A light-spirited story about three sets of amateur performers in three different eras grappling with the personal effects of staging the death and resurrection of Jesus Christ. At its core, it’s a playful and profound perspective on the dysfunctional family of the theater and how that relates to the larger world outside of it. From Queen Elizabeth’s England to Hitler’s Germany to Reagan’s America, two-time Pulitzer Prize nominee Sarah Ruhl’s play is bold, magical, poetic, sexy, smart, profound and epic. It’s truly not to be missed.