a fresh production of this musical theater classic. This immersive revival has transferred to New York City after a sold-out run in London, where it premiered at Harrington's Pie and Mash Shop. The Barrow Street Theatre re-creates the pie shop atmosphere, even selling pies on-site. Rest assured, the cook is no relation of Sweeney's. He is Bill Yosses, a former White House pastry chef whom Obama dubbed "the Crust Master."
With music and lyrics by Stephen Sondheim, Sweeney Todd: The Demon Barber of Fleet Street is a musical that never goes stale. It won eight Tony Awards when it debuted on Broadway in 1979. The following year, it opened in the West End. A 2007 film adaptation directed by Tim Burton earned an Academy Award and two Golden Globes.
In a strange relationship that lasted 14 years and was conducted exclusively through letters, Pyotor Ilyich Tchaikovsky and his patroness Nadezhda von Meck were united through the invincible power of a disembodied love in which they both found refuge. Plagued by doubts about the greatness of his music, tormented by the fear that his homosexuality would be discovered, and trapped in a marriage to a woman who was eventually committed to an insane asylum, Tchaikovsky found in von Meck an "invisible angel." Tchaikovsky: None but the Lonely Heart honors their unique relationship in part through music, including the composer's Piano Trio in A minor.
Ted Greenberg, an Emmy Award winner and former writer for Late Night With David Letterman, delivers an hour of boisterous comedy. His interactive show ends with a group of audience members being whisked home in a yellow cab by Greenberg himself.
Terminus by Gabriel Jason Dean is the second chapter in The Attapulgus Elegies, a semiautobiographical collection of plays about the slow fade of an American mill town. This installment centers on Eller, a poor white matriarch and her mixed-race grandson, Jaybo, who live together by the railroad tracks in rural Georgia. When Eller's mind begins to fade, her violent past haunts her from the very walls of the old family home. And as she descends terrifyingly closer toward the truth about who she is, Jaybo's capacity to love his grandmother is put to the test. In a lyrical style that blends psychological realism with expressionism, Terminus treats racism as a disease and asks how white Americans are haunted by and continually complicit in the sustained trauma against black Americans.
A candle that moves water, a paper cup that won't burn, a firefly without fire. An atomic flash, weaponized sugar, a hydrogen bomb. A genie in a bottle, secret writing, elephant toothpaste...yes! All these and more constitute That Chemistry Show, 80 minutes of incredible exploration led by longtime "mad scientist" Borislaw Bilash. Expect amazement and lots of laughter as Borislaw combines the world of chemistry and the world of show business.
Winner of a Drama Desk Award for Unique Theatrical Experience!
Lifetime professional physics demonstrator David Maiullo brings his scientific "magic" from the world of physics to off-Broadway in That Physics Show. The show features live segments on motion, momentum, vacuums, friction, energy, density, fluid motion, light waves, sound waves/vibrations, temperature, and more from the world in which we live — a world controlled by physics.
Then She Fell is an immersive, multisensory experience in which audience members explore a dreamlike world. Every alcove, corner, and corridor of it has been transformed into lushly designed performance space. Inspired by the life and writings of Lewis Carroll (Alice's Adventures in Wonderland), Then She Fell offers an Alice-like experience to audience members as they explore rooms, often by themselves, in order to discover hidden scenes; encounter performers one-on-one; unearth clues that illuminate a shrouded history; use skeleton keys to gain access to guarded secrets; and imbibe elixirs custom-designed by one of New York City's foremost mixologists.
This theater experience is directed, designed, written, and choreographed by Zach Morris, Tom Pearson, and Jennine Willett in collaboration with original cast members. Its venue is The Kingsland Ward at St. John's, a century-old institutional building in Williamsburg, Brooklyn, where the action plays out on three floors.
Note: Because of the immersive nature of this piece, audiences may be standing for significant periods of time over the course of the performance. Attendees are encouraged to wear comfortable shoes.
A world premiere with a cast of four, The Thing With Feathers feels almost like a thriller as Scott Organ masterfully spins the tale of an underage teenager seduced by an older man on the internet. Things are not as they seem, however. This play is one of several by Organ produced by the Barrow Group Theatre Company. Others are Phoenix, Afraid. Yes. Of., The Mulligan, and The Faithful.
Set against the grit, the garbage strikes, and the graffiti of 1979 New York City, This Ain't No Disco tells the story of drifters and dreamers searching for their place in the night world of Studio 54 and Mudd Club. On their uptown-downtown quest for revelry and kinship, every decision is fateful in a city where one's fate can turn on a dime bag.
This Ain't No Disco is an electrifying new musical from composer and lyricist Stephen Trask (Hedwig and the Angry Inch), along with Peter Yanowitz (The Wallflowers). Trip Cullman (Six Degrees of Separation) directs.
