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The world may be starting to burn, but Biedermann has it all under control. He's a respected member of his community with a loving wife and a flourishing business, so surely the arsonists will spare him. As an upstanding citizen, he's even happy to do his civic duty by opening his home to two new guests…but when they start filling his attic with drums of gasoline, will he end up starting the fire himself?
Written as a reflection on the rise of both Nazism and Communism, The Arsonists has uncanny new relevance today in light of the rise of populist nationalism around the globe.
Seventeen Broadway dancers audition for spots on a chorus line. The musical, set on the bare stage of a Broadway theater, provides a glimpse into the personalities of the performers and the choreographer as they describe the events that have shaped their lives and their decisions to become dancers.
Conceived and originally directed and choreographed by Michael Bennett, with music by Marvin Hamlisch, lyrics by Edward Kleban, and book by James Kirkwood and Nicholas Dante.
Stephen Karam's The Humans is an uproarious, hopeful, and heartbreaking play that takes place over the course of a family dinner on Thanksgiving. Breaking with tradition, Erik Blake has brought his Pennsylvania family to celebrate and give thanks at his daughter's apartment in Lower Manhattan. As darkness falls outside the ramshackle prewar duplex and eerie things start to go bump in the night, the Blake clan's deepest fears and greatest follies are laid bare. Our modern age of anxiety is keenly observed with humor and compassion in this new American classic that won the 2016 Tony Award for Best Play.
From the Pulitzer Prize-winning playwright of Disgraced comes a thriller about Nick, an American options trader and Citibank executive held hostage by a fringe radical group in Pakistan. In an ingenious twist on the Stockholm syndrome, the American captive offers to earn his own ransom by investing a multimillion-dollar portfolio on behalf of his Islamic captors. Assisted by his guard Bashir, he begins to harness the power of free markets to accumulate a fortune on behalf of the group's leader, Imam Saleem. Amid violence, corruption, and inequality, Bashir proves to be not just a sharp critic of Western materialism but also an apt pupil of Nick's trading strategies as they form an uneasy alliance.
Shakespeare's King Lear is an epic parent-child drama and then some. The tragedy begins as fairy tale ("Once upon a time, there was an old king who had three daughters...") and ends as a nightmare — of homelessness, alienation, family strife, and civil war. This production stars Acting Company members Sara Barker as Edgar, Frank Britton as Cornwall, Christopher Henley as the Fool, and Cam Magee as Gloucester.
Provocative director Liesl Tommy brings Broadway savvy, storytelling flair and a revolutionary sensibility to "The Scottish Play," Shakespeare's exploration of murderous ambition, fiendish equivocation and a love of terrifying intimacy. In a world beset by civil war and invasion, Macbeth and his artful lady begin a series of murders, plunging us into the darkest night of the soul. Storms rage, fires burn and night blankets the earth in this tale of sound and fury, accompanied by Shakespeare's richest poetry.
In a small South African tea shop in 1950, two black men and a white boy joke and dance together, defying the brutalities of apartheid through their joyous love. But festering issues of family, race, and power are not so easy to ignore, and a single phone call can trigger catastrophe.
Winner of the Drama Desk and London Evening Standard Awards for Best Play, "Master Harold"…and the Boys reveals the profound personal consequences of oppression.
Carl Maria von Weber's stunning music for Oberon brings you a true midsummer night's dream, beginning with the famous overture. Shakespeare's gods are a-quarreling, and true love must be conjured by a host of fairies, kings, elves, medieval knights and the mischievous Puck. Writer and director Nick Olcott unveils a new English adaptation of this classic opera, conducted by music director Stanley Thurston.
A plantation on the brink of foreclosure...a young gentleman falling for the part-black daughter of the estate's owner...an evil swindler plotting to buy her for himself. Meanwhile, the slaves are trying to keep things drama-free because everybody else is acting crazy.
An Octoroon, Branden Jacobs-Jenkins' Obie-winning riff on a 19th-century melodrama that helped shape the debate about the abolition of slavery, is an incendiary adaptation. Part period satire, part meta-theatrical middle finger, it's a provocative challenge to the racial pigeonholing of 1859 — and of today.