A team of artists who were never greeted inside the hallowed halls of the Art Institute of Chicago decide to introduce themselves. They paint a 50-foot graffiti piece on the towering wall of the New Modern Wing, asking people to reconsider what art is and where it belongs, while bringing dire consequences on themselves. They are marginalized young men of color willing to risk everything to make their voices heard and prove that another paradigm is possible. This acclaimed and controversial play, commissioned by Steppenwolf Theatre in Chicago and written by Idris Goodwin and Kevin Coval, makes its New York premiere under the direction of Jessica Burr.
I Am a Boys Choir proudly presents a real live history show performed by a community of intergenerational performers. This Is What You Shall Do… is a spectacle of pageant and pageantry that opens up a queer past hundreds of centuries old —a history that is concrete, veiled, and/or totally imagined. But "What is the past?" you may ask. "And how does now begin and end?" And most importantly, "Will there be a quiz?" This Is What You Shall Do… explains the presence of the present, exploding outward to a place where time loses linearity, the future is now, and the past is covered in stardust.
This fascinating and original new musical looks at the role of women over the past 100+ years through 40 popular standards. From the sad laments of fragile female victims ("A Bird in a Gilded Cage") to the angry anthems of women who are mad as hell and not going to take it anymore ("I Am Woman" and "You Don't Own Me"), This One's for the Girls is a high-energy celebration of American women that's certain to thrill and entertain men, women and everything in between!
Adapted from the best-selling book by Cheryl Strayed, the play Tiny Beautiful Things is based on actual events. Thousands of people wrote letters asking for advice from an anonymous online columnist named Sugar, who drew from her own life experiences to answer in a candid, often brutally honest exchange. It was later revealed that "Sugar" was Cheryl Strayed.
Academy Award nominee Nia Vardalos has adapted Strayed's book, weaving together the real letters to explore the monstrous beauty, unfathomable dark, and glimmering light that are at the heart of being human. Vardalos also stars as Sugar/Strayed. Tony Award winner Thomas Kail (Hamilton) directs this play about reaching out when you're stuck, healing when you're broken, and finding the courage to take on the questions that have no answer.
Forty-five years after its original release, The Who's album Tommy — a classic rock classic — gets a bluegrass tribute. Composed as a rock opera by guitarist Pete Townshend, Tommy presents the life experience of a deaf, blind, and mute boy, including his relationship with his family. Tommy: A Bluegrass Opry, an all-acoustic rendition of the album, reinvents the original while also respecting it. Conceived and produced by SXSW cofounder and longtime musician Louis Jay Meyers, the revamped album features The HillBenders, a bluegrass band based in Springfield, Missouri.
In Too Heavy for Your Pocket, Tennessee-born playwright Jiréh Breon Holder takes audiences back to Nashville in the summer of 1961. The Freedom Riders are embarking on a courageous journey into the Deep South. When 20-year-old Bowzie Brandon gives up a life-changing college scholarship to join the movement, he has to convince his loved ones — and himself — that shaping his country's future might be worth jeopardizing his own.
It's 1979 in New York City, and Arnold Beckoff is on a quest for love, purpose, and family. He's fierce in drag and fearless in crisis, and he won't stop until he achieves the life he desires as a doting husband and a Jewish mother. Now Arnold is back...and he's here to sing you a torch song. This Tony Award-winning play that forever changed the trajectory of Broadway returns for a new generation.
Torch Song Trilogy opened on Broadway in 1982, where it enjoyed a groundbreaking run, earning Tony Awards for best play and best actor (Harvey Fierstein). The play has since been produced extensively across the country and around the world, including productions in London's West End and Menier Chocolate Factory. It was also turned into a 1988 film starring Fierstein, Matthew Broderick, and Anne Bancroft.
Shari was born into a war-torn country, alone and fending for herself; Clara grew up in New York with the best of everything. These two very different characters — who led two very different lives — meet in an explosive encounter and discover a shared secret from their past.
Cristofer and Clarence are two gifted students from the South Bronx. After two years at a local community college, where they are coached by faculty members, the young men are compete for a life-changing scholarship from an elite Northeast university. During a campus visit, they are unexpectedly confronted with their shared past while trying to break through a system that seems designed to keep them on the outside.
Twelfth Night is an engaging mixture of mischief, unrequited love and gender confusion—all interwoven with music and some of Shakespeare's most beautiful language. Shipwrecked in the alluring country of Illyria, twins Viola and Sebastian each believe the other dead and embark on parallel adventures of mistaken identity and self-discovery.
Shipwrecked on the island of Illyria, Viola and her twin brother Sebastian are separated, each fearing the other has been lost to the sea. Viola disguises herself as a boy and wades into a complex romantic triangle with Duke Orsino and the Countess Olivia. Members of New York City's innovative Fiasco Theater bring their hallmark style and expansive imagination to one of Shakespeare's most popular comedies.
Inspired by true stories of people living on the spectrum, Uncommon Sense delves into the mysteries of the brain. This multimedia play weaves together the four personal journeys of Dan, Jess, Moose, and Lali—and their families and friends— as it reveals our universal challenges with "difference," our desire to connect, and the lengths to which we go for the people we love. Uncommon Sense embraces all audiences, from those finally seeing their experiences reflected on the stage, to those peering into the autism world for the very first time.
A collaboration between Teatro Patologico and ZCO/DANCEPROJECT Written and directed by Dario D'Ambrosi Choreography by Zazel O'Garra
Upside Down narrates the story of a young, able-bodied woman who accidentally enters a world populated by people who dress, act, and move in the opposite way — a world that contradicts "normality." Performed by a cast of actors with disabilities, this production upends the concept of daily life, social norms, and diversity.
Created by Jonathan Rockefeller, the critically acclaimed The Very Hungry Caterpillar Show features a menagerie of 75 lovable puppets and faithfully adapts four of Eric Carle's stories: The Artist Who Painted a Blue Horse, Mister Seahorse, The Very Lonely Firefly, and of course, The Very Hungry Caterpillar. This production also features Brown Bear, Brown Bear and 10 Little Rubber Ducks.
A Walk in the Woods, Lee Blessing's insightful two-character play set during the end of the Cold War, tells the tale of a series of meetings between two diplomats, American and Russian. The play raises deep questions: What can we do to heal the world? What is the value of human connection? How can we best bridge fundamental differences? In today's political climate, Blessing's story has chilling resonance.
"Why is it still like this?" Janice sighs to Eliza. It's 1992, and Eliza is the brainy new recruit at a small-shop architecture firm. But she's struggling to get a foothold on even the lowest rung of the company ladder, and starts making moves to blow the lid off their Pandora's box of office politics and social maneuvering in this sharply hilarious black comedy. Theresa Rebeck brings her trademark blistering wit to the workplace in this darkly funny and all-too-relevant comedy of gender politics.
Olivier Award winner Lesli Margherita plays Cindy Lou Who in the world premiere of Matthew Lombardo's Christmas comedy in couplets. The story involves a middle-aged Cindy Lou Who, now residing in a beaten-down trailer in the snowy hills of Mount Crumpit. As she prepares to host a Christmas Eve party for her friends, she recalls from her own perspective that fateful night when she first met the Grinch and the strange turn of events her life has taken over the 40 years since then. Lombardo's hysterically funny, wildly irreverent, and heartfelt parody is a must-see for adult theatergoers this holiday season!
In her Theatre for a New Audience productions of William Shakespeare's Othello, King Lear, Henrik Ibsen's A Doll's House, and August Strindberg's The Father, director Arin Arbus explored marriage, jealousy, and family. The Winter's Tale, a haunting late romance, half-tragedy and half-comedy, explores some of these same themes. A tyrant's accusations of infidelity, a shattered family and marriage, the miraculous rescue of children, a thief so clever that viewers take his side, time personified, a statue magically sprung to life, and a ferocious bear: Only Shakespeare could make a story so fantastically eventful and improbable into cohesive, soul-stirring drama.
Strap on your ruby slippers and join the Scarecrow, the Tin Man, the Lion, Dorothy, and her little dog, too, for this adaptation of The Wizard of Oz, the classic story of the girl who wakes up in a strange land filled with witches, munchkins, and monkeys, and befriends a cowardly lion, a tin man without a heart, and a scarecrow with no brain in her quest to find her way back home. Journey down the yellow brick road through the land of Oz to meet the wizard while humming along to memorable songs from the Oscar-winning film, including "Over the Rainbow," "We're Off to See the Wizard," and "If I Only Had a Brain."
Left quad. Right quad. Lunge. A girls indoor soccer team warms up. From the safety of their suburban stretch circle, the team navigates big questions and wages tiny battles with all the vim and vigor of a pack of adolescent warriors. The Wolves is a portrait of life, liberty, and the pursuit of happiness for nine American girls who just want to score some goals.
Award-winning writer Marcus Gardley's critically acclaimed play X: Or, Betty Shabazz v. The Nation lyrically explores the assassination of Malcolm X — both the story we think we know and illuminating details that have seldom been shared. Shakespeare's Julius Caesar provides a framework for Gardley to deepen our understanding of one of America's most complex, compelling historical figures, and to explore the tumultuous landscape of ideology and activism in the 1960s.